Ajouter une intrigue dans votre langueIn 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.In 1862, a young Englishwoman becomes royal tutor in Siam and befriends the King.
- Réalisation
- Scénaristes
- Stars
- Récompensé par 2 Oscars
- 6 victoires et 6 nominations au total
- Phya Phrom
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- An Elephant
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- Midget Page Boy
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- Wife of King
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- Wife of King
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- Dance Director
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- Wife of King
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- Amazon Guard
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Avis à la une
Touching film
I found the acting in this movie wonderful. Rex Harrison, in his first American production, really brings the complexities of the Siamese king to life. He is a man torn between the traditions of the past and the necessities of change, which he embraces with open arms, even if his mind, from habit, is partially closed. Comparing his performance to that in My Fair Lady allows one to really see how he used his voice effectively in portraying the king.
One must give credit to those who took this narrative and later produced the musical, amending the story to create a vehicle more suitable to music and humor. But Anna and the King of Siam deserves kudos as a believable story that evokes real feelings for its characters. You may need a few hankies.
BETTER than the KING and I
The best version of them all!
This film hits hard right out of the gate with Anna and her son caught in a situation that neither quite expect. Rex Harrison plays the King surprisingly well despite not looking as exotic as Yul Brenner or as truly authentic as Yun-Fat Chow. Dunne's determination and caring for her son spur her on and make her brave and strong in an understated fashion as the film progresses. The main characters repartee is a delight to witness. Their chemistry is just right, and they do not have the luxury of lavish musical numbers to draw them together. One just knows they have a great respect for each other from very fine acting.
I will say that I found this version the most emotionally charged of the three motion pictures, yet it is not a Peyton Place melodrama. Maybe that's why I love it so. It's so well-made in every aspect that it really packs that emotional punch for me. I didn't even recognize the usually very recognizable Lee J. Cobb and somehow missed his name in the credits the first time.
I think this is about as fine an epic drama about forbidden romance and opposing cultures as I've seen. I give most of that credit to the wonderful performances of the leads and the incredibly adept script. It entertains, tugs at your heartstrings, and doesn't disappoint. I highly recommend it as the best version of them all:)
Fine Adaption of Classic
Irene Dunne and Rex Harrison star, and they work well together, from the frosty start, to the begrudging respect into the romantic overtones that develop. Their chemistry is the key to holding the film together - and it works. The sets are marvelous, and the supporting cast (Gale Sondergaard, Lee J. Cobb [yes-I said Lee J. Cobb!] et al) are quite good.
There's been much ado about comparing this movie with THE KING AND I. Margaret Langdon did not write a musical about her experiences there, she wrote a book. Rodgers and Hammerstein wrote the musical, based on the book. The two are certainly two different entities, and should be based on their singular merits and faults. It's about as silly as trying to link REBEL WITHOUT A CAUSE and GREASE!
Yes, Anna's character is a tad dowdy, if not prudish; yet these are values from the 1860's, not Woodstock in the 1960's. It's really not fair to judge the characters motivations by our present standards or perceptions of morality. True, it would have been better to cast an Asian actor as Mongkut, yet these were not the realities of 1940's Hollywood; and we well know this.
Overall, we watch cinema to be entertained and escape, and ANNA AND THE KING OF SIAM provide more than ample reward for the viewer, in that regard.
Strong Performances highlight Film Classic
I recommend this film over the musical for sheer consistency of style. Sir Rex and Ms. Dunne are wonderful together and the entire film its a gem fro start to finish.
Le saviez-vous
- AnecdotesSir Rex Harrison thoroughly enjoyed co-starring with Irene Dunne. He thought her "an excellent actress" and was pleased that she had the confidence to follow her own instincts. He recalled, "She too went her own way and tactfully used the director, as I later learned to do myself, to her own advantage; she listened to what he had to give, and discarded it or used it, as she wished."
- GaffesAs the various Consulates are being established, there are several errors involving the national flags; the British Union Jack is shown upside down, the French flag is replaced by that of The Netherlands, and the US flag is shown with 48 stars (correct for 1946, but in 1870 there were only 37 states).
- Citations
Kralahome: [the Kralahome has just arrived to tell King Mongkut of the loss of Cambodia. Anna, meanwhile, continues to press the King about the issue of a private residence, to the point where even the King's staff members are singing "Home, Sweet Home"] Your Majesty! It has begun, Toongramon. We've lost Cambodia. Our governor of Cambodia has made a treaty with the French government. They have recognized Cambodia as independent of Siam, placed it under their "protection," and this governor of ours still protests his loyalty to Your Majesty.
King Mongkut: So, a camel's nose is in the tent. The partition of Siam, it has begun.
Kralahome: For a long time, we've said this hour must come. Now it is no longer talk. It is upon us. What do we do?
King Mongkut: Nothing. We shall do nothing whatever in this matter... because there is nothing we can do.
Kralahome: Your father took such a man once and burned out both his eyes, hung him in the sun in a cage over cool running water, until he went mad.
King Mongkut: [Heartbroken, yes resigned] We have not the right to waste ourselves on something which cannnot be changed. We shall save what strength and cunning we may have to hold together what is left of Siam. And if we cannot save all that is left, we shall save what we can.
Kralahome: [after a long pause] Tell me something Toongramon. A long time ago, I came to you and asked you to leave a life of peace, and to be King. If I could ask you now to make that choice, what would your answer be? Think well before you answer that. Think what this can mean to you.
King Mongkut: You feel great responsibility for me, don't you, Chow Koon?
Kralahome: You might still be living peacefully at the monastery if I had not persuaded you. Perhaps it is not too late to return. Think well on that. The monastery instead of this place, where you have only enemies and danger. Well, you know this is not the end. The ships of Europe will crowd thicker on our seas, greedy for conquest. They have the power... and the cunning. They know how to set your nobles against you, how to buy and threaten them. How can you hope to hold Siam together against enemies without and within? All that it can mean to you is that, in the end, you will die in a lost cause.
[pause]
Kralahome: I have done you a sorry service to have brought you to this moment.
King Mongkut: [after a moment] I think you take too much credit on yourself, Chow Koon. There is a man born for every task, and I was born for this one. Remember, I was prince before I was monk. Let me ask you, if you were in my place, what would your answer be?
[Long pause. He cannot answer]
King Mongkut: Then give me as much credit as you allow yourself, my friend.
Kralahome: If only we had more time.
King Mongkut: [Court musician can be heard playing "Home, Sweet Home" outside the King's window] She's got someone else at it.
Kralahome: She?
King Mongkut: That woman and her house!
[Calls to court musician]
King Mongkut: Stop it!
[Music stops]
King Mongkut: Take a lesson from her, my friend, and you'll never give up on anything. Give her a house.
Kralahome: But...
King Mongkut: Give her a house! If she was meant to be a sign to us, she deserves a reward.
[Really angry now]
King Mongkut: And if she wasn't, well, give her a house anyway, before she drives me out of my mind!
- Versions alternativesThe 2006 UK DVD was cut by 2 secs by the BBFC to remove a horse-trip.
- ConnexionsFeatured in Rodgers & Hammerstein: The Sound of Movies (1996)
- Bandes originalesHome Sweet Home
(1823) (uncredited)
from "Clari, The Maid of Milan"
Music by H.R. Bishop
Lyrics by John Howard Payne
Sung by the King's children and played often in the score
Sung a cappella a bit by Mikhail Rasumny
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Ana y el rey de Siam
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 8min(128 min)
- Couleur
- Rapport de forme
- 1.37 : 1