Behind the Mask

This film is about Lamont Cranston trying to track down a criminal who is masquerading as the "Shadow" and murdering members of the underworld. (And, giving the Shadow a "bad name").

This film has a LOT of potential (and it's VERY clever how the murderer pulls it off), BUT the jealous antics of Margo Lane & friend get to be sooo annoying that it all but ruins the film. (I'm glad to say that Lamont actually SPANKS her at the end of the film!). It's a shame that he didn't do that at the BEGINNING of this film!

Norm

The Shadow is one of the great pre-comic book heroes of the 1930s, so you'd think that this film would be a lot more fun than it is. The problem is that the film-makers didn't seem much interested in making a Shadow film ... what we have here is a not very good detective movie with lots of ill-considered "humorous" scenes.

Not even a curiosity, this is not for Shadow fans. Take a look at the 1940 chapter serial with Victor Jory. Much closer to the original Shadow concept. Though there's still loads of potential for someone to make the definitive screen adaptation of The Shadow ... 'cos Russell Mulcahy's 1994 effort wasn't it either ...

This second of Monogram's three Shadow movies again features Kane Richmond as Lamont Cranston/The Shadow, and Barbara Read as his girlfriend/assistant Margo Lane. It starts with a well-done, gritty set-up; a blackmailing reporter makes his way through rain-streaked streets at night, to various dingy illegal 'bookies' and nightclubs, meeting with 'clients' and taking payments. One client decides enough is enough and has the blackmailer taken care of in a manner that implicates the Shadow. Cranston sets out to catch the murderer and to clear his alter-ego's name.

Sadly, after such a promising opening this reverts to the 'Thin Man' style banter that dragged the first one down, and by the half-way point plummets into 'comedy' that really isn't funny now. The tension built so well at the beginning just evaporates. On top of that, the Shadow hardly appears, with most of his work done as Lamont Cranston (who, as before, is played like any other amateur detective or adventurer of the era, with no mystical abilities). By the end the killer is caught and the Shadow is exonerated, but it's hard to care. There's a good, noir story in here, but it's squandered. A definite drop. 4/10.

Then you'll probably like this movie. Maybe.

If you like the Walter Gibson, et al, Shadow then you might want to avoid this unless you are an insane completist like me.

The Shadow & Margot were never meant to be a slapstick version of Nick & Nora and unfortunately that is what has been done to them in this. Okay, Shrevie was always played for laughs on the radio so he is acceptable that way (though I prefer the crafty cabbie from the pulps) but even then he wasn't a total moron.

Oh, the mystery part? Yeah, I suppose there is one and its not the worst mystery ever filmed, that might just be 'Sinister Hands', but if you don't guess whodunnit ahead of time its probably because you fell asleep & didn't care.

Kane Richmond is the Shadow, and as the shadow, he is the principal suspect in the murder of newspaper columnist James Cardwell. So, with the help of his trusty manservant George Chandler, and despite the help of fiancee Barbra Read and her trusty servant, Dorothea Kent, they investigate until the answer is basically handed to Richmond at the very end. Along the way they frustrate police inspector Joseph Crehan, and his inept assistant, Edward Gargan.

In the midst of all the inactive Fox B series, Monogram apparently also picked up movie rights to the Shadow. William Beaudine began the direction on this opus, only to be replaced some time in the process by Phil Karlson. As a mystery, it's pretty bad. As a slapstick comedy, it's all right; even the big fight sequences are played for slapstick comedy, with Richmond's stunt double swinging from a rope and tossing one opponent at another. With Pierre Watkin, Robert Shayne, June Clyde, and Joyce Compton.