Le courage de Lassie

Fred M. Wilcox returned to direct Lassie in his third film, but this is not a continuation of "Son Of Lassie", though original costar Elizabeth Taylor does return as a new character called Kathie Merrick, who rescues a collie pup, and names it Bill(Lassie is not the name here, despite the title!) whom she raises as a sheep-herder, until one day he is hit by a truck and taken to a veterinarian. Bill's life is saved, but is not identified, so is instead sent off as a war dog to assist soldiers in the trenches. Sadly, this experience turns Bill vicious, and upon his return home becomes a livestock killer. Can Kathie convince the court not to put Bill down? Strange film is mostly an uninspired rehash of the first two(unrelated) pictures, when it would have been far wiser to just continue that story, instead of creating this one. A wasted opportunity.

Well, folks, there were no surprises in this one. A young girl adopts a lost puppy and takes it in for her own, turning it into a first class sheep dog. Then the inseparable pair are separated and the dog must face a cruel world without his master. The film has the usual [and some unusual] assortment of adventures from the collie being shot, run over, drafted, shot again, ran to exhaustion, put on trial, exonerated, and then a tearful re-union with the little girl [the dog didn't shed a tear]. Some little girl. Wow! I liked it, but then, I am a hopeless dog lover: it was pretty corny, though. Nice Canadian scenery throughout, should be a winner with the kids.

This is a mildly entertaining Lassie film in which the collie (who is named Bill in the story) plays the leading role while the human players (ELIZABETH TAYLOR, FRANK MORGAN, TOM DRAKE) are mere foils. The plot concerns a pretty teen-aged Taylor who finds him in the Canadian wilderness, loses him when he goes astray, and finds him again in time for a heart-warming conclusion, but only after war-weary dog has gone on trial for, of all things, murder.

It starts out slowly as a nature film with nothing but shots of rabbits and other woodland creatures before it gets to the heart of the story with the opening scenes of Frank Morgan and Elizabeth Taylor (in her early teens and seemingly unspoiled, giving one of her more natural performances). Taylor's fawning over Lassie seems genuine, if a bit too sentimental, and it's a relief at the finale that she is reunited with her pet.

Standout are the war scenes where Lassie is forced to help American soldiers in a dangerous assault on some Japanese soldiers. Lassie is trained in these chores by soldier TOM DRAKE and after battle fatigue sets in he becomes another shell-shocked victim of war. How he's able to return to Taylor for the film's happy ending is the balance of the story.

Nicely done, filmed in wilderness areas of Canada and the state of Washington, but still just a minor entry in the Lassie stories.

This is a Lassie movie. It stars Lassie. Lassie's name is above the title. It is not an Elizabeth Taylor movie, although her presence is just as lovely, young and innocent. Lassie here is played by the very first and original Lassie collie---who was in most, not all, of the Lassie movies. There were nine Lassies. Today, April, 2005, we have the ninth Lassie, all descendants of this very first Lassie. Courage of Lassie is a sweet and very sad story at times with a plot and storyline particular to WWII and is is not unrealistic or spectacular. It is a family movie and a throwback to a time when Lassie movies were popular. It must be viewed in that light. I recommend it,as I would recommend all Lassie movies and I, personally, am looking forward to seeing the new Lassie movie currently being filmed.

How can you not like a movie in which Lassie is inducted into the army and comes out warped into a serial killer? Like so many MGM stars during wartime Lassie found himself pressed into morale-building patriotic duty. When Frank Morgan tells Elizabeth Taylor he has a son in the Philippines, it's almost a foregone conclusion that Lassie (who goes by a variety of aliases here) will find his way to some kind of military heroism. The truly bizarre twist is that, pushed past the breaking point by his desperate Army masters to lead them to the rescue of a trapped patrol, he comes out with a grudge against the world, and winds up, essentially, on trial for murder. Ultimately, Morgan's courtroom summation turns this odd story into a surprisingly moving allegory for the situation of returning combat vets. (And I'd leap off a moving train, too, if I had little Liz Taylor waiting for me at home.)