Ajouter une intrigue dans votre langueA crashed plane that had a shrunken head aboard is the only clue to a mystery involving a secret code.A crashed plane that had a shrunken head aboard is the only clue to a mystery involving a secret code.A crashed plane that had a shrunken head aboard is the only clue to a mystery involving a secret code.
- Réalisation
- Scénario
- Casting principal
Bud Averill
- Museum Guard
- (non crédité)
Edward Earle
- E.R. Willard
- (non crédité)
John Elliott
- John the Butler
- (non crédité)
Fred Godoy
- Mendoza
- (non crédité)
Richard Hale
- Curator Raymond Halliday
- (non crédité)
Coulter Irwin
- Frank
- (non crédité)
Thomas E. Jackson
- Detective Captain Quinn
- (non crédité)
Frank Martin
- Narrator
- (non crédité)
Frank Mayo
- Gordon R. Mitchell
- (non crédité)
Mary Newton
- Karger's Nurse
- (non crédité)
Avis à la une
This is the second film to be based on the popular American radio programme 'I Love A Mystery', and I reckon it's an improvement over the first, the plot easier to follow, with stars Jim Bannon and Barton Yarborough having settled into their roles as private detectives Jack Packard and Doc Long.
This time around, Jack and Doc are hired by Louise Mitchell (Mona Barrie) who believes that her life is in danger from her stepdaughter Janet (Anita Louise), who thinks that her father was murdered by his wife while on safari, her suspicion fuelled by love letters between Louise and her dad's associate, Prof. Arthur Logan (Frank Wilcox). As the pair of private eyes investigate, they encounter Janet's somewhat shady love interest Rex Kennedy (Michael Duane), a killer with a deadly blowpipe, a crooked hypnotist, a savage black panther, an animal loving taxidermist, and a shrunken head containing a secret code.
Director Henry Levin maintains a snappy pace, Bannon and Yarborough make for a great pairing, and the plot is just the right amount of bonkers with being TOO preposterous.
This time around, Jack and Doc are hired by Louise Mitchell (Mona Barrie) who believes that her life is in danger from her stepdaughter Janet (Anita Louise), who thinks that her father was murdered by his wife while on safari, her suspicion fuelled by love letters between Louise and her dad's associate, Prof. Arthur Logan (Frank Wilcox). As the pair of private eyes investigate, they encounter Janet's somewhat shady love interest Rex Kennedy (Michael Duane), a killer with a deadly blowpipe, a crooked hypnotist, a savage black panther, an animal loving taxidermist, and a shrunken head containing a secret code.
Director Henry Levin maintains a snappy pace, Bannon and Yarborough make for a great pairing, and the plot is just the right amount of bonkers with being TOO preposterous.
A woman thinks her daughter is out to kill her, and hires a detective agency to help her. "Devil's Mask" had a perfectly respectable cast, and a good solid script. With shrunken heads from south America, a panther, and even the use of hypnosis were all probably pretty new and exotic in 1946. (Although, when they try to put someone under hypnosis, they shine a bright light in the actor's eyes, and loudly tap a pencil over and over, so not sure how deeply the actor could have gone under....) The acting by some of the actors is a tad flat, and assistant detective Doc Long (Bart Yarborough) spouts more southern descriptive phrases than necessary, probably the reasons for the low rating on IMDb and membership in the "B Movie" club. The lead detective playing Jack Packard , Jim Bannon, had played detectives and cowboys, and was married to Bea Benaderet (Pearl Bodine, in the Beverly Hillbillies). Another interesting connection, Frank Wilcox, who plays Professor Logan, would also go on to be the oil company president on "Beverly Hillbillies". Also.... Mona Barrie and Bea Benaderet were both in "The First Time". Anita Louise, who plays the daughter Janet in Devil's Mask, was really only six years younger than the Mother Mitchell (Mona Barrie). good Whodunnit. no big glaring plot holes. no big car chase scenes.
Jack Packard and Doc Long are back—the detectives of I Love a Mystery. Jim Bannon is Packard: serious, cool, businesslike, and tough to fool. Barton Yarborough is Doc—he of the southern drawl, gentle sarcasm, and vaguely comical attitude and behavior. Together they tackle another case, this time attempting to sort out a set of entanglements involving family and colleagues of a missing adventurer.
The opening minutes set up the mystery quite well—the characters are introduced and laid out carefully, but it's genuinely tough to tell who is who, who's on which side. Gradually, deliberately, the mystery opens and unravels and eventually builds to a rather exciting climax. The story itself features a shrunken head, the mysterious disappearance of an explorer who may or may not be dead in a jungle somewhere, a collection of his mutually suspicious family members, and a taxidermist who keeps a large black mountain lion in a cage outside his shop.
The acting is passable if not great Bannon and Yarborough are fine if slightly bland, Anita Louise and Michael Duane are tightly wound and thus somewhat unpredictable as the young couple, Mona Barrie is suitably concerned yet perhaps a tad shady as wife and stepmother.
The dialog occasionally aims at humor (standing next to a museum case of shrunken heads, Packard suggests that he and Doc put their own heads together, at which Doc winces, "I wish you wouldn't say that"—ha ha) but mostly it's a straight mystery that plays up the spookiness of such elements as said shrunken heads, some poison dart guns, the growling cat, and the general air of suspicion that the family members create around themselves and each other.
A tidy little mystery that's tightly plotted and efficiently produced.
The opening minutes set up the mystery quite well—the characters are introduced and laid out carefully, but it's genuinely tough to tell who is who, who's on which side. Gradually, deliberately, the mystery opens and unravels and eventually builds to a rather exciting climax. The story itself features a shrunken head, the mysterious disappearance of an explorer who may or may not be dead in a jungle somewhere, a collection of his mutually suspicious family members, and a taxidermist who keeps a large black mountain lion in a cage outside his shop.
The acting is passable if not great Bannon and Yarborough are fine if slightly bland, Anita Louise and Michael Duane are tightly wound and thus somewhat unpredictable as the young couple, Mona Barrie is suitably concerned yet perhaps a tad shady as wife and stepmother.
The dialog occasionally aims at humor (standing next to a museum case of shrunken heads, Packard suggests that he and Doc put their own heads together, at which Doc winces, "I wish you wouldn't say that"—ha ha) but mostly it's a straight mystery that plays up the spookiness of such elements as said shrunken heads, some poison dart guns, the growling cat, and the general air of suspicion that the family members create around themselves and each other.
A tidy little mystery that's tightly plotted and efficiently produced.
Second in the I Love a Mystery series sees Jack Packard (Jim Bannon) and Doc Long (Barton Yarborough) investigating a mystery involving a missing man, shrunken heads, and blow guns. Yarborough is at his "good ole boy" best, for those who enjoy him. Bannon is not bad but not exciting. Very ordinary. Anita Louise is irritating throughout the picture. Terribly overwrought performance. The best thing about this series were the nice atmospheric moments. The usage of supernatural or bizarre elements helps separate it from most other B detective films. The killer is pretty easily figured out, though the motivation was pretty cool. Anita Louise's hysterics are the worst part of the movie. Still a decent way to spend an hour and change.
The "I Love A Mystery" films from Columbia were all based on a radio program of that name and each of them was made into very entertaining mysteries, the sort that Columbia was able to churn out on a tight budget with directors like Henry Levin.
This is the most gripping mystery in the batch, full of ingredients that will have you guessing from beginning to end just how all the loose ends will be tied up.
It starts off with the shrunken heads discovered when a plane crashes en route from California to Columbia, and then the plot includes a missing explorer who has possibly been murdered, an anxious wife afraid that someone is trying to kill her (MONA BARRIE), a young woman and her fiancé (ANITA LOUISE and MICHAEL DUANE)who resent being followed by detectives, and the detectives hired to cover the case (JIM BANNON and BARTON YARBOROUGH). Also in the mix: a restless black panther and the weird owner of a taxidermist shop (PAUL E. BURNS).
Nicely photographed in crisp B&W with appropriate set decorations, it has the look of a better than average programmer from Coumbia (not Republic, as another comment suggests).
Guaranteed to surprise and entertain, it's well worth watching.
This is the most gripping mystery in the batch, full of ingredients that will have you guessing from beginning to end just how all the loose ends will be tied up.
It starts off with the shrunken heads discovered when a plane crashes en route from California to Columbia, and then the plot includes a missing explorer who has possibly been murdered, an anxious wife afraid that someone is trying to kill her (MONA BARRIE), a young woman and her fiancé (ANITA LOUISE and MICHAEL DUANE)who resent being followed by detectives, and the detectives hired to cover the case (JIM BANNON and BARTON YARBOROUGH). Also in the mix: a restless black panther and the weird owner of a taxidermist shop (PAUL E. BURNS).
Nicely photographed in crisp B&W with appropriate set decorations, it has the look of a better than average programmer from Coumbia (not Republic, as another comment suggests).
Guaranteed to surprise and entertain, it's well worth watching.
Le saviez-vous
- AnecdotesSecond of the three 'I Love a Mystery' thrillers released by Columbia PIctures, based on the popular radio series of the same name that aired on the NBC radio network from 1939 to 1944.
- ConnexionsFollowed by The Unknown (1946)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La máscara del diablo
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 5 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was The Devil's Mask (1946) officially released in Canada in English?
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