Terreur des morts vivants

As to whom can roll their eyes most.This is a typical Edgar Eallace thriller with a rather predictable plot and climax.A good cast helps make this entertaining.

I'm spending a lot of time with 1930's mysteries. This one just isn't worth your time. It has some interesting plot features: the double-blind villain and a double-blind detective. But it has some tedious elements: the spooky mansion with secret doors, the hooded villain, carefully shrouded until the end, too much talk among and to "inspectors," and the not very funny comic relief in the biddy who thinks she knows all. And it spends an inordinate percentage of our patience on the setup and prior events.

You'll guess all the secrets as soon as they are posed.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

This is what I expect is a typical Edgar Wallace plot with its old house (former Abbey) replete with secret passageways, a hooded stranger and things that go bump in the night. Three crooks steal a fortune in gold coins; one of the thieves named O'Shea rats on the other two – "Soapy" Marx played by Sim and Joe Connor (Henry Oscar). Marx and Connor are sent to prison for ten years and vow to get even with O'Shea. It is now ten years later and the scene shifts to a former Abbey turned into a boardinghouse by its owner, Colonel Redmayne (Arthur Wontner). The thing is Redmayne keeps turning away potential boarders. So there are only three – a ditsy Mrs. Elvery who claims to be "psychic" and her unattractive daughter and a Mr. Goodman. Unexpectedly, Redmayne's daughter returns home after a long absence. The movie is slow slogging for the next several minutes as the "psychic" prattles on about noises and seeing a hooded creature (also seen by the daughter). Then murders start happening…. As annoying as Mrs. Elvery is, she does have a couple of good lines. At one point she tells the Detective that she will find out the truth even if it's the death of her. She pauses and then says something like "Oh, I wish I hadn't said that." The real kudos in this movie go to Sim with his daffy cleric routine and Lee with his comic drunk routine. Both actors were a delight to watch and they made the movie one to watch again.

People who complain about the predictability of this film miss the quality. Just as with a sonnet you can expect a number of lines and syllables, and some occasional tweaking of the language to fit, so you can expect style and structure fitting a well rehearsed pattern. You have the gothic mansion, a former monastery, with secret doors and passages, an organ playing in the night (no one operating the bellows) and a detached but eerie chapel. The place is a guest house/ private house with a staff including Irene Handel as kitchen maid, Kathleen Harrison as the house maid playing the sorts of parts they played for decades. There is a lost £300,000 in stolen gold, two gaolbirds who, after ten years, waaant to recover it, and get the organiser of the gang who betrayed them. Star turns are Alistair Sim as a crook disguised as a dotty vicar, and James Bond's 'M' as a serial drunk. A number of murders and the melodramatic denouement complete the early 20th century stage play, transferred to film. The style of acting reminds us that several of the performers were already on stage when Victoria died, and the elocution and style were necessary to project across large audiences before sound films came along. The formula for a stage play is all there, including the expected 'crisis'. Worth a watch.

The Terror (1938)

** (out of 4)

Three thieves rob a shipment of gold and two of them are sent to prison for a decade. After the two are released they travel to a creepy old house to track down the man who turned them in and hope to find some of the treasure.

Edgar Wallace wrote the play that this here is based on. There are a couple interesting things in THE TERROR but sadly it's another British film that has way too much talk and boring talk at that. The main reason most people are going to want to watch this is because of the actors who appear here. You've got Bernard Lee from James Bond fame playing a drunk and Alastair Sim playing one of the convicts. Sherlock Holmes fans will also note Arthur Wontner in the cast.

The actual story is decent but there's no question that this "old dark house" movie just runs way too slow for its own good and even at just 70 minutes it feels rather long. It doesn't help that the majority of the dialogue is just downright boring and there's really no energy from the direction. The cast and genre might attract some to THE TERROR but there's certainly much better out there.