Fille du diable

Although his reputation is not as known as theirs , Henry Decoin was ,along Julien Duvivier and Henri- Georges Clouzot ,one of the most influential forces in the film noir field:"les inconnus dans la maison" ,"le bienfaiteur" "l'homme de Londres" "non coupable" "les amants du pont-saint-jean", "les amoureux sont seuls au monde " "la vérité sur bébé donge" are all unqualified musts for anyone interested in the old French thriller.

"La fille du diable" bears a distant resemblance to earlier "le bienfaiteur" ,but ,in my book , it surpasses the former work.

Fernand Ledoux 's and Pierre Fresnay's cat and mouse play is at once funny and tragic ;good guy and baddie nohow : because he knows that Saget is a gangster who did not make his fortune in America ,the doctor exerts a "moral" blackmail on him : the way he forces him to pay the invoice for the church bell, the radiotherapy center and the stadium (which will prevent the youth from going hoodlums) is absolutely stunning ,and both actors are at the top of their game ; the baffled gangster tries to strike back ,discovering that two women were some kind of guinea-pigs and that his purpose is more to be inducted in the Academy of Medecine than to help his fellow men .

In the village where the action takes place, hypocrisy , scheming and false generosity reign ; the former gangster has a grown up kid side to him, and his auntie( excellent Therese Dorny) still treats him like a child ; his fortune being used to help the public good, he's relegated to sell fishing rods in her store .

Gangster Saget has a chip on his shoulder ,he doesn't like to be liked and he likes nobody ;he will meet his female counterpart in the shape of an outcast girl ,Isabelle,whose father hung himself,after being (perhaps unfairly) accused of embezzlement .With a rebellious teenager in tow, armed up with a slingshot ,they shoot at everything on this village that denies them a place .Isabelle reigns over a bunch of underdogs ,fascinated by her noir personality, but who let her down as soon as she asks them to spoil the chatelaine's fete .An extremely ambiguous character ,she longs for tenderness in her dark room :because love and affection elude her ,she opts for evil and a bizarre relationship grows between the former gangster and a girl who stays in front of the church , feeling hate for those well-meaning people .Some kind of priestess of evil ,in love with a man she thinks she does not know ,but who represents rebellion against a rotten society.

Although she comes last in the cast and credits ,Andrée Clément almost stole the show from her highly talented male partners ;hadn't she died from TB (appalling coincidence ,she suffers from this disease in the film) ,and had she been given more important parts ,she could have become part of the elite of French actresses,along with Arletty ,Simone Signoret, Danielle Darrieux, Michele Morgan, Micheline Presles, Madeleine Robinson,et al.

Decoin's directing is faultless ; the first scenes are almost abstract ,and the man,driving at a dizzying speed on the road , lays the cards on the table: it will be a story of sound and fury ,although often muffled .The short panoramic of the welcome village will not delude the viewer for long ;later on, oblique shots of the streets and church will emphasize a rotten microcosm .

I join the other reviewers that perfectly appreciated highly this forgotten gem, and there are so many in French cinema History foculazing on official masterpieces (by Carné, Clouzot, Duvivier, Renoir,...). Although there are two of the best actors from that period, Pierre Fresnay of course (he was everywhere) and the excellent tough Fernand Ledoux, having a no mercy psychological dual. With a mysterious very young woman played by intriguing Andrée Clément. Decoin is the famous director who gave us so many brilliant films noirs (my favorite being Non Coupable and les Amants du Pont Saint Jean, both with Michel Simon).

The action doesn't take place in province, as a reviewer wrote, but in a charming town not far from Versailles. The director of photography lived in that area and often shot around (les Diaboliques).

Please, French editors, when shall we see this title on digital disc? There are some excellent documents from the 40's relating the Shooting for some great bonus.

"La Fille Du Diable" is the follow-up to "Je Suis Avec Toi" and it features the same lead ,Pierre Fresnay.Whereas the former is a pleasant forgettable little comedy,the latter is one of the greatest French films Noirs of the forties.It is as good as Decoin's "Non Coupable" and "La Verite Sur Bebe Donge" and its screenplay almost surpasses both of them.

Two disturbing scenes open the movie:first a shoot-out in the city : a gangster,Saget, is surrounded on all sides ;he finally escapes and it's a mad drive in a drunken man's car through a nightmarish country.Then the movie takes a divergent way and becomes a psychological thriller.

The gangster who's got a lot of dough takes refuge in his hometown.Enter a nice doctor (Fernand Ledoux)and a strange girl "the devil's daughter" (check the title),Isabelle.And then begins a feud which will involve the three of them.The three actors are prodigious.

The nice doctor seems to know too many things about Saget and begins to blackmail him.But it's not the kind of blackmail you see in your average thriller.He asks for a radiotherapy center cause "too many brats suffer from TB" ,he asks for good things ,which help the whole town.Ledoux's acting is so subtle we do not know if he's a saint or if he plays cat and mouse with his "victim".Unlike Clouzot's or Duvivier's worlds,his closest relatives as far as film noir is concerned, Decoin's is not completely black.

And there's Isabelle.This role is unique.No matter how much I search my memory,I cannot find a female part which can be compared to her.Once again it may recall some Duvivier's heroines ("Panique" or "Voici Le temps Des Assassins") but those women had motives ,love ,money.Isabelle is evil,period.Her father hung himself and she became the hanged man's daughter.The whole town is against her,she's outlawed from society.Her reason to live is not to get happiness back but to make sure that others won't be happy.She will never forgive the young Chatelaine who is respected by the whole community. With her Madonna face and her hair she puts in braids,she epitomizes the tragedy of the human condition.If boys fall in love with her,she uses them to harm her fellow creatures.Andrée Clément gives a spooky terrifying performance and why she did not become a famous actress after such a feat remains a mystery to me.

A shady relationship develops between the devil's daughter and Saget.She feels they have a lot in common and she too seems to know that this mysterious man is not what he seems .She would like him to be her partner in crime .She feels that they have a lot in common.

The final twist is stunning,as strong as Night Shyamalan 's "Unbreakable" which it recalls a little.And Decoin 's final is uncompromising: lose all your illusions,some people have not their place in the providential world where the chosen ones go to church on Sunday morning and sing canticles to praise the Lord.

A film that cannot be praised too highly.If by chance you can find it,do not think twice:it's the French black and white film noir at its best.

NB People interested in Andrée Clément's short career could have a look on the FRench site "Etoiles Filantes" ,a site devoted to the French actresses who were never big stars but sometimes were as impressive as the stars (and starlets).Clement's acting attracted Louis Jouvet's attention and he was the best teacher of his era (as well as one of the best actors)

I've never seen a tragedy quite like this one. Fine cast. Thoughtful script. They get what they want, but no one wins.

In the mode of Asphalt Jungle and High Sierra. A ruthless killer, a compromised doctor, and an orphan girl who lives for an illusionary dream in a society that doesn't deserve their good or bad sides.

Saw this enjoyable French thriller on TV.Although the plot is nothing new, it is presented in the charming way that only French can do.Nice dialogs, very good acting.Director Decoin is famous for those B type French films which excitingly reveal the life in French province. The beginning with escape scenes and car crash are a bit naive, but after that film develops quickly. Camera work, in black and white, with interior scenes is a jewel. Reminds of other French master movie makers. The lighting, the contrasts are exquisite.Actor Perre Fresnay is convincing in the title role of bad guy.This film shows what can be done with simple story that still glues one to the screen without having special effects, car chases and the usual high noise effects that Hollywood is bombarding us nowadays.