Everything Happens at Night

Two reporters, one American (Robert Cummings) and one British (Ray Milland), track a presumed dead Nobel Prize winner Dr. Norden (Maurice Moscovitch) to a remote Swiss village. They both fall in love with Louise (Sonja Henie), who they don't realize is actually the doctor's daughter.

This was the first Sonja Henie film I've seen, and while it as an inconsequential piece of fluff, it was enjoyable. Henie has an engaging screen presence and Ray Milland is charming as always. Robert Cummings is really annoying though.

Henie only gets one skating number, an excellent number to the Blue Danube Waltz. The rather serious script, which somehow manages to involve the Gestapo, is rather bad at places, but it's all good fun.

Not much can be said for SONJA HENIE's attempt to show her boss Darryl F. Zanuck (whom she couldn't tolerate) that she was an actress as well as a first class skater.

Result: The dullest of all the Henie vehicles--and quite the opposite of another commentator who says "typical Sonja Henie fluff." Nothing could be farther from the truth. This is definitely not a typical Henie vehicle. It's merely a dull story of two reporters (RAY MILLAND and ROBERT CUMMINGS) who seek the truth regarding a Nobel Prize-winning author and who vie for the affections of his daughter. The humor is sparse and the incidents involving Nazis during World War II falls flat.

Sonja does get a chance to act--with less than satisfying results. Furthermore, she only gets a chance to skate once during the entire film.

Milland and Cummings are competent enough but the script is a dull affair and no one comes out of this one smelling like a rose, most of all the writers who concocted this far-fetched story.

Two rival journalists in Switzerland search for a missing Nobel Peace Prize laureate - but instead discover a lovely young nurse who teaches them that EVERYTHING HAPPENS AT NIGHT.

Sonja Henie was Norway's ice queen when she won Olympic gold medals in 1928, 1932 & 1936. After going professional, she began a celebrated movie career at 20th Century Fox in 1936 with ONE IN A MILLION, which was her American film debut. Beautiful & talented, as well as being a natural in front of the cameras, she carved out her own special niche during Hollywood's Golden Age. Although Miss Henie's ice routines may look antiquated by comparison to modern champions, there was nothing antique about her dazzling smile or sparkling personality. In this regard, some of today's snowflake princesses could still learn a great deal from her.

As her career progressed, it became increasingly difficult for Fox to find decent stories for Miss Henie and the excuses for the lavish ice dancing numbers were often implausible. No matter. Audiences did not flock to her films to watch Sonja recite Shakespeare. The movies were meant to be pure escapist fantasy, plain & simple.

EVERYTHING HAPPENS AT NIGHT is no exception and its story is often quite silly. Also, unbelievably, Sonja is only given one skating sequence in the film. Incomprehensible omission! One has to wonder what the bosses at 20th Century Fox were thinking?

On the plus side, the movie must be credited as one of the first of Hollywood's films to depict the Gestapo as evil villains - a full two years before America's entry into the Second World War.

A couple of script inclusions may need a bit of elucidation. The BEN-HUR film which is suggested (and rejected) would be the silent 1925 MGM version starring Ramon Novarro; by 1939 it would be considered quite passé. Also, notice the sly reference to 'Ferdinand.' This would be an allusion to Ferdinand the Bull, the flower-sniffing hero of Munro Leaf's 1936 story (and made into an Academy Award winning cartoon by Walt Disney in 1938).

Ray Milland & Robert Cummings are very enjoyable as the ambitious reporters; viewers will be wondering which gentleman will walk away with Sonja at the fadeout - both are heroic, cunning and equally deserve her.

A smattering of familiar faces fill small roles (George Davis, Frank Reicher, Paul Porcasi, Christian Rub). Fritz Feld is especially humorous as an officious gendarme. Jody Gilbert steals a scene or two as an abundantly sturdy Swiss miss.

Ultimately, though, this is Sonja's show. She glides effortlessly into the viewer's heart, while balancing on a thin edge of silver, suspended over frozen water.

Like all of Sonja Henie's vehicles, this fun-filled 1939 Fox whimsy works like a cheery blend of comedy, romance, and ice skating dances. The main difference is that the plot is less focused on the skating scenes than the suspense and romance concerning Henie and her two leading men, Robert Cummings & Ray Milland.

I was surprised to see "Everything Happens at Night" has only one skating scene for Henie, quite an aberration considering that most of her movies are fraught with dances and skating. Cummings and Milland play two competing reporters that are sent to a small Swiss town to investigate a Nobel Prize winning commentator who is believed to be dead. Both find themselves falling for his daughter played by Henie. Cummings is a bit eccentric and rowdy while Milland comes off as a serious and straight-forward sort of fellow. They exchange roles courting her. Their scenes are irresistibly funny, charming, and merry. Then all of a sudden the movie becomes a spy thriller when a band of Gestapo villains arrive in the Swiss village to wreak havoc.

"Everything Happens at Night" is my fourth Henie after "Sun Valley Serenade"(1941), "One in a Million"(1936) and "My Lucky Star"(1938) and all rank as her very best.

Rival reporters compete for the love of a girl (Sonja Henie) and search for a Nobel Prize winner who's in hiding in "Everything Happens at Night," a 1939 film also starring Ray Milland and Robert Cummings.

The two men are hot on the trail of a Dr. Norden, a man supposed to be dead but actually alive in a small Swiss village hiding from various political factions who are after him. While there, they both meet pretty Louise, a young woman who's the caretaker for an old man. She also knows how to skate.

This is more of a dramatic turn for Henje. It only has one big number for the multiple Olympic gold winner. Today, Henje's skating may not look like much, but she was very musical, had great speed, excellent spins, and danced on her toes on ice like a ballerina. She was a dazzling entertainer.

The comedy is provided by Milland and Cummings, both of whom are very charming and funny. For some reason, a lot of people slam Cummings. He wasn't a compelling dramatic actor; his foray was comedy, which he did well.

Milland looks quite handsome and he flirts beautifully: "6'3, blue eyes, 28 years old" he murmurs in Henie's ear with that knockout accent - pretty sexy!

As for Henje, acting wasn't her thing; she was a specialty performer, and one keeps waiting for her to do her specialty. Instead, she spends a lot of time skiing up and down mountains.

I'm not even sure she skied - Otto Lang, who recently died at 98, donned a blond wig and skied for her in "Thin Ice," and in "It Happened in Sun Valley," her stand-in for skiing was a 14-year old boy. So someone kept busy, and it wasn't Sonja.

"Everything Happens at Night" isn't much of a movie. People expect a light, thin story from a Henje film since she'll be skating a lot. Well, the story is thin but it's a comedy that turns dramatic when the Nazis show up in the Swiss village looking for the doctor. I thought Switzerland was a neutral country - wouldn't this man be safe once he was there?

Sonja should have stuck to films like "Thin Ice," "One in a Million," and "Second Fiddle" which were more her speed. In short, not a great movie and not a great Sonja Henie movie.