Hollywood Cavalcade
- 1939
- Tous publics
- 1h 37min
Ajouter une intrigue dans votre langueStarting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many s... Tout lireStarting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
- Al Jolson - Recreation of 'The Jazz Singer' Scene
- (as Mr. Al Jolson)
Histoire
Le saviez-vous
- AnecdotesThe scene in which Michael Connors steals the partially completed negative of Molly Adair's latest movie to prevent the studio from finishing it without her is based on a real-life incident involving Mickey (1918), Mack Sennett's 1918 feature-length production starring Mabel Normand. The director of the film, F. Richard Jones, was having a pay dispute with Sennett and stole the negative, refusing to give it back until he got the extra money he wanted. Sennett paid him, Jones finished the film, and it was one of the silent era's biggest hits.
- GaffesThis is another film that perpetuates the myth that studios abandoned silents almost immediately after "The Jazz Singer" opened. In fact, it WAS regarded as a fluke. It would be many months before studios realized that talkies weren't going away, and it wasn't until 1930 that production of silents finally ceased, save an occasional outlier like "City Lights" and "Tabu.
- Citations
Dave Spingold: [to Molly] It'll be chiseled on my tombstone - Dave Spingold - Schlemiel.
- ConnexionsFeatured in Take It or Leave It (1944)
As for the fictional account to an existing era, the plot begins in 1913 where Michael Linnett Connors (Don Ameche) and his partner, Dave Spingold (J. Edward Bromberg) come to New York City where they attend a stage production of "The Man Who Came Back" featuring Molly Adair (Alice Faye), an understudy filling in for Trixie Farrell, whose come up with laryngitis. Although Molly's performance comes across as bad, it does attract some attention by Connors, who offers her a studio contract in "pictures" for $100 a week. At first she declines, but after much persuasion, she takes him up on his offer and heads for Hollywood. Molly's screen test for Globe Pictures makes an impression, especially in a slapstick comedy starring Buster Keaton where she accidentally gets a pie in her face that has audiences roaring in laughter. Pie throwing comedies become a sensation, but eventually fade for more sophisticated productions. As years pass, Mike attempts new ideas, making Molly as top star in dramatic roles. While Molly has fallen in love with Michael, his mind is mostly on his work, creativity and his own movie studio bearing his name. He realizes his error too late when Molly marries Nicky Hayden (Alan Curtis), her leading man (who was discovered working in a gas station). Having lost Molly, whose career is at its peak, Michael falls to hard times, with no movie offers due to his big budget costs and bad temperament towards his actors and crew. With the 1927 premiere of "The Jazz Singer" that becomes the talk of Hollywood, putting an end to the silent era, closing a chapter to old careers and opening the door for the new, the studio is faced with the dilemma as to what to do with Molly's unfinished silent production of "Common Clay" with Michael now back in the director's chair.
A great idea to an old story, "Hollywood Cavalcade" is a fun film to sit through, full of nostalgia and re-enactment of how silent movies, especially comedies, were made. Guest appearances by silent comics now past their prime including Buster Keaton, Ben Turpin and Chester Conklin are a plus; Eddie Collins, Hank Mann, Heinie Conklin, Snub Pollard and James Finlayson adding to the enjoyment as The Keystone Kops; with added bonuses of comedy director Mack Sennett delivering a testimonial at the Cocoanut Grove; Lee Duncan, the man who discovered Rin-Tin-Tin, the first dog superstar, as played by Rinty Jr.; as well as the legendary Al Jolson appearing briefly in the Sabbath prayer sequence of "Kol Nidre" from "The Jazz Singer" during the latter part of the story. Up to then, the fun has dimmed due to melodramatics and tragic circumstances that take up the second half with harsh realities taking place during the close of an age of silent movie making.
In the supporting cast, look for the familiar faces of Stuart Erwin as Pete Tinney, the cameraman; Donald Meek as Lyle P. Stout; Jed Prouty, Chick Chandler, Irving Bacon, Willie Fung, and much more.
Because Alice Faye was a specialized singer, it's a wonder why the screenwriters didn't think of having her perform in an early sound musical? A missed opportunity put to better advantage years with MGM's "Singin' in the Rain" (1952) starring Gene Kelly and Debbie Reynolds. As for "Hollywood Cavalcade," it's sadly forgotten due to lack of revivals, even with Technicolor, though it would have been more authentic with black and white photography. Out of circulation for many years, it did have some repeated showings on American Movie Classicscable channel in 2001, followed by the Fox Movie Channel where it can currently be seen and studied by film enthusiasts. Thanks to its authentic recreation of a bygone era and a grand first hour or so, "Hollywood Cavalcade" is recommended viewing. (***)
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Détails
Box-office
- Budget
- 2 000 000 $US (estimé)
- Durée1 heure 37 minutes
- Rapport de forme
- 1.33 : 1