Meurtre et lune de miel

MGM specialized in upper-class motifs. Here it's newly-weds Lord and Lady Wimsey moving into a baronial mansion in rural England only to find that the previous owner has taken up final residence in the cellar. So, Wimsey being an amateur sleuth and she being a crime writer, the Lord and Lady's honeymoon must be postponed, despite their pledges to leave detecting to the police.

The film's generally too long such that the tepid script gets stretched beyond plot capacity. As others point out, the mystery doesn't get going til the last 20-minutes. The production does manage some local color, especially the lady who dabbles in exotic jams. That reluctant tasting scene is really well done, showing the Lord and Lady's comedic potential. Too bad there's so little follow-up. Also, there's the handyman who cannonades his gun up a chimney flue, perhaps the movie's high point as the soot comes raining down on the shooter.

But a key problem is the talented Montgomery who, for whatever reason, lacks flair here for a William Powell type role. As Wimsey, he stirs up neither much interest, nor amusement. Maybe, if the script had given him a quirky habit, that might have helped. But, I guess his role is an adaptation of a literary figure, so he may have felt constrained. Nonetheless, between his uninspired turn and a limp narrative, there's not much left to recommend. All in all, the movie's a really minor entry in the Gentleman Sleuth Sweepstakes. Too bad.

A titled amateur detective & his mystery-writing bride spend a BUSMAN'S HONEYMOON when a murdered corpse is discovered in their new Devonshire home.

Beginning with its first release in 1938 and for several years thereafter, MGM maintained a sister studio in England. In this way she could take advantage of the wealth of British acting talent available, and also get around the UK restriction on the import of foreign films. American stars were often sent over to take the top roles, an increasingly dicey maneuver as the Atlantic became dangerous with Nazi U-boats. BUSMAN'S HONEYMOON (called HAUNTED HONEYMOON in the USA) was one of those films.

BUSMAN'S HONEYMOON, while not unpleasant to look at, is not without its flaws. The mystery isn't all that enthralling, but the main difficulty seems to lie in Robert Montgomery's portrayal of Lord Peter Wimsey. It just doesn't click. This very fine actor made a career from playing suave, sophisticated characters, which Lord Peter should be, but you can never for a moment forget that this is only Robert Montgomery playing a role; nor for an instant do you believe that this is Lord Peter come to life. And the American accent surely doesn't help, either.

The lovely Constance Cummings, as Lady Harriet, suffers much the same fate.

A fine gaggle of British actors, including Robert Newton, Leslie Banks & Googie Withers, appear in supporting roles. But the real joy in watching this film is reveling in the rare opportunity to see the marvelous old actor Sir Seymour Hicks, who portrays Bunter the butler. Sir Seymour (1871-1949) had been one of the great actor-managers & dramatists of the turn of the century. With his plumy voice & broad, impish face, he easily steals scene after scene with his stagy intonations & mannerisms.

It would take the passage of several decades & the arrival of a completely new medium - television - before Dorothy L. Sayer's hero received superlative interpretations from actors Ian Carmichael & Edward Petherbridge.

The story, I mean. This picture takes forever to get underway, as it isn't until 20 minutes in that a crime is committed. Then ensues a lot of dialogue and alternate plot development, and then 30 minutes later, the body is discovered. That leaves less than 25 minutes to track down the murderer.

I did not read the book so I cannot comment on the pale comparison between the book and the film, or the unsuitability of Robert Montgomery as Lord Peter Wimsey. I can say that I am never disappointed by Montgomery's presence in a movie, and here he was dapper and sophisticated as always - although perhaps slightly out of place with an American accent.

I enjoyed the banter between Montgomery and Constance Cummings, the staid and stuffy presence of Seymour Hicks and the threatening appearance of Roy Emerton. The solution to the murder seemed slapped together and almost an afterthought, and the whole mood of the picture seemed as though it couldn't decide if it was a romantic comedy or a murder mystery. I have to say, though, that the whole picture had a very agreeable cachet about it that worked for me.

I thought the overall effect was delightful, and I enjoyed it thoroughly, warts and all. If you are a Robt. Montgomery fan or an aficionado of peculiar murder stories, this picture is for you. And there is plenty of 'down' time to go to the fridge. It aired on TCM the other morning.

Constance and Robert have a great deal of fun with this film although he is not my perfect idea of Lord Wimsey although he has a certain ironic charm. Hot on the heels of the great Night Must Fall, he lets his hair down here to ham it up a bit, but the locals are a match for anyone and everyone. This shows the British idea of eccentricity at its bizarre best.

Only Hollywood would cast a very American actor as a member of the British aristocracy...but here they cast Robert Montgomery (with his very nice AMERICAN accent) to play Lord Peter Wimsey! With that huge strike against it, can "Busman's Honeymoon" be any good?

When the film begins, Lord Peter Wimsey is about to marry Harriet (Constance Cummings). To surprise her, he's bought her childhood home which has been owned by a horrible sort of rotter, Mr. Noakes (Roy Emerton). Peter doesn't know that Noakes is a total jerk who owes everyone and is a nasty piece of work. When the couple come to take possession of the home, Noakes is no where to be found. Eventually his body is discovered and this challenges the couple, as they both promised to retire and Peter is supposed to stop his sleuthing ways and she is to stop writing murder mysteries. Wanna make a bet as to whether or not they keep this promise?

Despite terrible casting, the film works reasonably well...mostly because MGM had a great knack at making good looking movies. An interesting plot.