Phantom Raiders

The other two entries in the Nick Carter detective series focused on spies or Fifth Columnists; this one is about an evil insurance scam whereby cargo ships, with their crews, are blown up. Llewelyn's of London, the insurer of the ships, hires Carter to investigate. Joseph Schildkraut as the suave but vicious gangster leader behind the bombings easily outshines the rather uninspiring performance of Walter Pidgeon as Nick Carter. The most striking scene in the whole movie is the brief scene showing the crew of the cargo ship amiably chatting with one another moments before their ship is blown up. An incredible scene. As with the other two entries in the series, this one has an excellent supporting cast with Florence Rice, John Carroll, Nat Pendleton, Cecil Kellaway, and Schildkraut. Donald Meek is on hand as Carter's sidekick, the wacky Mr. Bartholomew. It's a matter of taste whether one finds the Bartholomew character annoying or welcome comedic relief. Either way, he certainly is a memorable character. I think this is the best of the Nick Carter movies and certainly worth a watch, but the series itself is not as good or entertaining as many another B detective series.

"Phantom Raiders" is the second of three Nick Carter mystery films made by MGM that starred Walter Pidgeon. His co-star in all three is Donald Meek who plays Bartholomew, a beekeeper and wanna-be detective. Carter calls him "Beeswax," and the bee man turns out to be a sharp sleuth in his own right. In this film he saves Nick's life at least twice. He always shows up in the nick of time - to save Nick.

This film takes place in Panama where Nick has gone on vacation and Bartholomew tracks him down to deliver a $5,000 check for his taking on an investigation of ship bombings or sinkings in the Pacific out of Panama. Nick discovers that an old acquaintance, Al Taurez, from a crime racket in the States has set up shop in Panama. A whole lot of characters are involved in this one, but Nick solves it.

This series of Carter mysteries was made during World War II, but before the U.S. entered the war. While moviegoers would be getting newsreel reports of the war in Europe and somewhat in China, there would be no hint of a war going on in these films.

This film has some notable supporting actors of the day, including Joseph Schildkraut, Nat Pendleton and Cecil Kellaway. In each of these films, Carter has an image of a playboy and he seems to go for floozies. Still, Pidgeon is a delight to watch as an actor for his amiable persona - even when he is commanding.

None of these films were first class productions. The plot is somewhat choppy and the screenplay is just fair. But, it's an enjoyable enough film to watch on a rainy day.

Here are some favorite lines from the film.

Bartholomew, "This Mr. Taurez seems to be a man of generous nature." Nick Carter "Ah, yeah, Nick, would give his best friend a knife in the back any day."

Nick Carter, "Uh, I don't suppose you're a spy?" Cora Barnes, "Oh, but I am. Everyone in Colon's a spy. Haven't you seen the sign in the movie theaters? No spies under 18 admitted."

Nick Carter, "Al, you look different." Al Taurez, "Well, perhaps you miss the handcuffs, hnh,hnh."

Nick Carter, "Tell me, Al, what became of the Cleaners and Dyers Union you used to run in the old days?" Al Taurez, "Oh, Nick, you know I'm superstitious. When 13 G-men started looking for me on a Friday, I figured that was bad luck and I got out of town."

As B-films go, PHANTOM RAIDERS is just a slight cut above a serial cliffhanger, the kind that the poverty row studios churned out in the '30s and '40s. Surprisingly enough, this one comes from MGM and has a certain gloss.

It's fast moving, neatly developed and, except for some unnecessary comic interludes, provides a satisfying look at the pre-WWII era. Nick Carter (Pidgeon) is assigned to find out who is blowing up cargo ships in Panama for insurance money. We learn early on that the culprit is the cruel and cunning Joseph Schildkraut, always one step ahead of the authorities until the very end.

Donald Meek has a rather annoying role as a bee-keeper who happens to be Carter's sidekick. His unlikely role is a departure from his usual "meek" roles but it becomes tedious after some comic interludes in a mystery that tries to blend corny humor with suspense. Thankfully, the good supporting cast includes Florence Rice, John Carroll, Cecil Kellaway and Nat Pendleton.

Not bad, but easily a programmer you can afford to miss. Obviously made before Walter Pidgeon became a big name at Metro via being teamed with Greer Garson in a series of successful films.

Conceived in the 19th century by Ormond G. Smith and realized as a literary character by several writers, detective Nick Carter has had a long life in newspaper serials, novels, movies, radio series and comics. From his first appearance in September 1886, Carter has evolved according to the times, and it would not be a surprise for a revival in this century with new adventures and cases to solve. In 1939 Metro-Goldwyn-Mayer launched a trilogy with Walter Pidgeon in the role of Carter, composed of "Nick Carter, Master Detective", and the following year by "Phantom Raiders" and "Sky Murder", all three based on original scripts.

«Phantom Raiders» (known in Latin America as "Nick Carter in Panama") has the peculiar distinction (for Panamanians) of being set in the city of Colón, on the Atlantic coast of Panamá, and belonging to a group of films that use the country as exotic location and little else. As in many productions imagined in Los Angeles, the cities below the Rio Grande are rather rural villages, with music combining Spanish cadences, rancheras and Cuban rhythms. The first establishing shots are places on the other ocean (Pacific), giving way to the Colón of Culver City, a Moroccan-looking set with hotels and a club for cheerful sailors and women called La Cita Café, where much of the plot takes place.

That bizarre mishmash seems a hint of what continues, an agile and funny plot of sabotage (although there are countless dead on the road... or at the bottom of the Caribbean sea) which, fortunately, has nothing to do with Asian or Eastern European spies trying to destroy the Panama Canal. No, this time it is a knife-throwing villain from San Francisco, one Al Taurez (Joseph Schildkraut), who sinks ships from his office in Colón, by exploding bombs ingeniously located on the vessels, in order to collect insurance. But his greed betrays him, because, when the third ship is sunk in the course of a fortnight, the insurance company Llewelyn's of London hires Carter to solve the case.

In addition to the traps that Taurez tends, in which Carter falls and escapes from, with the usual elegance of Pidgeon, the plot is dotted with humor and spark, thanks to the interventions of the "bee man" Bartholomew (Donald Meek), Carter's assistant; and from a Mexican prostitute named Dolores Arango (played by Hungarian Steffi Duna), who entangles everything, including her boyfriend (Nat Pendleton), a jealous former boxing champion who wants to finish Carter off. The direction is aptly handled by Jacques Tourneur, the man behind the classics «Cat People», «I Walked with a Zombie», «Out of the Past» and «Night of the Demon», which guarantees a pleasant 70-minute ride. Enjoy.

Instantly sinister, Joseph Schildkraut gives a knife throwing lesson to some underlings. Schildkraut is delightfully wicked as a shady character who manages a night club—and also runs a ship-wrecking insurance scam.

Walter Pidgeon makes his second appearance as detective Nick Carter, once again exuding self-confidence; he is again joined by Donald Meek as would-be detective Bartholomew, better known as the Bee Man. Together they gradually unravel the ship-wrecking plot with the help of the usual supporting characters—including John Carroll as a shipping magnate's son, and Florence Rice, who is quite good as the requisite beautiful young woman mixed up in the case.

The setting is Panama, and while the first half of the picture moves rather slowly, it features plenty of MGM-style Panama atmosphere. Eventually the plot starts to move along and builds nicely to a truly exciting climax on board ship.

Nat Pendleton is amusing as a dumb henchman who is told to "Take a walk around the block" any time there is real dirty work to be done. Meek is entertaining as always, and Pidgeon handles both the detective work and the smart-alecky dialog adeptly. Schildkraut as the villain, however, has the juiciest role.

The plot is nothing special but it does include a nifty surprise or two; overall, there's not much to this picture but it's plenty easy to watch.