Ajouter une intrigue dans votre langueTwo down-on-their luck friends suddenly hit the "jackpot" when they win the clothes, car and chauffeur of a rich man in a game of dice.Two down-on-their luck friends suddenly hit the "jackpot" when they win the clothes, car and chauffeur of a rich man in a game of dice.Two down-on-their luck friends suddenly hit the "jackpot" when they win the clothes, car and chauffeur of a rich man in a game of dice.
- Réalisation
- Scénario
- Casting principal
Maceo Bruce Sheffield
- Blake
- (as Maceo B. Sheffield)
Harold Garrison
- Brown
- (as Harold A. Garrison)
Napoleon Whiting
- Chauffeur
- (as Nappie Whiting)
Jess Lee Brooks
- Door Man
- (as Jessie Brooks)
Louise Franklin
- Second Waitress
- (as Louise Franklyn)
Avanelle Harris
- Fourth Waitress
- (as Aranelle Harris)
Monte Hawley
- Masher
- (as Monty Hawley)
Vernon McCalla
- First Man Guest
- (as Vernon McCella)
Harry Levette
- First Man Diner
- (as Harry Lavette)
Avis à la une
Mantan Moreland and F.E. Miller promote a pair of dice into a good car and cash, and thence into a casino. The old,owners are about to do something dire, but the ghosts in the cemetery out back don't like that.
True enough, some very stereotyped situation, but you've got two fine performers in the lead. Moreland was one of the leading cross-over Black comedians of the era, and if his comedy became old fashioned in the post-war era, his comedy timing is on display here. As for Miller, he started one of the first Black legitimate theater companies in the Country during the Mauve Decade, and was one of the writers and performers of the landmark Black Broadway show, 1921's SHUFFLE ALONG, with songs by Eunice Blake and Noble Sissle.
This cheap movie was intended for the all-black theaters, one of many "race films" of the era. It's directed by William Beaudine, a director who could handle anything from sentiment, Mary Pickford, on down to the Bowery Boys. This one is nearer the bottom of that list than the top, but the leads are fine comic actors.
True enough, some very stereotyped situation, but you've got two fine performers in the lead. Moreland was one of the leading cross-over Black comedians of the era, and if his comedy became old fashioned in the post-war era, his comedy timing is on display here. As for Miller, he started one of the first Black legitimate theater companies in the Country during the Mauve Decade, and was one of the writers and performers of the landmark Black Broadway show, 1921's SHUFFLE ALONG, with songs by Eunice Blake and Noble Sissle.
This cheap movie was intended for the all-black theaters, one of many "race films" of the era. It's directed by William Beaudine, a director who could handle anything from sentiment, Mary Pickford, on down to the Bowery Boys. This one is nearer the bottom of that list than the top, but the leads are fine comic actors.
many attempt to play down the value of vintage black films,but fail to recognize that they were the best that could be done at that point in time. Mantan Moreland and other black comedians set the stage for many black comedians of today. The film packs a lot into 60 minutes. Mantan Moreland teams up with Flournoy E. Miller, Maceo Sheffield,Jessie lee Brooks,Arthur Ray and a good cast who put on a very fine show despite a few stereotypical flaws. The action,transitions,dialogue,settings were realistic at that time. Maceo Sheffield who played the part of the crooked club owner played a role in the production of the film as well. The film had no wasted motion or dead periods. You will get more than your money's worth and you will not forget this film.
On an objective scale I'd have to rate Lady Luck on the low side of films. But this Dixie International Studio didn't even have the financing that a white poverty row outfit had back in the day. Dixie International makes PRC look like MGM.
Lady Luck has Mantan Moreland and F.E. Miller as a pair of down on their luck hobos. But Mantan's talent with dice puts them in the chips as they get cash, a car, and even a chauffeur. That's quite a parley and the guys are off to an asylum that doubles as an illegal gambling club.
But the spirits of past residents are restless and even those dice aren't lucky against the folks from beyond.
The comedy is no better or worse than Amos And Andy or in more modern times what you would see Redd Foxx do on Sanford And Son. Mantan Moreland was a very good comedian with a good line of patter and expressions that would rival Lou Costello.
Lady Luck is funny, but a sign of times forgotten. Black film makers get slightly bigger budgets in these times.
Lady Luck has Mantan Moreland and F.E. Miller as a pair of down on their luck hobos. But Mantan's talent with dice puts them in the chips as they get cash, a car, and even a chauffeur. That's quite a parley and the guys are off to an asylum that doubles as an illegal gambling club.
But the spirits of past residents are restless and even those dice aren't lucky against the folks from beyond.
The comedy is no better or worse than Amos And Andy or in more modern times what you would see Redd Foxx do on Sanford And Son. Mantan Moreland was a very good comedian with a good line of patter and expressions that would rival Lou Costello.
Lady Luck is funny, but a sign of times forgotten. Black film makers get slightly bigger budgets in these times.
Fantastic comedy featuring black actors made in 1942, during the WWII war years. Mantan Moreland is a genius comedian movie actor.
Lucky Ghost (1942)
** 1/2 (out of 4)
Washington (Mantan Moreland) and Jefferson (F.E. Miller) are two hobos who run into some very good luck when they play dice with a couple rich guys and walk away with a lot of cash. Soon afterwards the men role the dice and walk away with a nightclub but before long some ghosts show up for a piece of the action.
LUCKY GHOST is an all black cast film that will certainly not make the PC crowd very happy as it contains quite a few stereotypes but race films like this one should certainly be studied as they're an important part of our movie history. This film here, like most race films, suffers from an obvious low budget but "Z" movie maverick William Beudine does a nice job at keeping things moving at a nice pace.
The film actually turned out pretty good and especially since the two lead performances were so good. This is especially true for Mmoreland who had appeared in countless "B" movies throughout his career. More times than not he was playing small supporting roles but this here allowed him to play the lead and he does a good job with it and certainly helps carry the film. His comic timing is right on the mark and helps carry the hour running time.
Another thing that this film benefits from is the final fifteen-minutes where the spooks show up. This isn't your typical "old dark house" style of film. Instead of bad guys dressing up as ghosts, this film actually gives us real ghosts and a real skeleton to do the haunting. I really liked the fact that this film tried to do something a tad bit different and it makes for a fun ending.
LUCKY GHOST certainly isn't a masterpiece but it's a fun little "B" movie that is worth watching for its race history as well as its connection to the horror genre.
** 1/2 (out of 4)
Washington (Mantan Moreland) and Jefferson (F.E. Miller) are two hobos who run into some very good luck when they play dice with a couple rich guys and walk away with a lot of cash. Soon afterwards the men role the dice and walk away with a nightclub but before long some ghosts show up for a piece of the action.
LUCKY GHOST is an all black cast film that will certainly not make the PC crowd very happy as it contains quite a few stereotypes but race films like this one should certainly be studied as they're an important part of our movie history. This film here, like most race films, suffers from an obvious low budget but "Z" movie maverick William Beudine does a nice job at keeping things moving at a nice pace.
The film actually turned out pretty good and especially since the two lead performances were so good. This is especially true for Mmoreland who had appeared in countless "B" movies throughout his career. More times than not he was playing small supporting roles but this here allowed him to play the lead and he does a good job with it and certainly helps carry the film. His comic timing is right on the mark and helps carry the hour running time.
Another thing that this film benefits from is the final fifteen-minutes where the spooks show up. This isn't your typical "old dark house" style of film. Instead of bad guys dressing up as ghosts, this film actually gives us real ghosts and a real skeleton to do the haunting. I really liked the fact that this film tried to do something a tad bit different and it makes for a fun ending.
LUCKY GHOST certainly isn't a masterpiece but it's a fun little "B" movie that is worth watching for its race history as well as its connection to the horror genre.
Le saviez-vous
- GaffesDuring the band number towards the end, a ride cymbal can clearly be heard on the soundtrack - but the only instruments in the drum set seen on screen are a snare drum and a hi-hat cymbal set.
- ConnexionsFeatured in Of Black America: Black History: Lost, Stolen or Strayed (1968)
- Bandes originalesIf Anybody Cares
Written by Don Swander and June Hershey
Performed by Lorenza Flennoy and His Chocolate Drops, Florence O'Brien (uncredited)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée1 heure 1 minute
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Lucky Ghost (1942) officially released in Canada in English?
Répondre