Duel sous la mer

Submarine Command is an excellent example of the type of good entertainment that Hollywood used to grind out regularly back in the fifties. The story isn't deep, but the writing (Jonathan Latimer) and direction (John Farrow) are very fine, and the actors, especially William Holden, in the leading role, are all in good form. William Bendix provides a kind of stubborn, moral center in the movie, and one can only hope that Holden can get into his good graces. Most of the technical military-professional side of the film is realistically or at least convincingly (to me) handled. The movie's otherwise ho-hum submarine stuff, with all the usual cliches, but so much life is breathed into the old material that it feels fresh and original, no small accomplishment in this kind of film.

This film begins in the waning days of World War 2 with a new officer by the name of "Ken White" (William Holden) being assigned as the Executive Officer to the American submarine U.S.S. Tiger Shark. Although the boat and crew have recorded 18 confirmed kills Lt. Cmdr. White feels somewhat disappointed that he had no part in any of them having spent most of the war on shore with other duties. He finally gets his chance when the commander allows him to take temporarily take command of the U.S.S. Tiger Shark after a small Japanese convoy is spotted. He then manages to sink two enemy ships before they take evasive maneuvers to escape. Having now resumed command "Cmdr. Joshua Rice" (Jack Gregson) orders the submarine to surface to look for survivors and is the first to go topside. It's at this time that a Japanese Zero attacks the submarine requiring Lt. Cmdr. White to dive immediately. Needless to say, this order seals the fate of both Cmdr. Rice and another sailor who were on deck at the time. It also infuriates one of the senior enlisted men by the name of "CPO Boyer" (William Bendix) who feels that there was sufficient time to bring both of them back inside despite the fact that a Japanese destroyer has spotted them and is approaching fast. From that point on Lt. Cmdr. White is wracked by guilt even though everyone within his chain-of-command concurs with his action once they get back to port. Now rather than reveal any more I will just say that this was a rather somber submarine film which focuses heavily upon the post-traumatic stress that Lt. Cmdr. White had to endure which also affected his marriage and his relationships with others as well. Admittedly, I didn't care for the rather quick ending but all in all I found this to be an enjoyable movie for the most part and I have rated it accordingly. Slightly above average.

The nightclub pictured in Submarine Command was the Club Royal located at 3rd and C street in downtown San Diego. The wallpaper was black with chartreuse horses pictured, the booths were red. Walter Fuller was the band leader and played trumpet. This nightclub was owned at the time by Albert Bertolino who appears briefly in the bar scene. His wife,Una was the attractive blond seated at the bar. William Holden and Nancy Olsen were on the set at the time and were kind enough to visit with me and my family during the filming of this scene at a restaurant next door to the club. Third street at that time consisted of one bar after another. These clubs were razed in the latter part of the 20th century.

William Holden did a nice job in this patriotic movie but for the most part this film seemed be the same plot from so many war-time movies. A commander had to make some hard decisions by letting people die in order to save the ship. Of course, at least a few of the people disagree with the decision- and there we have the rub of the story. The only difference in this tale than others. is the fact that most of the mental conflict about the decision comes at the close of the war instead of playing out during the war. So this seemed like a reused plot with names being changed for the audience approval.

Do not get me wrong, the movie has some gifted actors that gave nice performances. Along with Holden, William Bendix and Nancy Olson did a nice job keeping the story interesting and the viewer involved in the story. Even when the writing (at the end) was rushed and forgiveness came like a flash, the actors made the transition flawlessly. Perhaps a bit more time should have been planned for the ending instead of feeling rushed to an conclusion. But since this was not to be, we are left with a film that is at least entertaining and we can enjoy the talent of the actors. Nice watch.

William Holden stars in/narrates this rather humdrum submariner story from the end of WWII and the commencement of the Korean War that offers little by way of uniqueness or jeopardy. Holden, himself, is fine - but the tale of an executive officer making a tough, ultimately tragic, battle decision that causes him to become a pariah to many of his crew is just too old hat, as is the ending which offers a redemption that was never really in doubt. Technically, it conveys some of the claustrophobic aspects of living and working on a submarine well; and William Bendix as "CPO Boyer" demonstrates how effectively a man can hold a grudge, but (no pun intended) it's all just a bit too shallow and procedural. Worth a watch for the photography, but the story is neither here nor there...