NOTE IMDb
5,5/10
2,6 k
MA NOTE
Lorsque des êtres souterrains explorent le monde de la surface depuis un puits de pétrole profond et provoquent par inadvertance une panique, seul Superman peut empêcher une tragédie.Lorsque des êtres souterrains explorent le monde de la surface depuis un puits de pétrole profond et provoquent par inadvertance une panique, seul Superman peut empêcher une tragédie.Lorsque des êtres souterrains explorent le monde de la surface depuis un puits de pétrole profond et provoquent par inadvertance une panique, seul Superman peut empêcher une tragédie.
- Réalisation
- Scénario
- Casting principal
J. Farrell MacDonald
- Pop Shannon
- (as J. Farrell Macdonald)
John T. Bambury
- Mole-Man
- (non crédité)
John Barton
- Townsman
- (non crédité)
Stephen Carr
- Eddie
- (non crédité)
Bill Coontz
- Townsman
- (non crédité)
Billy Curtis
- Mole-Man
- (non crédité)
Russell Custer
- Townsman
- (non crédité)
Avis à la une
It must have been several years after it was released, so don't know why it was at the movies. But as a kid I enjoyed it. I just found a VHS tape of Superman and the Mole Men at the flea market and decided to watch it again (it's been a lot of years). I wasn't expecting much, now knowing how the B movies were made at that time. But I was pleasantly surprised to find the movie very watchable and the acting by all outstanding. Usual acting in these type movies leaves a lot to be desired. Surprisingly, the writing wasn't bad either. Forget the fact that Superman went from sequence to sequence and could have kicked all their butts in the beginning, because then the story would have ended, right?! OK, the mole men costumes were hokey and not very scary (they didn't even scare me as a kid). However, making allowances for the probable low budget for background and costumes, it was a job well done by all. I recognized the sheriff right away as The Old Ranger from Death Valley Days and plenty of supporting roles in TV westerns. J. Farrell MacDonald played old Pop and was always a great supporting actor in more movies than I can count. Walter Reed and Jeff Corey were familiar faces as well from other movies. Did you recognize the old doctor as the captain of the ship that went to get King Kong? Did you recognize the little girl rolling the ball to the mole men as Lisbeth Searcy in Old Yeller? Some of the mole men were famous too. Jerry Maren has played Mayor McCheese for McDonalds, Little Oscar Mayer, was the Munchkin that handed Dorothy the lollipop, was on a Seifeld episode and a wealth of other work. Billy Curtis played an unforgettable part with Clint Eastwood in High Plains Drifter, was one of the friends met by the star in Incredible Shrinking Man, he had a part in a movie I just luckily grabbed at a flea market titled My Gal Sal with Rita Hayworth, Wizard of Oz and plenty of other parts - great actor. John Brambury was also a Munchkin. Phillis Coates, who played Lois Lane in this movie, was without question wonderful in the part and George Reeves as Superman/Clark Kent WAS Superman. He did a great job of playing the strong man. Bottom line to all I've said is that this movie is worth watching because of the cast and writing in dealing with a pretty flimsy idea for a movie. But it was the 50's and anything was possible from intruders from outer space to mole men from inner space. It is definitely worth seeing, there isn't a bad actor in the group. Whomever put the cast together was very, very fortunate to get so many gifted actors into a B type film. Some already had a wealth of experience and some were about to obtain a wealth of experience - but all were gifted. So if you get a chance to see the film, forget the dopey costumes and just enjoy the excitement and acting. Is it a bird? Is it a plane? No, just a good, old fashioned movie to enjoy!
Daily Planet reporters Clark Kent (George Reeves) and Lois Lane (Phyllis Coates) arrive in the small town of Silsby to do a story on the closing of the world's deepest oil well. Not long after, a group of small, glowing beings emerge from the well tunnel and strike fear in the hearts of the locals, who soon form a vigilante posse in order to kill the strange invaders. It's up to Kent, in his guise as Superman, to stop the mob violence before it's too late.
This was an independently produced presentation piece intended to sell local stations on buying the Adventures of Superman TV series. Lippert thought it was good enough for a theatrical release. It was later aired as a two-part episode of the show. Despite being the first episode, the filmmakers forego a Superman origin story, and instead present this rather meager story. Superman in costume is actually present very little. Jeff Corey, as the detestable leader of the vigilante mob, seems to be on screen longer Reeves. This runs less than an hour.
This was an independently produced presentation piece intended to sell local stations on buying the Adventures of Superman TV series. Lippert thought it was good enough for a theatrical release. It was later aired as a two-part episode of the show. Despite being the first episode, the filmmakers forego a Superman origin story, and instead present this rather meager story. Superman in costume is actually present very little. Jeff Corey, as the detestable leader of the vigilante mob, seems to be on screen longer Reeves. This runs less than an hour.
Before Henry Cavill, before Brandon Routh, before Dean Cain, even before Christopher Reeve but after Kirk Alyn we had George Reeves as Superman. Make no mistake the man was iconic and many would argue the real Superman as he was in over 100 episodes of the original Superman television series.
Here in his first and sadly due to his passing last big screen adventure Superman has to tackle mysterious creatures that have come up through a drilling site.
This "Movie" is actually a two parter from the television series that they stuck together and released in cinemas. For that reason it's only an hour long but is just the right length for such a brief story.
It's not action packed, the creatures aren't super villians and no super powers are really seen. This is a more subtle approach and see's the citizens as the antagonists as they rally together into a mob (As people probably would in such a situation)
I didn't expect to enjoy this as much as I did but it's a nice short bit of take your brain out entertainment and considerably better than anything Cavill has done as the worlds most famous superhero.
The Good:
Simple story
Well written
A more realistic approach
The Bad:
The Mole People look ridiculous
Here in his first and sadly due to his passing last big screen adventure Superman has to tackle mysterious creatures that have come up through a drilling site.
This "Movie" is actually a two parter from the television series that they stuck together and released in cinemas. For that reason it's only an hour long but is just the right length for such a brief story.
It's not action packed, the creatures aren't super villians and no super powers are really seen. This is a more subtle approach and see's the citizens as the antagonists as they rally together into a mob (As people probably would in such a situation)
I didn't expect to enjoy this as much as I did but it's a nice short bit of take your brain out entertainment and considerably better than anything Cavill has done as the worlds most famous superhero.
The Good:
Simple story
Well written
A more realistic approach
The Bad:
The Mole People look ridiculous
In anticipation of the television series, 'The Adventures of Superman', this third 'live-action' Superman was the first 'feature' film (the previous entries had been serials). Replacing serial 'King' Kirk Alyn as the 'Man of Steel' was George Reeves, a gifted 37-year old actor who had been impressive in such 'A'-list productions as 'Gone With the Wind', 'The Strawberry Blonde', 'Lydia', and 'So Proudly We Hail!' Returning from the war, however, his career, as was the case with so many other young actors, had stalled. Reduced to supporting roles, or leads in 'B' films and serials, 'Superman and the Mole Men' represented yet another minor film, but Reeves hoped the exposure from both film and television might jump-start his flagging career...
He little anticipated what impact Superman was about to have on his life!
A cautionary tale, with elements 'lifted' from 'Frankenstein' and 'The Day The Earth Stood Still', begins as miners drill the world's deepest shaft, and break through to an underground world. Two of it's inhabitants, bald, radioactive midgets, decide to secretly investigate our world. Doing a feature story on the well for the 'Daily Planet', reporters Lois Lane (Phyllis Coates, inheriting the role from the serials' Noel Neill), and Clark Kent (Reeves), finds a town gripped with fear and prejudice, as an old man had suffered a heart attack after seeing the 'visitors'. Despite pleas for tolerance, the residents arm themselves, and plan to 'shoot first and ask questions later', particularly after the ball of a little girl who sees them (and has an innocent encounter), has enough residual radioactivity to glow in the dark. Shots are fired, the aliens bring up their own weapons, and it's up to Superman to 'save the day'!
Reeves' interpretation of 'Clark Kent/Superman' was far less jovial and buoyant than Alyn's; decisive, serious, and nearly combative, this was a 'Superman' you didn't mess with (the characterization would be toned down, for television). Square-jawed and more muscular (aided by a tee shirt with sewn-in shoulder pads, beneath the costume, to make him even more formidable-looking), the greatest variance between his interpretation and the comic books' was in his 'take' on Clark Kent. Reeves gave the reporter courage and integrity, as opposed to the 'meek, mild-mannered' geek that readers were familiar with (and who would be revived by Christopher Reeve, 26 years later). While some critics complained that he made Kent and Superman's personalities too similar, Reeves and the producers wisely realized that as budgetary restraints kept Superman's presence in the movie (with the FX required to show his 'super powers') to a minimum (there aren't ANY flying sequences in 'Superman and the Mole Men, only cast comments..."Look, up in the sky"... and a close-up of his 'catching' a falling alien), Clark Kent would be on-screen more, 'standing in' for the Man of Steel. Kent 'had' to be stronger, to fill the void.
Phyllis Coates was fabulous, as Lois Lane. No longer the serials' air-headed girl reporter who kept getting into trouble, Coates' Lois was strong, smart, and every bit Clark Kent's equal. She redefined the role, and when Noel Neill returned to the part, on TV several years later, she had big shoes to fill!
Aided by an excellent supporting cast (including screen veterans Jeff Corey, Walter Reed, and J. Farrell MacDonald), 'Superman and the Mole Men', despite its small budget, offered excellent performances, and a theme of tolerance that still rings true, today.
With the success of the film, 'Superman' moved on to television...and history was about to be made!
He little anticipated what impact Superman was about to have on his life!
A cautionary tale, with elements 'lifted' from 'Frankenstein' and 'The Day The Earth Stood Still', begins as miners drill the world's deepest shaft, and break through to an underground world. Two of it's inhabitants, bald, radioactive midgets, decide to secretly investigate our world. Doing a feature story on the well for the 'Daily Planet', reporters Lois Lane (Phyllis Coates, inheriting the role from the serials' Noel Neill), and Clark Kent (Reeves), finds a town gripped with fear and prejudice, as an old man had suffered a heart attack after seeing the 'visitors'. Despite pleas for tolerance, the residents arm themselves, and plan to 'shoot first and ask questions later', particularly after the ball of a little girl who sees them (and has an innocent encounter), has enough residual radioactivity to glow in the dark. Shots are fired, the aliens bring up their own weapons, and it's up to Superman to 'save the day'!
Reeves' interpretation of 'Clark Kent/Superman' was far less jovial and buoyant than Alyn's; decisive, serious, and nearly combative, this was a 'Superman' you didn't mess with (the characterization would be toned down, for television). Square-jawed and more muscular (aided by a tee shirt with sewn-in shoulder pads, beneath the costume, to make him even more formidable-looking), the greatest variance between his interpretation and the comic books' was in his 'take' on Clark Kent. Reeves gave the reporter courage and integrity, as opposed to the 'meek, mild-mannered' geek that readers were familiar with (and who would be revived by Christopher Reeve, 26 years later). While some critics complained that he made Kent and Superman's personalities too similar, Reeves and the producers wisely realized that as budgetary restraints kept Superman's presence in the movie (with the FX required to show his 'super powers') to a minimum (there aren't ANY flying sequences in 'Superman and the Mole Men, only cast comments..."Look, up in the sky"... and a close-up of his 'catching' a falling alien), Clark Kent would be on-screen more, 'standing in' for the Man of Steel. Kent 'had' to be stronger, to fill the void.
Phyllis Coates was fabulous, as Lois Lane. No longer the serials' air-headed girl reporter who kept getting into trouble, Coates' Lois was strong, smart, and every bit Clark Kent's equal. She redefined the role, and when Noel Neill returned to the part, on TV several years later, she had big shoes to fill!
Aided by an excellent supporting cast (including screen veterans Jeff Corey, Walter Reed, and J. Farrell MacDonald), 'Superman and the Mole Men', despite its small budget, offered excellent performances, and a theme of tolerance that still rings true, today.
With the success of the film, 'Superman' moved on to television...and history was about to be made!
Considering it was shot in 11 days; considering its "special effects" are something less than primitive, George Reeves and this film still pack a Kryptonite-sized wallop.
Mysterious Mole-Men emerge from "the world's deepest oil well," and scare the inhabitants of the nearby town of Silsby. Despite pleas for tolerance and patience, Superman must disarm the town and protect the aliens while hard-headed Luke Benson repeatedly tries to kill them.
FACTOID #1: Despite other accounts, this film was NOT a "pilot" for the eventual series. In fact, there WAS no pilot. The day after shooting wrapped, the company spent another 12 weeks shooting 24 half-hour episodes. The comic book company decided to include a feature film as part of the schedule, so they'd be sure to recoup their investment at the box office in case no one bought the series. Lucky for us, that didn't come to pass.
FACTOID #2: Although the two-part TV version, "Unknown People," had been edited and packaged with the other 24 half-hours, it had to be withheld during the series' original run. It had been produced in 1951, and SAG rules forbade films copyrighted after 9/48 to air on TV without residuals. Not until 1960, when the rules were revised, did "Unknown People" appear.
Mysterious Mole-Men emerge from "the world's deepest oil well," and scare the inhabitants of the nearby town of Silsby. Despite pleas for tolerance and patience, Superman must disarm the town and protect the aliens while hard-headed Luke Benson repeatedly tries to kill them.
FACTOID #1: Despite other accounts, this film was NOT a "pilot" for the eventual series. In fact, there WAS no pilot. The day after shooting wrapped, the company spent another 12 weeks shooting 24 half-hour episodes. The comic book company decided to include a feature film as part of the schedule, so they'd be sure to recoup their investment at the box office in case no one bought the series. Lucky for us, that didn't come to pass.
FACTOID #2: Although the two-part TV version, "Unknown People," had been edited and packaged with the other 24 half-hours, it had to be withheld during the series' original run. It had been produced in 1951, and SAG rules forbade films copyrighted after 9/48 to air on TV without residuals. Not until 1960, when the rules were revised, did "Unknown People" appear.
Le saviez-vous
- AnecdotesAccording to director Lee Sholem, both Phyllis Coates and George Reeves were knocked out cold on the same day in fights involving stuntmen.
- Gaffes(at around 12 mins) When Lois Lane describes the mole men after her first encounter with them, she says they have human heads with the bodies of moles. The only costume the actors playing the mole men wear is a dark, presumably furry suit that conforms to their human shape. A few times, the zipper in the back of their costumes can be seen.
- Versions alternativesReleased as this feature film to minimize losses if the proposed TV series did not sell; the footage also was assembled as a two-part episode of Superman (1952): The Unknown People: Part I (1954), The Unknown People: Part II (1954).
- ConnexionsEdited into Superman: The Unknown People: Part I (1954)
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- How long is Superman and the Mole-Men?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Superman contra los hombres ratones
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 275 000 $US (estimé)
- Durée
- 58min
- Couleur
- Rapport de forme
- 1.37 : 1
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