Les conquérants de Carson City

This film is a good Saturday afternoon western. Randolph Scott attempts to build a railroad between Carson City, and Virginia City. He must battle with an assortment of evil men, his own workers, and his step brother. I give this western an 8 out of 10 for its story, and its action.

Carson City is directed by André De Toth and written by Sloan Nibley and Winston Miller. It stars Randolph Scott, Lucille Norman, Raymond Massey, Richard Webb and James Millican. Music is scored by David Buttolph and cinematography by John Boyle. Plot finds Scott as engineer Jeff Kincaid, who clashes with bandits and town locals when he is hired to build a new rail track through Carson City.

Based in Nevada but filmed in Bronson Canyon in California, Carson City is routine stuff that still manages to come out in credit by the end. Story is set up around the building of the railroad between Carson City and Virginia, Scott and his rugged band of engineers have their work cut out in more ways than one. When a major player who is opposed to the railroad is murdered, it's no surprise who is going to get the blame. Cue dastardly goings on, sabotage, heroics and much macho posturing. In the mix is a love interest for Randolph, courtesy of a lifeless Lucille Norman, but naturally the trajectory of true love is not straightforward.

Railroad Workers Terrorise Town!

De Toth came on board late in production after Michael Curtiz baulked at trying the new Warnercolor process (this was the first film to use the process). De Toth went on record to say he only did the film for the money, but he gets much entertainment from a pretty standard script. Action quota is high, with exploding rocks, wagon over a cliff, stagecoach heist, train robbery, saloon brawls and great drama garnered out of a landslide/rescue passage of play. For Scott fans it's a pleasurable watch as it finds him in typically upright and stoic form, in fact the first time we see him he is indulging in a good old knuckle fight. Though asking us to accept his romance with Norman when there is 20 years between the two actors is a bit of a stretch.

The scenery is pleasing yet the Warnercolor is as lifeless as Norman's performance, but the print of the film is in good shape and as long as Western fans prepare for standard formula dressed up nicely, then they should enjoy it well enough. 6.5/10

When "Carson City" begins, a stagecoach is being robbed. However, oddly, these bandits have class and treat their 'guests' to a nice picnic lunch complete with champagne! Not surprisingly, they're dubbed the Champagne Bandits and the mine owner whose gold was stolen is furious. He proposes to build a railroad and avoid all this banditry. To help him get the job done, he brings in an engineer/troubleshooter, Jeff Kincaid (Randolph Scott). However, the new railroad is opposed by two forces--the local newspaper that's afraid it will usher in thugs and the guy who is secretly behind all the robberies. Can Jeff manage to get the job done-- especially when the baddies seem willing to do ANYTHING to stop them?

This is generally a well made and enjoyable film--which isn't surprising since Scott stars in it. He seemed to always make even the most ordinary material better and this movie is no exception. The complaints I have are relatively minor (such as how dumb Zeke is when he learns who's behind the robberies--way to do Zeke!) and the film is solid and entertaining.

By the way, the pretty lady starring in the film is NOT Virginia Mayo but a near lookalike, Lucille Norman.

While the Western genre is not one of my favourite film genres, there is still appreciation for it and there are many classics in it. Also like one of the genre's icons Randolph Scott, though not a favourite, with some of his best work being with Budd Boetticher. Andre De Toth was a very gifted director, with already good experience with Westerns (the genre he revisited most frequently), and sadly undervalued. Those were the main reasons for seeing 1952's 'Carson City'.

'Carson City' for me turned out to be an uneven film that finished a good deal weaker than it started. It is also though a mostly enjoyable ride that has a lot to recommend it. It is not the best work of either Scott or De Toth, but again it is not a lesser effort of either of them. Somewhere in the middle for both and when it comes to their collaborations together there is a preference for 'Man in the Saddle' and 'Riding Shotgun', but again a lot is very well done here.

It is at its weakest with the completely superfluous and quite watery love triangle that turned out to not be as incidental to the story as it should have been. It doesn't help that Lucille Norman is incredibly bland and ill at ease, or that her role is very sketchy.

Really do wish that the conclusion was as good as how 'Carson City' started. Instead it was very predictable and lacked tension.

A shame because 'Carson City' started off incredibly well with a quite exhilarating opening. That excitement is maintained for a vast majority of the length, with a good deal of tautly paced and atmospheric storytelling. De Toth's direction is typically confident, one would not think he was actually a last minute replacement, and of the acting only Norman is bad. Scott's gritty charisma is evident throughout and there is strong support from Raymond Massey and Richard Webb.

Visually it looks good, with the photography having a good sense of style and atmosphere. Nothing cheap about the settings either. The music never felt at odds, and the script is lean and intelligent as well as pull no punches.

Concluding, enjoyable. 7/10.

No need to repeat the plot. I'm surprised Warner Bros. didn't introduce Warnercolor by going to a scenic location like the red rocks of Sedona, Arizona. Instead, they took a cheaper route, filming in the scrubby hills of greater LA. Otherwise, it's a pretty routine entry in the Randoph Scott sweepstakes. Casting him as a railroad engineer is novel, at the same time, the tunnel collapse furnishes some unusual suspense for a western. The buckboard crash is spectacular even for a sagebrush staple like buckboard crashes.

However, the plot's a little overcrowded for my liking, while the powerful Raymond Massey is pretty much wasted in a role any number of lesser actors could have handled. Then too, director De Toth films in straightforward fashion, unlike the beautifully wrought intrigue of his western masterpiece, Ramrod (1947). All in all, it's a decent oater, but for a Randy Scott feature, it's nothing special.