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IMDbPro

Sacré printemps

Titre original : The Happy Time
  • 1952
  • Approved
  • 1h 34min
NOTE IMDb
6,7/10
596
MA NOTE
Charles Boyer, Linda Christian, Bobby Driscoll, and Louis Jourdan in Sacré printemps (1952)
Spring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's infatuated with the beautiful new maid, fleeing life as a magician's assistant. Robert's mother bemoans some of the Bonnard family male role models available to Robert: his party animal grandfather, roguish traveling salesman uncle Desmond, and an uncle who carries a water cooler filled with wine everywhere while his wife does all the work. As Desmond's temporarily off the road, he also targets the maid.
Lire trailer2:34
1 Video
4 photos
Comédie

Ajouter une intrigue dans votre langueSpring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's infatuat... Tout lireSpring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's infatuated with the beautiful new maid, fleeing life as a magician's assistant.Spring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's infatuated with the beautiful new maid, fleeing life as a magician's assistant.

  • Réalisation
    • Richard Fleischer
  • Scénario
    • Earl Felton
    • Robert Fontaine
    • Samuel A. Taylor
  • Casting principal
    • Charles Boyer
    • Louis Jourdan
    • Marsha Hunt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    596
    MA NOTE
    • Réalisation
      • Richard Fleischer
    • Scénario
      • Earl Felton
      • Robert Fontaine
      • Samuel A. Taylor
    • Casting principal
      • Charles Boyer
      • Louis Jourdan
      • Marsha Hunt
    • 23avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 5 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:34
    Official Trailer

    Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux30

    Modifier
    Charles Boyer
    Charles Boyer
    • Jacques Bonnard
    Louis Jourdan
    Louis Jourdan
    • Uncle Desmond Bonnard
    Marsha Hunt
    Marsha Hunt
    • Susan Bonnard
    Bobby Driscoll
    Bobby Driscoll
    • Robert 'Bibi' Bonnard
    Linda Christian
    Linda Christian
    • Mignonette Chappuis
    Kurt Kasznar
    Kurt Kasznar
    • Uncle Louis Bonnard
    Marcel Dalio
    Marcel Dalio
    • Grandpere Bonnard
    Jeanette Nolan
    Jeanette Nolan
    • Felice Bonnard
    Jack Raine
    Jack Raine
    • Mr. Frye - School Principal
    Richard Erdman
    Richard Erdman
    • Alfred Grattin
    Marlene Cameron
    Marlene Cameron
    • Peggy O'Hare
    Gene Collins
    • Jimmy Bishop
    Ann Faber
    • Yvonne Bonnard
    Kathryn Sheldon
    Kathryn Sheldon
    • Miss Tate - Schoolteacher
    Edward Clark
    Edward Clark
    • Dr. Marchaud
    Maurice Marsac
    Maurice Marsac
    • The Great Gaspari
    Will Wright
    Will Wright
    • Family Doctor
    Eugene Borden
    • Monsieur Lafayette - Grocer
    • Réalisation
      • Richard Fleischer
    • Scénario
      • Earl Felton
      • Robert Fontaine
      • Samuel A. Taylor
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs23

    6,7596
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    Avis à la une

    egonigo

    High praise for this portrayal of delightful eccentricity

    I just wanted to assure Roncee that this movie holds up thru multiple viewngs over decades! For fans of the period-setting, it's a wonderful antidote to the sentimentality of "I Remember Mama," and Kurt Kazner's drunken lout is far more entertaining than Oskar Homolka's curmodgeonly Uncle Chris. Take special note of director Richard Fleischer's range: everything from "Dr. Doolittle" to the ultra-creepy "10 Rillington Place." In view of his parentage though, prodigious talent is no surprise -- his pop was Max (Betty Boop et al.) Fleischer! Also recommended to fans of this film is the obscure but fabulous Beatrice Lily comedy, "On Approval."
    7CinemaSerf

    The Happy Time

    Aside from "Treasure Island" (1950) this might be my favourite film featuring the charming Bobby Driscoll. He's the teenage "Robert/Bibi" who is completely oblivious to the affections of his next door neighbour because he only has eyes for the new maid "Mignonette" (Linda Christian). His obsessiveness starts to affect his schoolwork, and when the lovelorn "Peggy" (Marlene Cameron) doctors a rather risqué copy of "Paris Match" and gets him into hot water, things get so serious as to require the intervention of his dad (Charles Boyer) and two uncles (Louis Jourdan and Kurt Kasznar). They question him about the naughty photos and respect his denial whilst also clocking really quite quickly just what is troubling their young charge. Boyer is also on good form here, and I thought Richard Fleischer's amiable direction allowed the deftly adapted script to tell us a story of pubescent love mixed with familial concern and affection and peppered with some lovely, quite witty, observational humour. Driscoll was seventeen or so when he made this, so he probably had some genuine hormones to add to this genuinely quite enjoyable comedic drama. Don't be put off by the rather ropey title track, it's really quite good fun, this.
    8cocgle

    Not Quebec

    this is a minor detail but the family is not Quebecois, the are actually French-speaking Ontarians.

    The father and his brothers are French and (Protestant!!)immigrants to Ottawa (Ontario) and the mother is of Scottish descent. This explains in part why the film did not garner much enthusiasm among French Canadians who generally viewed being protestant and French as being akin to treason.

    The movie is based on a series of short stories by Robert Lafontaine about his childhood in Ottawa's Lower Town. The stories were very popular in the 1940's and became a play. The play has since become a minor staple of high school productions.
    9klg19

    A coming of age tale that is beyond charming

    Three generations of French film charisma come together in this marvelous film about a family of French Canadians living in Ottawa (not Quebec!). Charles Boyer, in one of his earliest "character" roles after decades of being a leading-man lover, joins the up-and-coming Louis Jourdan and the old theatrical hand Marcel Dalio to make up the Bonnard family: Grandpere (Dalio) lives with Jacques (Boyer), his wife Susan (Hunt), and their son, Bibi (Driscoll). Jacques' bibulous, layabout brother Louis (Kasznar) lives across the street, with his shrewish, seamstress wife Felice and their possibly unmarriageable daughter. Desmonde, the third brother, is a traveling salesman with a rakish reputation--not unlike his father--who stays with Jacques' family when he's in Ottawa and who is a hero in the eyes of Bibi.

    The story itself is small: Desmond comes to stay; Jacques, who plays violin and conducts the orchestra in a small burlesque and movie house, brings a sacked magician's assistant home to be the new maid; Louis storms out of his home and moves in on Jacques' porch; Grandpere falls ill; and Bibi deals with troubles at school and in the heart. But the writing and characterization are so true to life and moving that one gets utterly caught up.

    The movie was based on a successful Broadway play (with Kasznar reprising his stage role, along with the young actress who plays girl-next-door Peggy), which in turn was based on a series of stories by Robert Fontaine about his own growing-up. The atmosphere is imbued with a certain French sophistication, but even more with the love and compassion all these members of the family have for each other. The conversation that the father, Jacques, has with his adolescent son, Bibi, as he tries to explain the tension between love and desire could be used successfully as a template for any such talk in any family on earth. But it is not just moving; much of the dialogue is as funny as in any family comedy you can think of.

    I had never heard of this film, and only discovered it via Turner Classic Movies guest programmer. Sadly, it is not available in any video medium; I can't think of a better family film. If it comes around again on TCM, be sure to give it a try!
    10mervynt

    One of my most memorable movies

    I have not seen this for X decades and remember it with huge delight. I am now going to find a copy so I can see it again. A gentle, weighty movie - in my memory as long as I last. The performances of Boyer, Jourdan and all the others make it a must watch movie. For sentimentalists and for all film lovers. By modern standards this might not be a top notch film, however it is, by any standards, a really watchable and rewarding experience. You will not be able to resist the development of the characters and how they deal with the interpersonal relationships. By the skill of their acting and the subtlety of the direction this is a "must see"

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Marsha Hunt was offered the same role in the original Broadway production but turned it down. The part ultimately went to Leora Dana, who met and married Kurt Kasznar during the run of the play.
    • Citations

      Jacques Bonnard: I think you and I should have a little talk. Sit down, Bibi. Well, there is no need to ask you why you did what you did. The reason is obvious: you did it because... why did you do it?

      Robert 'Bibi' Bonnard: I had a desire to know what would happen... if I kissed Mignonette the way Valentino did.

      Jacques Bonnard: You were curious.

      Robert 'Bibi' Bonnard: Oui, curious.

      Jacques Bonnard: Nothing more.

      Robert 'Bibi' Bonnard: There is something more, but I don't know what it is.

      Jacques Bonnard: Ah. Well. It is this 'something more' of which we shall speak. Now you see, Bibi, this... desire you have, it's a natural one, and since it is natural, it cannot be bad. It becomes bad only when the reason is bad. That is why so many people are mixed up

      Robert 'Bibi' Bonnard: I, too, am mixed up.

      Jacques Bonnard: Well, of course! So am I. Well, let's try to unmix ourselves, shall we? Now, Bibi, we speak now of love. And where there is love, there is also desire; they go together. Love must have the desire; I don't believe there can be love without it. But, it is possible to have the desire without love, and this is where the world falls apart. For instance, you don't understand why the principal of your school beat you.

      Robert 'Bibi' Bonnard: No, papa.

      Jacques Bonnard: Well, it is because he has been brought up to believe that the desire is wrong. And since he himself has the desire, he's even more mixed up than we are! He has been brought up in a world where the desire has been used so badly-so badly, believe me-that it itself is thought to be bad; and this is wrong. This is wrong, Bibi. And you know the reason for this condition? It is because so many people are without love.

      Robert 'Bibi' Bonnard: Many people?

      Jacques Bonnard: Many.

      Robert 'Bibi' Bonnard: Uncle Louis?

      Jacques Bonnard: You love your Uncle Louis, don't you?

      Robert 'Bibi' Bonnard: I love him strongly.

      Jacques Bonnard: That's good. He has a great need of love. And without love, one is defeated.

      Robert 'Bibi' Bonnard: But this love is different. The love I have for Uncle Louis is different from the love I have for you; this also is different from the way I love maman. And then... Mignonette.

      Jacques Bonnard: Eh, oui, Bibi. And this love we speak of now, when it is real, when it is true, it is the greatest love of all. I know; we have it here, in this house, Maman and I; it is the best, it is the most natural. In this way, the world comes down to a house, and a room, and a bed, and if there are two people in love there, then that is the whole world. Of course, you won't know this for many years. You know it is possible never to know it? I hope you will. If you are as lucky as I am, you will.

      Robert 'Bibi' Bonnard: I will look for someone like Maman!

      Jacques Bonnard: Oh, no! No, no, no, no! On the contrary: the secret is not to imitate. Look for your heart's need, and then she will come. Well, I've talked enough, and still you don't know what I wish to say.

      Robert 'Bibi' Bonnard: I think I do.

      Jacques Bonnard: Well, perhaps, when we speak of this again, I will find better words.

    • Connexions
      Featured in TCM Guest Programmer: Paul Aguirre (2007)
    • Bandes originales
      The Happy Time
      Music by Dimitri Tiomkin

      Lyrics by Ned Washington

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    Détails

    Modifier
    • Date de sortie
      • 17 avril 1953 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • The Happy Time
    • Société de production
      • Stanley Kramer Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 34min(94 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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