La poule aux oeufs d'or

I used to watch the "Abbott and Costello" movies a lot when I was younger, particularly the Universal Monster crossovers. For the first time in probably thirty years I watched this one recently - it was a little disappointing, I have to admit.

Whilst reading a story to a boy he's babysitting for, Jack (Lou Costello) leaps into the world of Jack and the Beanstalk. Struggling for food, Jack sell's his family cow to Mr Dinkelpuss (Bud Abbott), the town butcher, in return for some magic beans. Planting the beans, they grow into a massive beanstalk, that reaches all the way up to the castle of the fearsome giant (Buddy Baer) who has been plundering the town and has kidnapped both the Princess (Shaye Cogan) and her betrothed Prince Arthur (James Alexander). Jack and Mr Dinkelpuss climb the stalk, with the aim of getting at the Giant's treasure and rescuing the couple.

I appreciate that it was only ever going to be gentle family-friendly comedy, but even so this feels underneath my recollection of those slapstick farces that I watched in my youth. I'm not sure the colour helps, I get that it's to work as a gentle parody of "The Wizard Of Oz" but the colour work here (at least on the dvd I've seen) was much more gaudy than It needed to be. There's some decent moments, such as the animation integration on the beanstalk scenes - the eggs with gunpowder in them works well and the wordplay is occasionally amusing.

The giant is a disappointment though, I'm not expecting full CGI creatures, but they could have kept him in shadow and superimposed him into scenes, and made him truly a giant. The physical comedy at the end of the film is a bit of an anti-climax and the individual romance songs are poor, though the ensemble ones in the village are a bit better, but there the dancers there are strikingly terrible. The Irish harp too doesn't add much to the plot and could have been dropped.

I need to revisit a few more of their films, but I won't be back to "Jack and the Beanstalk" in a hurry.

Abbott and Costello's "Jack and the Beanstalk" was the best of the team's fifties features. Shot around the same time as their television show, it represents one of the two color films they made in their career. The original photography was actually in Eastmancolor. The prints were made in the Super Cinecolor 3 strip process was was similar to Technicolor but grainier and difficult to focus due to the dual emulsion print stock. It looks as if the framing devise might have been filmed in Eastmancolor too but printed on B&W sepia toned stock. I used to watch this picture as a child in syndication and found it amusing and even charming. While a far cry from their pre-1948 movies, I give them a lot of credit for trying something different. The supporting players are fun with Buddy Baer (Jethro's dad) having a ball as the giant. The princess is played by Shaye Coogan who later became a pop singer. James Alexander popped up on their TV show too. One of the campy elements of the film is Johnny Conrad and his dancers who often out of synch during the songs. Consumers should be aware that there are three versions of the film put out by different companies due to it public domain statis. The uncut version was taped from a Preview print,contains extra scenes and runs approx. 82 min. It was released on laserdisc with extras. The standard release cut 78 minute version is also on tape. The cut scenes include a sequence of the butcher arguing with ladies in town and extended versions of the song, "Darlene" and "Dreamer's Cloth". It was re-issued by RKO in B&W in 1961 and used to played in syndication that way for many year. Good luck in hunting a complete version.

I bought this DVD recently because it was a cheapy and I love A & C. I would say it is pretty funny and action packed if you look at it with the innocence of a child I think you will enjoy it more. If you look at it closely you will see Lou doing a lot (if not all )of his stunts himself which adds greatly to the enjoyment of the picture.The male and female leads are pretty bad and were no threat to Nelson Eddy and Jeanette MacDonald in the talent department but the girl is beautiful in a 1950's kind of way.As a big Superman fan , the biggest kick I got out of it is that the baby boy in the beginning of the picture is none other than baby Kal-el from the first episode of the George Reeves TV series "Adventures of Superman" entitled "Superman On Earth". I don't know what this baby's name was since he is not credited in either appearance but it's definitely the same tot.If he was born in 51 he would be in his early fifties now and I'm sure all Superman and A & C fans would like to know his name and what became of him. So if you are out there little Kal-el give a holler!By the way Betty Page fans will enjoy the tall actress who dances with Lou in the film.

I turn to this movie when I'm feeling down. My 5-year old niece (with no prompting from me) prefers it to any Disney you care to name. It's one of those movies that's so bad it's brilliant. And why Jack's Mother's line, uttered in sheer frustration, "Plant the Beans, Jack!" has not become a revered movie catchphrase I'll never know. I always shout "Plant the Beans, Jack!" at the Kiefer Sutherland character in "24", especially when he's a little slow on the uptake. Abbott and Costello's "Jack and the Beanstalk" is a little gem and does not deserve the criticism levelled at it on IMDB. The humour may be basic, the characters may be of the cardboard variety, but the director has managed to create a special little world that children and adults can enjoyable enter .

Just purchased this film on DVD along with their Africa Screams for $4.99! While it does turn out to be the full 81 minute version it is a very bad print It is still worth having in a collection and a joy to watch. Abbott looks tired though but a surprise to see Costello jumping around and carrying on, although I know a lot of it was stunt work. The disc also has a cute trivia section and BIOS. The above review mentions the giant as Max Baer Sr (Jethro's father) but the IMDb lists him as Buddy Baer, Max's brother. Of course the change from sepia to colour is very reminiscent of Oz and watching it one could almost think it was made around the same time, but it's 1952!