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Dans un safari au Kenya, le chasseur commercial Victor Marswell est pris dans un triangle amoureux entre une riche héritière américaine séductrice, Eloise Kelly et la femme infidèle de l'ant... Tout lireDans un safari au Kenya, le chasseur commercial Victor Marswell est pris dans un triangle amoureux entre une riche héritière américaine séductrice, Eloise Kelly et la femme infidèle de l'anthropologue Donald Nordley, Linda.Dans un safari au Kenya, le chasseur commercial Victor Marswell est pris dans un triangle amoureux entre une riche héritière américaine séductrice, Eloise Kelly et la femme infidèle de l'anthropologue Donald Nordley, Linda.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 3 victoires et 4 nominations au total
Samburu
- Themselves
- (as Samburu tribe of Kenya Colony)
Wagenia
- Themselves
- (as Wagenia tribe of Belgian Congo)
Bahaya
- Themselves
- (as Bahaya tribe of Tanganyika)
M'Beti
- Themselves
- (as M'Beti tribe of French Equatorial Africa)
Asa Etula
- Young Native Girl
- (non crédité)
Bruce Seton
- Wilson
- (non crédité)
Avis à la une
Clark Gable, Ava Gardner and Grace Kelly all in one adventure film out of Africa. What's not to like. Gable plays Victor Marswell, a great white hunter of the African big game, Marswell (Gable) who has not one, but two beautiful actresses pining over him. Even some near seventy (70) years later after its original release date (1953), this film holds up quite well. Both the story line and the scenery are epic, but it is the playful romance between this threesome that holds the audience's attention. Who will end up at the end of this adventure film embracing?
Well worth a watch, or even twice (I did).
I give it a 7 out of 10 IMDB rating.
Well worth a watch, or even twice (I did).
I give it a 7 out of 10 IMDB rating.
This fifties remake of Red Dust' casts Clark Gable again as the man trapped by the attention of two very different women. Instead of Mary Astor we have Grace Kelly as the repressed rich girl, while Jean Harlow's earthy character is portrayed by sensual Ava Gardner, a predatory animal in the hot jungle. The fourth player in the quartet (playing Kelly's husband) is Donald Sinden.
Aside from re-setting the action, changing the name of Gable's character, and giving the movie a Technicolor treatment, Mogambo doesn't update the 30s classic that much. Gable is still portrayed as irresistible to women as he was when twenty years younger, and the plot still simmers in the way it did before.
Naturally all the stars went on to other interesting things after this Gable left MGM to spend his last few years as a lucrative freelance; Kelly had a couple more major roles before marrying into Monaco royalty; and Gardner moved into more mature sexpot roles (such as her similar role opposite Richard Burton in The Night of the Iguana' a decade later). Sinden remains best known for his television work but on film he was more than adequate with the more showy co-stars in Mogambo.
This movie is not bad at all if you have a couple of hours to spend wondering how the various twists and turns will unfold.
Aside from re-setting the action, changing the name of Gable's character, and giving the movie a Technicolor treatment, Mogambo doesn't update the 30s classic that much. Gable is still portrayed as irresistible to women as he was when twenty years younger, and the plot still simmers in the way it did before.
Naturally all the stars went on to other interesting things after this Gable left MGM to spend his last few years as a lucrative freelance; Kelly had a couple more major roles before marrying into Monaco royalty; and Gardner moved into more mature sexpot roles (such as her similar role opposite Richard Burton in The Night of the Iguana' a decade later). Sinden remains best known for his television work but on film he was more than adequate with the more showy co-stars in Mogambo.
This movie is not bad at all if you have a couple of hours to spend wondering how the various twists and turns will unfold.
'Mogambo' is not one of the greatest of John Ford's films, but it is still a solid piece of work. Clark Gable is at his manliest, and Grace Kelly is cast perfectly (though her performance is not so perfect). However, Ava Gardner steals the show. Scenes without her seem dead. Scenes with her are charged with sexy movement and funny double-talk. Of course, Ford himself makes great use of the African landscape, applying his brilliant American West photography to the jungles and rivers of Africa. A good piece of entertainment and recommended for John Ford fans.
Some stunning Technicolor photography of African footage and beautiful AVA GARDNER are the sole reasons for watching John Ford's MOGAMBO, a remake of "Red Dust" that starred Jean Harlow twenty years before this was made.
Harlow's co-star, CLARK GABLE, is back reprising his role as the great white hunter (what happened to STEWART GRANGER???), but Gable has mellowed quite a bit and looks a bit too tired to be the love interest of both AVA GARDNER and GRACE KELLY--which is what the plot really boils down to. However, he is more than able to tame both of them.
GRACE KELLY still has the affected way of reciting her lines in a prim and princess-like way and is the less interesting of the two females. AVA GARDNER, on the other hand, livens up the story with her sarcastic one-liners and her ability to size up any situation and call a spade a spade. She's honest, frank and completely charming in her own way and walks off with every scene she's in, fully deserving her sole Oscar nomination.
But if you're looking for a real good story, MOGAMBO is not it. It has all the realism of a picture postcard despite the fact that much of it was filmed in colorful Africa. But the use of stock footage is also apparent as are shots of Gable and others before a process screen.
Fans of the stars should enjoy this one, but be warned--it's not without some serious flaws, mostly due to a weak script.
Harlow's co-star, CLARK GABLE, is back reprising his role as the great white hunter (what happened to STEWART GRANGER???), but Gable has mellowed quite a bit and looks a bit too tired to be the love interest of both AVA GARDNER and GRACE KELLY--which is what the plot really boils down to. However, he is more than able to tame both of them.
GRACE KELLY still has the affected way of reciting her lines in a prim and princess-like way and is the less interesting of the two females. AVA GARDNER, on the other hand, livens up the story with her sarcastic one-liners and her ability to size up any situation and call a spade a spade. She's honest, frank and completely charming in her own way and walks off with every scene she's in, fully deserving her sole Oscar nomination.
But if you're looking for a real good story, MOGAMBO is not it. It has all the realism of a picture postcard despite the fact that much of it was filmed in colorful Africa. But the use of stock footage is also apparent as are shots of Gable and others before a process screen.
Fans of the stars should enjoy this one, but be warned--it's not without some serious flaws, mostly due to a weak script.
"Mogambo" is a remake of "Red Dust" (1932) and is not as good, nor as funny, but it's still not bad at all. Poor Clark Gable must choose between Ava Gardner and Grace Kelly. With both actresses at the height of their beauty this is a tough call - but I would have taken Ava any day. She is stunning in this film - sultry, sexy and warm - very different to the flighty sex kitten that Jean Harlow played so brilliantly in "Red Dust". And Ava is photographed lovingly, in gorgeous colour, by Robert Surtees and Freddie Young. She deserved her Oscar nomination.
Kelly is good too as the rather prissy wife of a very English scientist. But she's too nice - Ava is much more real. Gable was a bit old for the role here - after all it was 21 years after he first played it in "Red Dust" - but his performance is strong.
Great African scenery and animals too - "Mogambo" got out of the studio that confined "Red Dust". Who could forget Ava trying to feed a very hungry baby elephant and a baby rhino at the same time? The gorilla sequence was a little weak - in that the film stock used to film the gorillas was completely different to that used to film the actors - and the actors were obviously in a studio. But most of the work is on location and stunningly shot.
You'll have fun with this one.
PS In the canoe scene are they really talking about female circumcision?
Kelly is good too as the rather prissy wife of a very English scientist. But she's too nice - Ava is much more real. Gable was a bit old for the role here - after all it was 21 years after he first played it in "Red Dust" - but his performance is strong.
Great African scenery and animals too - "Mogambo" got out of the studio that confined "Red Dust". Who could forget Ava trying to feed a very hungry baby elephant and a baby rhino at the same time? The gorilla sequence was a little weak - in that the film stock used to film the gorillas was completely different to that used to film the actors - and the actors were obviously in a studio. But most of the work is on location and stunningly shot.
You'll have fun with this one.
PS In the canoe scene are they really talking about female circumcision?
Le saviez-vous
- AnecdotesClark Gable did not get along with director John Ford during filming, and at one point walked off the set in protest at Ford's treatment of Ava Gardner. Ford also made several remarks about Gable's age and weathered appearance.
- GaffesWhen Honey Bear is awaiting the boat to take away (first time round), she is seen sitting on her suitcases and trunks. Then she walks down the slope with just her umbrella in her hand, bids Marswell good bye and hops in the boat. The captain lifts the gangway and off they sail away, forgetting her bags on the shore.
- Citations
Eloise Kelly: Look, Buster, don't you get overstimulated with me!
- Crédits fousOpening Title Card reads: Metro-Goldwyn-Mayer is grateful beyond measure to the government officials of Kenya Colony, Tanganyika, the Uganda Protectorate and the Republic of French Equatorial Africa, whose limitless co-operation made this motion picture possible.
- ConnexionsEdited into Trader Horn, l'aventurier (1973)
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Détails
Box-office
- Budget
- 3 103 000 $US (estimé)
- Durée
- 1h 56min(116 min)
- Rapport de forme
- 1.37 : 1
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