La police est sur les dents

This film is so true to the atmosphere of the 1950's that you could show it in a history class, but it's a lot of fun. Jack Webb is fantastically straight as Joe Friday; he never had a better role. He speaks every word with a cement-like conviction; he's always got a snappy answer for every sarcastic criminal. Everyone in the movie is great, but the standouts are Virginia Gregg as the murdered man's alcoholic and handicapped wife, Stacy Harris as Max Troy, insincere head of the crime syndicate, and Richard Boone as the police captain, who says to his men with angry authority "all right, bumper to bumper tail; get up with em in the morning and put em to bed at night".

"Dragnet" was the first theatrical feature to be based on a successful television series. Too bad its script bears little relation to the elements of that show.

In the 1952-59 series, viewers never saw the crime being committed. "Dragnet" was a mystery program; Sgt. Friday and Officer Smith would be called in to solve a crime, then locate and arrest the guilty party/parties. (As Webb put it, "This makes YOU a cop, and you unwind the story.") "Dragnet" (1954) begins with the actual crime, so that we KNOW who's guilty even before the titles appear. The movie is no mystery, merely the depiction of a murder investigation, in toto.

Worse, the Sgt. Friday in this film is not the quiet, dedicated cop of the radio and TV original. The feature marks the beginning of Friday the Supercop, the holier-than-thou sergeant never without a wisecrack for the criminal ("Unless you're growin', sit down!") or a put-down for the recalcitrant citizen ("Mr. Friday, if you was me, would you [testify]?" "Can I wait awhile... before I'm you?").

The film was a huge box office success, the most profitable of Webb's five theatrical productions. It cost a hair over $500,000 to make, and took in nearly six million. It was Warner's second-highest grossing film of 1954, after "The High and the Mighty." And, of course, it opened the door for the TV crossovers that continue to this day. It's just a shame that the "real" Sgt. Friday didn't appear, and an even bigger shame that this 'evil twin' eventually eclipsed the original.

Jack Webb was a one of a kind filmmaker. Whether it was in the movies or on television he was, in his own way, a genius. His was work is easy to spot. He had a style all his own. "Dragnet" is not Webb at his best but it's still good. I watch it for the straight detective story that it is but there are quite a few funny moments to. The "Naked Gun" movies have ruined this movie a little for me. The dated "hi-tech" stuff is pretty funny now. Those moments don't take any enjoyment away from the movie. They actually add to the fun. "Dragnet" is always a welcome visit.

Check out the Chrome on the shiny 1950's automobiles. Look carefully and you will see the clear plastic air-conditioning tubes inside the rear window of the Cadillac. Wood furniture (not fiberboard), non-filter cigarettes by the ton, neon signs, 8-miles per gallon autos. This is authentic 1950's retro (and wastefulness) at its best.

Expensive color film and fine film editing. First-class musical scoring is seamlessly blended into the movie.

"Dragnet" is a meticulously planned movie project. Looks like every scene was thought out well in advance of the actual production. Webb must have been a very hard-working movie craftsman.

Stylistically, Webb's brisk handling of actors and clipped, monotonous dialog is not appealing to my tastes, but directing style is in the eye of the beholder I suppose. His style is OK for television shows but less so in a full-length movie. However, this is a good crime movie and Webb at least gives it a kind of watchable uniqueness.

Modern TV's "Law and Order" breaks no new ground. This "Dragnet" movie has the cops and detectives, then the District Attorney, then some sort of judicial hearing, etc. And of course "Law and Order" doesn't have those big chrome dinosaurs.

Every time I see this movie, I find something else about it that makes me like it all the more. Whether its the cars, the attitudes, the clothes or just the story itself. I liked the cast from the very first time and recognized most of them from the TV series. Seeing again, now, was like getting visit from some old friends. It departed from the TV show in that you saw the crime committed up front and there was no epilogue of the outcome. But otherwise, it was classic Joe Friday. Just the facts. Not a lot of superfluous rhetoric or endless scenes of police tailing bad guys. Lots of voice over with details like time of day, location, etc. Simple interrogation from Friday with smart-mouth answers from the bad guys and the snappy, emotional responses from Joe. It kind of gets you, right where you live, you know? Don't miss this one. You won't be sorry.