Le Raid

"This is a true story...it began on the night of September 26 1864, in a Union prison stockade at Plattsburgh, New York, not many miles from the Canadian border."

Tho director Hugo Fregonese's The Raid opens with the above written statement, it's not entirely accurate. Further research into what became known as "The St. Albans Raid" is required if you want the complete and unembellished story. However, The Raid is in structure and plot significantly in line with what happened back there in 1864. Lifting from the story entitled "Affair At St. Albans" by Herbert Ravenal Sass, The Raid is about seven Confederate prison escapees who infiltrate the community of St. Albans and plot a second front. As the town is gleefully praising General Sherman's march towards Savannah - and throwing auctions to sell off mementos of slain "Rebel" soldiers, the "Rebs" are fashioning bottles of "Greek Fire" with which to torch the town as they plunder the bank of all the town money.

Naturally all doesn't go to plan, as an on the edge soldier puts a spanner in the works; and the "Reb" leader, Maj. Neal Benton (aka Neal Swayze), finds a conflict of interest as his relationship with Katie Bishop and her son starts to form. All of which helps to make The Raid an engrossing picture outside of its already high interest point for being a "Confederate" movie (how many can you name about the "Rebs" winning for example?). More so when one knows that the film doesn't revert to genre formula, it threatens to, but Fregonese and his crew are not interested in serving up standard fare, with the ending a particular point of reference to ram home that opinion.

Van Heflin is excellent as Benton/Swayze, put this along side his work in other Western outings like Shane and 3:10 To Yuma, and he surely is a candidate for the genre's most undervalued actor award. Watch as he has to suppress various forms of emotion - anger as the town around him rejoices in his fellow countrymen's misfortune - affection as he gets close to the mother and son, and torn as he ultimately must abide by his war driven codes. A fine turn from a very fine actor. Anne Bancroft is suitably bright eyed and deep down strong as Katie, while Richard Boone does a nice line as the troubled, and limb absent Captain in desperate need of redemption. Lee Marvin, Claude Akins (uncredited) and Peter Graves man up the support cast, and a nod of approval is warranted for young Tommy Rettig as Larry Bishop.

Filmed on location at Iverson Ranch, Chatsworth, Los Angeles, California, I find myself once again searching for superlatives about Lucien Ballard's cinematography. This is a "gorgeous" film to look at, the Technicolor crisp in tone as the brown and orange hues of St. Albans play host to the shimmering blues of the soldiers uniforms, all of course about to be engulfed by the crackling spurts of the raiders incendiary use of "Greek Fire". I fell in love with this movie quite early on in proceedings, come the finale, I knew I just had to have it in my own collection, I can only hope that this picture finds a new audience from which to give it the love it dearly deserves. 9/10

Maybe most interesting in the movie is the conflict between the social and the political. The Confederate major (Heflin) experiences this when he gets somewhat socialized into the Union town his raiders are slated to attack. He prepares the way for his raiders by infiltrating the town as a businessman. There he meets friendly people, including a widow (Bancroft) and her son (Rettig). It's impossible not to like what he finds there. Still, he and his men have a duty to the Confederacy, regardless of personal feelings. Besides, Gen. Sherman is burning his way through the southern states. So, given the personal conflict, what will the major do.

Well acted by a stellar cast, including an unstable Lee Marvin as a Johnny Reb with an itchy trigger finger. With his distinctive looks and manner, Marvin is clearly on his way up the Hollywood ladder. The burning of the town is done to scale, though the flames are clearly controlled. Still, it's an elaborate effect, though I didn't know portable fire-grenades like those used were available at that early time.

Of course, a topic like the Civil War means neither side can be treated as evil, unlike propaganda films involving foreign enemies. So each side, Union and Confederate, gets to show good points and bad, but ultimately, each gets respect. All in all, it's a good personality western and showcase for a number of up and coming stars.

It is sort of sad that Van Heflin did not get his due as a western actor, especially during the 1950s...most people think of Burt Lancaster, Audie Murphy, Fred McMurray, James Stewart, maybe Gary Cooper too...but Heflin made two total classics in the 50s, "Shane" with Allen Ladd, and "3:10 to Yuma" with Glenn Ford another noted 50s western star...also he was a iron clad major in "They Came to Cordura" in 59....in "The Raid" he is a rebel officer with a dual role, as he contrives with a band of rebel soldiers to overtake a small Vermont town toward the end of the civil war...further raids into unprotected towns by the rebels were planned to loot money and goods to be diverted into funds to buy war goods from foreign countries....Some very solid actors, very early in their careers make this a top notch wester, Lee Marvin, Peter Graves, James ("Roscoe") Best, Ann Bancroft, and a young Richard Boone, the man with the craggy face and disposition he made a career of....also a young Tommy Rettig, who went on to star in the "Lassie" TV series of the 1950s stars.... This is a top notch western and a true story to boot. Historical news reports from historians verify the raid on Vermont as a true civil war story. Lee Marvin in a good role as a renegade rebel solider who makes more trouble for Heflin that he bargained for as he gets drunk and threatens to blow up the whole "raid".....lots of plots and subplots....surreal part of this film is the rebel soldiers who were riding around with nitro glycerin in their pants and coats used to start fires in the town...everyone knows nitro is highly explosive to vibrations, whew!!! This is a very enjoyable civil war tale with top notch actors. Remember seeing this movie as a kid in 1954, but TV version of this film left me scratching my head as I remember Tommy Rettig coming into Heflin's room and seeing his rebel uniform in a chest, not on Heflin as he wore it in a hotel room.....did I miss something from seeing this film in a theatre as opposed to on TV...hard to figure. A good, solid 1950s western to see.

Despite its Technicolor processing, this film retains a dark, almost sinister atmosphere, as the tension mounts. Much of the center of the film is simply spent waiting, as Van Heflin, the leader of this small band of Confederate soldiers, tries to keep their secret, keep the group together with its morale intact, and becomes more deeply involved with his boarding housekeeper, Anne Bancroft. Great character acting by many sustains this picture, notably Lee Marvin as the hotheaded rebel officer and Richard Boone as a discharged one-armed veteran Union soldier. Also notable is Robert Easton as a young confederate (Easton went on to become one of Hollywood's most successful and remarkable dialect coaches). Although there is a fine bit of military action near the conclusion of "The Raid," this is mostly a film about character and the stress of relationships. A fine effort.

A good film that moves along at a pleasing rate, helped by a good cast, including a young Lee Marvin, an equally-young Richard Boone before his face became lined (but he still plays a troubled person) and the distinctive John Dierkes (the "Gaunt Man" in "The Red Badge of Courage").

This film pairs with another, "The Siege at Red River". Both feature a Southern officer working undercover in Northern territory, both feature Boone, and both stars have the first name Van. But compared with Johnson in TSARR, Heflin's conscience is only slightly troubled by the consequences of his actions; indeed a web search for "St Albans 1864" suggests that "The Raid" greatly magnifies the arson Heflin's men cause with "Greek Fire" - apparently only one shed was actually burnt down. (This contrasts with the way the film "Quantrill's Raiders" greatly underplays the notorious attack on Lawrence.) Also, it would seem, in fact the raiders dropped a lot of the money from the banks.

My only slight criticism was that already voiced by other commentators - the smartness of the Confederate uniforms. On the plus side, the film avoids instant romance between Heflin and Bancroft (though they're obviously attracted to each other) and there's no mawkish bonding between the former and Bancroft's son.

Not that well-known a film, but well worth watching.