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Nuit et brouillard

  • 1956
  • 16
  • 32min
NOTE IMDb
8,6/10
23 k
MA NOTE
Nuit et brouillard (1956)
GuerreL'histoireBrèveDocumentaire

L'histoire des camps d'extermination de l'Allemagne nazie dans le cadre de la solution finale et de l'enfer de déshumanisation et de mort qui y régnait.L'histoire des camps d'extermination de l'Allemagne nazie dans le cadre de la solution finale et de l'enfer de déshumanisation et de mort qui y régnait.L'histoire des camps d'extermination de l'Allemagne nazie dans le cadre de la solution finale et de l'enfer de déshumanisation et de mort qui y régnait.

  • Réalisation
    • Alain Resnais
  • Scénario
    • Jean Cayrol
  • Casting principal
    • Michel Bouquet
    • Reinhard Heydrich
    • Heinrich Himmler
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,6/10
    23 k
    MA NOTE
    • Réalisation
      • Alain Resnais
    • Scénario
      • Jean Cayrol
    • Casting principal
      • Michel Bouquet
      • Reinhard Heydrich
      • Heinrich Himmler
    • 108avis d'utilisateurs
    • 77avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nomination aux 1 BAFTA Award
      • 2 victoires et 1 nomination au total

    Photos21

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    Rôles principaux5

    Modifier
    Michel Bouquet
    Michel Bouquet
    • Narrator
    • (voix)
    • (non crédité)
    Reinhard Heydrich
    Reinhard Heydrich
    • Self
    • (images d'archives)
    • (non crédité)
    Heinrich Himmler
    Heinrich Himmler
    • Self
    • (images d'archives)
    • (non crédité)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (images d'archives)
    • (non crédité)
    Julius Streicher
    Julius Streicher
    • Self
    • (images d'archives)
    • (non crédité)
    • Réalisation
      • Alain Resnais
    • Scénario
      • Jean Cayrol
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs108

    8,622.8K
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    Avis à la une

    10Quinoa1984

    To the point- absolutely affecting documentary

    Alain Resnais' overwhelming short piece on the horrors of the holocaust pretty much had me shaking by the end of the film. All of the footage- even the color footage viewing into the emptiness of the camps- brings the audience to feel a mass of emotions. More than anything, however, the narration is what hits the nail on the head. While it's only half an hour long, rather brief compared to it's dramatized contemporaries like Schindler's List and The Pianist, or the massive documentaries like Sorrow and the Pity or Shoa, I'd think that it should be required viewing for any mature minded person (not for children, it's too disturbing from my perspective) interested in truly comprehending what was really going on in those god-awful years in Europe. A+
    10stuartpiles

    The Most Powerful Film Ever Made

    If you want to describe or give your audience a feeling for the holocaust, or "Man's Inhumanity To Man", then this is the vehicle to use..Show it..be warned, it is so powerful, that you will never forget what you see, neither will any of your viewers..It is impossible to describe, intermixing l955 footage of Auchwitz Concentration Camp, with captured Nazi footage which the allies found at the end of the war, and the scenes of American and British troops liberating the camps...In French, with English subtitles.. and scenes that are unforgettable and horrific. Even the sad music of death from this film plays in my ears, and I have not seen it in 15 years. Once you hear it, you will know.

    This is the one to show if you want people to understand the truth of what happened and the reason for its reaction in today's current events....It is shocking in a special way. I showed it to my classes. Students were warned, and told what was coming, they said it would be "nothing" By the end some were crying and moaning in horror...
    10polverinointernacional

    An Argentine teacher that projected this film during the military dictatorship.

    This extraordinary film was, of course prohibited during the years that Argentina was ruled by the military dictatorship. Only one man, dared to show it in the middle of mass genocide. This teacher, Manlio Pereira, was the director of the only private film school during the late ´70s. Obviously the school received strange invasions of military spies, but Pereira not only continued to show this masterpiece, but also made a great ceremony out of it, speaking loudly and profoundly of what nazism meant, what were it terribly effects, and why Argentina has falled again in the taste for this awfull criminal behaviour. It is a shame that not always such outstanding names like these are remembered for this little great things.
    9Agent10

    A masterpiece as only the French could make

    This movie is the greatest Holocaust film ever, and few will ever deny this fact. Beautiful and intense, its makes the stomach turn when one sees the footage and pictures obtained in this film. I've never seen footage this brutal in my entire life, not even in a movie. The voice-overs seem odd at place, but it is really the voice of history, speaking of unspeakable horrors which are captured almost perfectly in this film. A dark tribute to those who lost their lives in the concentration camps. This should be used as a teaching tool for tolerance and the atrocities of World War II.
    10AndrewWalker747

    oh my god

    I originally had no intention to see this movie and had no idea that it even existed until I saw it. I actually saw it in High School Economics class (of all places)because my teacher had just finished showing it to his world history class and instead of wanting to hear him drone on about the GDP and recessions, we smooth talked him into showing us what was in his VCR. We had no idea what we were about to see.

    This movie is probably the best holocaust documentary ever made. The images of piles of human hair, emaciated skeletons being pushed around by bulldozers, lampshades of human skin, men looking like corpses walking around, has never left me. The opera and classical music in the background helps to further add to the shock value of this film.

    After about 10 minutes, kids in my class told my teacher we didn't want to watch this movie anymore. We stopped it and there was still 30 minutes left in class. We didn't learn anything about economics that day, we talked about the holocaust instead.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the DVD re-release, there is a subtle but controversial difference in one of the still photographs of a Nazi concentration camp in southern France. In this version the distinctive profile of a French gendarme can be seen at one of the camps, implying that the French Vichy government of the time was aware of and perhaps involved in the management of the camps. This same photograph appears in the original version but the gendarme's profile was obscured at the insistence of the French government (who commissioned the film) when the film was in post-production.
    • Gaffes
      In the film a popular myth about the Third Reich is presented as fact: The claim that the body fat of prisoners in extermination camps was used to produce soap. Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.
    • Citations

      Récitant/Narrator: With our sincere gaze we survey these ruins, as if the old monster lay crushed forever beneath the rubble. We pretend to take up hope again as the image recedes into the past, as if we were cured once and for all of the scourge of the camps. We pretend it happened all at once, at a given time and place. We turn a blind eye to what surrounds us and a deaf ear to humanity's never-ending cry.

    • Versions alternatives
      Before its original release, there was a still of a French gendarme (policeman) watching a roundup at Pithiviers. He is easily recognizable by the characteristic French "kepi." Wanting to deny complicity, French censors insisted this shot not be allowed, so for its original release, the image was altered so that a wooden beam covered the gendarme and his kepi. In 1997 or 98, the original version of the film was re-released in France, finally revealing the gendarme. The original American release of the film did not translate all the dialogue for the subtitles, in particular leaving out one of the two references to Jews: "Annette, from Bordeaux." Subsequent releases restored the original text: "Annette, a Jew from Bordeaux."
    • Connexions
      Edited from Les camps de concentration (1945)

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    Détails

    Modifier
    • Date de sortie
      • janvier 1956 (France)
    • Pays d’origine
      • France
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Night and Fog
    • Lieux de tournage
      • Auschwitz-Birkenau Concentration Camp, Oswiecim, Malopolskie, Pologne
    • Société de production
      • Argos Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      32 minutes
    • Couleur
      • Black and White
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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