Ajouter une intrigue dans votre languePoor Valerie just can't seem to straighten out her delinquent teenage daughter Janet, whose sleazy boyfriend is leading her down a rebellious path of crime and moral turpitude that could end... Tout lirePoor Valerie just can't seem to straighten out her delinquent teenage daughter Janet, whose sleazy boyfriend is leading her down a rebellious path of crime and moral turpitude that could end in death--or could she have a chance for redemption?Poor Valerie just can't seem to straighten out her delinquent teenage daughter Janet, whose sleazy boyfriend is leading her down a rebellious path of crime and moral turpitude that could end in death--or could she have a chance for redemption?
- Réalisation
- Scénario
- Casting principal
- Sir Joseph
- (as Wilfrid Hyde White)
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Teenage Bad Girl starts with Anna's daughter Sylvia Syms being a good girl. Syms is the oldest of two daughters to Neagle and she's pretty happy especially since she has a new man in her life, Norman Wooland. But Syms has met up with a new boy, a bad boy played by Kenneth Haigh who intrigues and excites her.
Pretty soon she's spending all her time with him to the exclusion of family, school, other friends and Syms has Neagle properly worried. It all ends in a senseless tragedy.
Teenage Bad Girl was no better or worse than some of the teen themed dramas that were starting to flood the market as the age of rock and roll dawned on this side of the pond. I'm sure it made some good money for the Wilcox/Neagle team although it certainly wasn't a typical Anna Neagle product. She and Wilcox would be leaving the big screen shortly and concentrating on British television.
Hanging around fashionable bars, Kenneth Haigh tries to act the hipster, but looks like he's in the middle of a dry run for 'Man at the Top'. Introducing respectable teenager Sylvia Syms to his world of black coffee, cigarettes, fast cars and late night parties, she seamlessly transforms from intellectual prude to intellectual rude girl, by-passing the optional acne along the way.
Syms' journalist mother (Anna Neagle) is the perfect candidate for a key role in the launch of a new magazine, aimed at 14 -18 year old readers. The brainchild of super cool, visionary editor, ....Wilfrid Hyde-White.....who no doubt endured numerous sleepless nights and endless days of brainstorming before deciding to call his new creation....'Teenage'.... WOW!
Neagle's affinity with the younger generation receives a severe jolt, several evenings later, when Syms sends shock waves of such magnitude through the family home that structural damage to the building was inevitable, by announcing her intention to attend a party, at.... HALF PAST NINE!
Haigh and Syms soon catch the attention of the boys in blue, hitting the front page of the evening paper, along with the shock of England losing three quick wickets, following a rain delay. Is Syms discovering to her cost, that despite Haigh's swanky car and hip friends, there's a lot less to him than meets the eye?
One dimensional doesn't even come close to capturing the contrived portrayal of Syms' delinquency by numbers fall from grace. Whilst the recurrent trendy song, 'Get With it' by The Ken -Tones owes more to The Andrews Sisters than rock 'n' roll.
Memorable, largely as Sylvia Syms ' screen debut and for offering a youthful fling to Julia Lockwood, Wanda Ventham and Arthur Mullard, seen briefly as a bouncer, all familiar faces on British T. V. from the 1960's and beyond.
Le saviez-vous
- AnecdotesFilm debut of Sylvia Syms.
- Citations
Poppet Carr: You know what's wrong with her, dog? She's a crazy mixed up kid.
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Détails
- Durée1 heure 40 minutes
- Couleur
- Rapport de forme
- 1.66 : 1