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Ajouter une intrigue dans votre langueTwo con men selling phony stock flee to Mexico ahead of the law, where they run into a woman friend from their earlier days, who is now a bullfighter.Two con men selling phony stock flee to Mexico ahead of the law, where they run into a woman friend from their earlier days, who is now a bullfighter.Two con men selling phony stock flee to Mexico ahead of the law, where they run into a woman friend from their earlier days, who is now a bullfighter.
Chris-Pin Martin
- Mariachi Leader
- (as Chris Pin Martin)
Sid Fields
- Reporter
- (as Sidney Fields)
Patricia Alphin
- Minor Role
- (non crédité)
Larry Arnold
- Bullfight Spectator
- (non crédité)
Salvador Baguez
- Minor Role
- (non crédité)
Bobby Barber
- Minor Role
- (non crédité)
Mary Brewer
- Girl
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe play opened in New York City, New York, USA on 28 January 1944 and ran for 481 performances, closing 17 May 1945. The stars were June Havoc and Bobby Clark, and included Luba Malina, who is also in this movie. Because Bud Abbott and Lou Costello fans expressed annoyance about so many musical numbers in their films, none of Cole Porter's music was used in this picture. In a deleted scene, Virginia Grey and John Hubbard sing "I Love You."
- GaffesWhen Joe/Humphrey throws the exploding enchilada at the escaping Harry, it can be seen bouncing on the ground to the left of the explosion.
- Citations
AP reporter: [to Joe] Remember, in the future, when a reporter comes in and asks you for an interview - don't talk so much!
- Versions alternativesReleased on 8mm film as "No Bulls, Please" by Castle Films.
- ConnexionsFeatured in The World of Abbott and Costello (1965)
- Bandes originalesIs It Yes, or Is It No?
(uncredited)
Music by Walter Scharf
Lyrics by Jack Brooks
Played during the opening and end credits
Played by Flores Brothers Trio and sung by Luba Malina
Played as background music often
Commentaire à la une
An Abbott and Costello movie that comes off as something of a misfire, especially following right after the great ABBOTT & COSTELLO MEET FRANKENSTEIN, often considered one of their very best. Based on a play, this story is sort of awkward in the realm of Bud and Lou misadventures. We have Costello as a fugitive who's just won a contest where he danced a samba for 68 hours, and is now pursued by the police to Mexico. Of course, it's not poor Lou's fault; he was swindled by the character played by Abbott, and Costello needs to catch up with Bud and get his money back, and clear himself.
Naturally we get some gags here and there, but they're not among the comedy duo's finest. One running joke that really gets boring after the first couple of tries is Lou uncontrollably conditioned to dance the samba from force of habit, whenever hearing the music played. Another routine has Lou confronting a wild bull in an arena (what else would you expect in a Mexican comedy?). There are a couple of humorous scenes with assistance from guest stars like Fritz Feld (who attempts to teach Costello how to speak properly), and my personal favorite involving Sidney Fields as a fast-talking interviewer who won't let Lou get a word in edge-wise (Fields would later go on to play A&C's landlord on their TV show). Lou's brother Pat Costello has a steady role here as one of the cops constantly trailing Lou. He'd made brief appearances in other movies and often as Lou's stunt double, but Pat is pretty much a wooden Indian throughout. **1/2 out of ****
Naturally we get some gags here and there, but they're not among the comedy duo's finest. One running joke that really gets boring after the first couple of tries is Lou uncontrollably conditioned to dance the samba from force of habit, whenever hearing the music played. Another routine has Lou confronting a wild bull in an arena (what else would you expect in a Mexican comedy?). There are a couple of humorous scenes with assistance from guest stars like Fritz Feld (who attempts to teach Costello how to speak properly), and my personal favorite involving Sidney Fields as a fast-talking interviewer who won't let Lou get a word in edge-wise (Fields would later go on to play A&C's landlord on their TV show). Lou's brother Pat Costello has a steady role here as one of the cops constantly trailing Lou. He'd made brief appearances in other movies and often as Lou's stunt double, but Pat is pretty much a wooden Indian throughout. **1/2 out of ****
- JoeKarlosi
- 6 nov. 2010
- Permalien
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Détails
Box-office
- Budget
- 1 032 000 $US (estimé)
- Durée1 heure 17 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Deux nigauds toréadors (1948) officially released in Canada in English?
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