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The Red Menace

  • 1949
  • Approved
  • 1h 21min
NOTE IMDb
4,9/10
299
MA NOTE
The Red Menace (1949)
Film NoirDramaThriller

Ajouter une intrigue dans votre langueAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member wh... Tout lireAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassinat... Tout lireAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassination and hunted by the party killers.

  • Réalisation
    • R.G. Springsteen
  • Scénario
    • Albert DeMond
    • Gerald Geraghty
  • Casting principal
    • Robert Rockwell
    • Hanna Axmann-Rezzori
    • Betty Lou Gerson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,9/10
    299
    MA NOTE
    • Réalisation
      • R.G. Springsteen
    • Scénario
      • Albert DeMond
      • Gerald Geraghty
    • Casting principal
      • Robert Rockwell
      • Hanna Axmann-Rezzori
      • Betty Lou Gerson
    • 13avis d'utilisateurs
    • 17avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos59

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    Rôles principaux35

    Modifier
    Robert Rockwell
    Robert Rockwell
    • Bill Jones
    Hanna Axmann-Rezzori
    Hanna Axmann-Rezzori
    • Nina Petrovka
    • (as Hanne Axman)
    Betty Lou Gerson
    Betty Lou Gerson
    • Yvonne Kraus
    Barbra Fuller
    Barbra Fuller
    • Mollie O'Flaherty
    Shepard Menken
    • Henry Solomon
    Lester Luther
    • Earl Partridge
    William Lally
    • Jack Tyler
    • (as William J. Lally)
    Lloyd G. Davies
    • Inspector O'Toole
    Norman Budd
    Norman Budd
    • Reachi
    Leo Cleary
    • Father O'Leary
    Kay Riehl
    • Mrs. O'Flaherty
    William Martell
    • Immigration Insp. Riggs
    James Harrington
    • Martin Vejac
    Duke Williams
    • Sam Wright
    Napoleon Simpson
    • Tom Wright
    Robert H. Purcell
    • Sheriff of Talbot
    • (as Robert Purcell)
    Royal Raymond
    • Benson
    Gregg Martell
    Gregg Martell
    • Schultz
    • Réalisation
      • R.G. Springsteen
    • Scénario
      • Albert DeMond
      • Gerald Geraghty
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    4,9299
    1
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    5
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    9
    10

    Avis à la une

    5boblipton

    You Can't Trust Them Commies

    World War Two vet Robert Rockwell finds himself rooked by lying land developers, and falls in with some communists, particularly pretty Hanna Axmann-Rezzori. Meanwhile, Shepherd Menken finds himself in trouble with the Party because a poem of his noted that Marx had historical antecedents.

    It seems to be a rule of Hollywood movies that no pretty woman remains a communist when loved by a handsome leading man, and that's pretty much what happens here. Meanwhile, in ideology land, the multi-racial, tolerant views of the party begin to shred in the presence of individual thought and sympathy.

    It's one of the many virulently anti-Communist movies made in Hollywood in this period in an effort to avoid losing the entire studio to the Blacklist -- just the highly priced writers and directors. The script by Albert Demond and Gerald Geraghty makes a play at intellectual fairness by noting the CPUSA work in unionization and civil rights. Having done that, it goes off the rails in a manner that Red Channels would approve of.
    6arthur_tafero

    Better Than Average Commie Flick - The Red Menace

    OK, the acting, direction and production values are below average. But the writing is above average and that is why this film gets a 6. I have seen several commie movies from the fifties, and most of them have better production values. However, the scripts for these often entertaining films is usually the same; the commies are the bad guys and the American government officials are the good guys; a simple case of black and white. Unfortunately, most of the things in life are not simple black and white issues. There is no pancake so flat that it does not have two sides. Instead of using stereotypes with predictable plot development and a pat ending, this film, at least, avoided half of those shortcomings. It is an intelligent look at the motives of members of the communist party in the US. The characters are complex and realistic, not cartoonish black and white characters portrayed in the vast majority of red scare films of the fifties. Even though the film had a weak conclusion, the rest of the film was very entertaining.
    10Nostrama

    underappreciated warning

    Although the movie is 70 years old, its message rings ever more true now in the 2020s, as the evils it warned against then, are more thoroughly entwined into current day politics and society

    communism demanding slavelike servitude and obedience, and wilfully encouraging historical revisionism are an ever present threat as even today our history is under threat by people who seek to push a mandela effect on people and gaslight away truth, and act violently towards anyone who dares question it or seek to maintain truth

    of all movies that need a remake to keep the message alive, THIS is one badly in need to be revisited.
    5karlericsson

    equality and justice is communism - jaussa!

    When I grew up, the Iron Curtain existed. The Soviet Union was a Place that did not allow its Citizen to travel freely. And so it was easy to renounce the Place and look for no further explanations.

    At the same time, communism stood for equality and class warfare, allowing for only one class, the working class, since allowing for different classes of people was just Another Word for inequality and injustice.

    Now, if you could therefore renounce equality and justice by renouncing the Soviet Union, which, through communism, stood for these qualities, why, then you could defend the injustices and inequalities you wanted to keep by Calling every wish for equality and justice to be the same as a wish for communism and that is just what has been done in the USA for the last 70 years, which this film bears witness to.

    The Soviet Union was a failed system but that has Little to do with communism because, although the SU called itself "communist" it was not a system of equality and justice and instead just a dictatorship ensuring that a Little Group of people had all the wealth and all the Power just like in the USA, where the same was ensured by somewhat different means.

    How to achieve equality and justice is still a problem to be solved but it will never be solved by simply Writing these qualities off by Calling them "communism".

    This film illustrates the propaganda being used against the American Citizen and is helpful to understand the brainwash that Americans seem to suffer from. I therefore give it 5 stars.
    8h_palka

    A sobering account of Communist Party life, chillingly presented.

    In view of what the Soviet archives revealed about the U. S. Communist Party(thank you, Gorby), this movie hits the nail right on the head. All the tactics Communists used to gain members, such as having female members sleep with prospective male members, as well as the means they used to create trouble, are shown in this movie. My father-in-law was once a Communist. He told me that the CPUSA would take up a collection for African-Americans on trial somewhere and keep the money for themselves. If a man quit the party, not only would he be shunned, but other members' kids would be expected to bully his kids! All this is shown in the movie, including even the beatings administered to wayward members. See this film and learned what we narrowly escaped from ending up as.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Debut of actresses Barbra Fuller, Betty Lou Gerson, Kay Riehl and Mary DeGolyer.
    • Citations

      [first lines]

      Nina Petrovka: No... Don't let them... I'm afraid.

      Bill Jones: Nina, stop it. It's me, Bill! They can't get us now.

      Nina Petrovka: They're gonna kill us!

      Bill Jones: Nina... Get a hold of yourself. Snap out of it.

      Nina Petrovka: That same dream. Those frightening, sadistic faiths chasing me. Turning guns at me.

      Bill Jones: It's nothing to worry about. They can't get us out here.

      Nina Petrovka: You don't really believe that. You know we can't get away.

      Bill Jones: They haven't caught us yet, have they?

      Nina Petrovka: No, but... they are real! Oh please Bill, let me get myself up. It isn't you they're after, want me, why don't you...

      Bill Jones: This is why.

      [kisses her on the cheek]

      Nina Petrovka: Well, we'll have to stop for the next gas station.

      Bill Jones: Bill... I hate to stop for anything.

      Nina Petrovka: Well, we can't run without gas.

    • Connexions
      Featured in Hollywood on Trial (1976)
    • Bandes originales
      My Country, 'Tis of Thee
      Lyrics by Samuel Francis Smith (1831)

      Sung by a male chorus at the end, over shots of the Statue of Liberty

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    FAQ13

    • How long is The Red Menace?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 août 1949 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Underground Spy
    • Lieux de tournage
      • Republic Studios, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Republic Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 21 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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