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L'epopee biblique et tragique de Samson, qui lutte pour liberer son peuple, les Hebreux soumis aux Philistins. Il tombera dans le piege tendu par la belle et cruelle Dalila.L'epopee biblique et tragique de Samson, qui lutte pour liberer son peuple, les Hebreux soumis aux Philistins. Il tombera dans le piege tendu par la belle et cruelle Dalila.L'epopee biblique et tragique de Samson, qui lutte pour liberer son peuple, les Hebreux soumis aux Philistins. Il tombera dans le piege tendu par la belle et cruelle Dalila.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 7 victoires et 5 nominations au total
Russ Tamblyn
- Saul
- (as Russell Tamblyn)
Francis McDonald
- Story Teller
- (as Francis J. McDonald)
William 'Wee Willie' Davis
- Garmiskar
- (as William Davis)
Kasey Rogers
- Spectator
- (as Laura Elliot)
Avis à la une
By the time the 1940s were rolling around, Cecil B. DeMille was doing a lot less work, but the work was getting more expensive. DeMille took off a couple of years now between films to create the opulent splendor that typifies his work.
Well Samson and Delilah abounds in opulence. The color cinematography is first rate and reason enough to see the film. Of course it has the usual stilted dialog that is common in DeMille's costume work. But one has to remember that DeMille made his show business bones with David Belasco in the Edwardian era. And that's how folks talked in those Belasco plays.
Acting honors in this go to George Sanders as the Saran of Gaza, Philistine ruler and sophisticated cad. This was the height of Sanders career, he received a Best Supporting Actor Oscar for All About Eve the same year. I think the Saran and Addison DeWitt would have understood each other very well.
Angela Lansbury is the original object of Samson's lust and she does okay, but personally if you had the choice between Jessica Fletcher and Tondelayo, who would you choose? Is that ever a no-brainer.
DeMille got a couple of loan-outs to play the leads. Hedy Lamarr could easily lay claim to be the most beautiful woman in the cinema. She never had much acting skill, but all she has to do is be seductive and that no one could do better.
And Victor Mature away from his home studio of 20th Century Fox where he was languishing, Samson and Delilah provided a whole new vista for him with roles in spectacle pictures where he could truly be that beautiful hunk of man.
Fay Holden is good as Samson's mother. In modern times I can just hear her telling him about settling down with a good Jewish girl.
Well Samson and Delilah abounds in opulence. The color cinematography is first rate and reason enough to see the film. Of course it has the usual stilted dialog that is common in DeMille's costume work. But one has to remember that DeMille made his show business bones with David Belasco in the Edwardian era. And that's how folks talked in those Belasco plays.
Acting honors in this go to George Sanders as the Saran of Gaza, Philistine ruler and sophisticated cad. This was the height of Sanders career, he received a Best Supporting Actor Oscar for All About Eve the same year. I think the Saran and Addison DeWitt would have understood each other very well.
Angela Lansbury is the original object of Samson's lust and she does okay, but personally if you had the choice between Jessica Fletcher and Tondelayo, who would you choose? Is that ever a no-brainer.
DeMille got a couple of loan-outs to play the leads. Hedy Lamarr could easily lay claim to be the most beautiful woman in the cinema. She never had much acting skill, but all she has to do is be seductive and that no one could do better.
And Victor Mature away from his home studio of 20th Century Fox where he was languishing, Samson and Delilah provided a whole new vista for him with roles in spectacle pictures where he could truly be that beautiful hunk of man.
Fay Holden is good as Samson's mother. In modern times I can just hear her telling him about settling down with a good Jewish girl.
I first saw this as a kid in the early 80s n was blown away by the lion fight sequence n the climax scene of that of Dagon's towering idol.
Saw many times aft that n coincidentally revisited it again on this Easter (04/04/21).
This one is a classic action movie n i still found it very captivating.
The film was very violent for its times. Samson using a jawbone of a donkey to crush skulls like eggs thru helmets is very brutal.
The film's special effects are noteworthy and the most spectacular special effect in the film is the toppling of the temple of Dagon.
Saw many times aft that n coincidentally revisited it again on this Easter (04/04/21).
This one is a classic action movie n i still found it very captivating.
The film was very violent for its times. Samson using a jawbone of a donkey to crush skulls like eggs thru helmets is very brutal.
The film's special effects are noteworthy and the most spectacular special effect in the film is the toppling of the temple of Dagon.
This film is a must for everyone who loves Technicolor, great actors and great movies. Mature is a wonderful Samson but Hedy Lamarr is the definitive incarnation of beauty. She is also a very good actress and directed by De Mille gets her screen triumph. Watch this over and over again and you'll not be tired.
She sure WAS a wildcat in this film! Beauty beyond compare! And Mature's 'Samson' was a sure delight (even though he was told to drop 30 lbs. for the role before filming). Biblical stories are always interesting & enjoyable if filmed in this colorful way, as was The 10 Commandments. We don't need that brown, boring type of color for 'realism'. We want beautiful color to show off those gorgeous costumes & scenery! (When it's not fake back-drops!) Anyway, see this film! It's worth whatever the video costs! Or catch it on TV!
In 1949, I was 11years old and saw it in NYC when it was first released. My aunt Ethel, may she rest in peace, took me during Christmas vacation. I was mesmerized by it which led me to check out the story in that Chapter of the O.T. called Judges. And I remember being asked by my 6th or 7th grade teacher to do an oral report about the film before the class. I found it a bit awkward to discuss the idea of seduction at that time especially when I heard the pubescent girls giggling. At any rate I did make that report and remember displaying the book I had bought about the film right at the theater. I estimate from age 11 to 14, I saw the film a dozen times and I'm not kidding. In my adulthood, I saw it once on free TV and rented it once for kicks. Quite honestly, I never saw a more beautiful woman than Hedy in that role. And Victor was perfect thanks to his countenance and physique. After seeing it first and then reading the story in the O.T. I came to the conclusion that the film certainly was factual and illuminating. The bible came alive thanks to the genius of Cecil B.DeMille. The special effects were brilliant, way ahead of its time. What I especially loved about this film was the haunting score by Victor Young and I do remember going out to buy it on 78 rpm disks. And I do have the radio program on cassette, "Lux Presents Hollywood-Samson and Delilah starring Mature and Lamarr. That last scene will always stick in my mind as Samson, standing blind between the two main pillars of the Temple of Dagon, the Phillistine God,called on Jehovah to give him the strength to crush his enemies and WHAT A SCENE FOLLOWED. Good heavens, DeMille was indeed a GENIUS! I recommend the film to EVERYONE because of the amazing story, color
Le saviez-vous
- AnecdotesFor the scene in which Samson kills the lion, Victor Mature refused to wrestle a tame movie lion. Told by Producer and Director Cecil B. DeMille that the lion had no teeth, Mature replied, "I don't want to be gummed to death, either." The scene shows a stuntman wrestling the tame lion, intercut with close-ups of Mature wrestling a lion skin.
- GaffesJust after Delilah rings for her servant to bring dinner, the mike boom casts a shadow on one of the curtain walls of her tent.
- Crédits fousAlthough the opening credits mention "Holy Land Photography," the second-unit location shooting occurred in North Africa (Algiers and Morocco), not Israel or the Middle East.
- Versions alternativesPrevious home media releases of the film (LaserDisc, VHS) did not include the overture and exit music. They were restored for Paramount's official DVD release in 2013 and the subsequent Blu-ray release in 2014.
- ConnexionsFeatured in History Brought to Life (1950)
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Détails
Box-office
- Budget
- 3 000 000 $US (estimé)
- Durée
- 2h 14min(134 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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