Années de jeunesse

Who would have thought or recognized that the lead actor Dean Stockwell, would be playing a 14 year old dissilusioned boy named John Humperdink 'Dink' Stover. Young John was not in the least happy about going away to a private boarding school since he believed the world was all against him. John or Dink as he was called was picked on and bullied at school so he developed a thick skin and a hard right cross punch.

Through time, which took John a few years to come to terms with, there were people in young John's corner, one key person being the school master named The Old Roman (Leo G. Carroll). It's a film in which you both dislike the bad attitude of young John as well as I felt bad for him and his unhappy childhood.

It's a story about more than one young man struggling to be accepted by his peers, and how the school master wins them over. I give the film a praiseworthy 8 out of 10 rating.

I love this movie - but then I loved the book "The Lawrenceville Stories" that it was based on. The scene when Dink falls in love is graven on my memory forever. Lively school tales of boys plotting, fighting, and finally making friends of enemies. Leo G. Carroll very good as "The Old Roman".

The Dink Stover stories like the Frank Merriwell ones were most popular back at the turn of the last century. This particular one concerns the young man even before he's at Yale as a rebellious youth going to Lawrenceville Prep back in 1896.

Dean Stockwell who was at the height of his juvenile popularity in 1950 plays young Stover and in the fashion of those days was given the nickname 'Dink' as it was thought his full moniker was a bit high falutin'. He's a rebellious one and makes an enemy in upper classman Darryl Hickman who he fights once and swears to fight and win. As they said back in those days, the kid has Moxie.

I'm surprised that these stories and the Dink Stover character was never given to Mickey Rooney a decade earlier when he was at MGM. It seemed a natural for the Mick in his salad days. Stockwell good actor that he was and the rest of the cast were not box office. The film lost money for MGM.

Leo G. Carroll was the Latin teacher and head of Stockwell's house at the prep school recognizes leadership potential. But it takes a lot to get it out of him, especially with his feud with Hickman dominating all his thoughts.

Sad this film didn't do better for MGM. It's a nice nostalgia filled film of those halcyon days before World War I.

In 1896 New Jersey, wealthy small city editor Leon Ames (as Samuel H. Stover) learns delinquent Dean Stockwell (as John Humperdink Stover) has just been "fired" (expelled) from school, for blowing up the chemistry lab. At home, young teenage Stockwell paints a snooty neighbor's prize horse green (don't adjust your color, it does look blue). Described as both a "heathen" and an "anarchist," Stockwell is sent to picturesque "Lawrenceville School" where he plans to "own" the school. After a stimulating buggy ride, the binding around Stockwell's suitcase magically disappears - causing his belongings to spill out in front of six house-mates, posed by director William A. Wellman to block his entrance to "Green House"...

All bigger than Stockwell, the laughing delinquents are led by bully Darryl Hickman (as George "Tough" McCarty), who is caressing a pussycat. In all likelihood, director Wellman is having some fun with this assignment. Also note Stockwell's roommate Danny Mummert (as "Butsey" White) is quite logically introduced from their bedroom window, rather than on the stoop. The four other lads are Alan Dinehart III (as "The Coffee Colored Angel"), David Bair (as "The White Mountain Canary"), Jerry Mickelsen (as "Cheyenne" Baxter), Eddie LeRoy (as "Polar" Beckstein) - they don't have a lot to do, but the nicknames are great. Determining Stockwell is not there to sell "removable underwear," Mr. Hickman dubs him "Dink"...

Stockwell has a rough year, but does receive some sympathy from roommate Mummert. Another friendship is formed when Stockwell meets school-skipping Scotty Beckett (as "The Tennessee Shad"). Playing his entire part with a toothpick in his mouth, Mr. Beckett looks like his just walked out of a Norman Rockwell painting. After a bizarre summer vacation - wherein Stockwell and his rich friends play a surreal joke on young Elinor Donahue (as Connie Brown) and some other girls while the black-eyed director's son Tim tolls church bells - Stockwell will join Beckett at "Kennedy House" and finally resolve his Hickman problem. And in 1897's class, we meet hungry Little "Big Man" Donn Gift (as Joshua Montgomery Sneed)...

Wise Leo G. Carroll teaches us all a lesson as house-master Hopkins ("The Old Roman"), and Wellman maneuvers the young actors exceptionally well. Working with his award-winning "Battleground" photographer Paul C. Vogel and the MGM team, Wellman handles "The Happy Years" like he's bringing a turn of the century painting to life. It exudes a Norman Rockwell quality, shot in beautiful Technicolor - without looking real, it appears authentic. Drawing from his youthful experiences and adult directorial skills, Wellman stages scenes with skillful simplicity. Never given the power and glory of 1890s peers like John Ford and Alfred Hitchcock, director Wellman could make classics out of arguably unlikely assignments, like this...

********* The Happy Years (7/7/50) William A. Wellman ~ Dean Stockwell, Darryl Hickman, Scotty Beckett, Leo G. Carroll

This film is vintage Dean Stockwell as a child actor and is certainly representative of the outstanding performance he invariably produced. The supporting cast is equally as strong. Leon Ames, Leo G. Carroll and Dwayne Hickman are pure delight, and Wellman's direction is spot on as always. The plot is rather rambling, but that really seems only to add to its charm. These are the adventures (and mis-adventures) of some turn-of-the-century prep school boys as remembered by Owen Johnson in his novel THE LAWRENCEVILLE STORIES. The movie is as warm-hearted, funny, and thoroughly engaging as the original book. About 1988 this film was remade as a TV mini-series, using the same title as the book. The complete mini-series was made available about 1992 as a double-cassette VHS recording. But, alas, it seems no one wants to resurrect THE HAPPY YEARS, more's the pity. I, for one, would snap up a copy on either VHS or DVD instantly. Any takers out there, video producers?