Ajouter une intrigue dans votre langueBill Lawrence wins a jackpot worth $24,000 on a radio quiz program. His happiness, and that of his family, is short-lived after he discovers he'll be compelled to sell the prizes in order to... Tout lireBill Lawrence wins a jackpot worth $24,000 on a radio quiz program. His happiness, and that of his family, is short-lived after he discovers he'll be compelled to sell the prizes in order to pay an amount of $7,000 income tax on them.Bill Lawrence wins a jackpot worth $24,000 on a radio quiz program. His happiness, and that of his family, is short-lived after he discovers he'll be compelled to sell the prizes in order to pay an amount of $7,000 income tax on them.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
- Watch Saleswoman - Store Employee
- (non crédité)
- Watch Buyer
- (non crédité)
- Police Detective
- (non crédité)
- Policeman in Bookie Raid
- (non crédité)
- Bookie Parlor Clerk
- (non crédité)
- Saleslady
- (non crédité)
- Card Player
- (non crédité)
- Man
- (non crédité)
Avis à la une
From the movie description, you would think this is the kind of plot line that the writers would give cursory treatment, but I was surprised at the quality of the writing. I should have known better since James Stewart is not likely to agree to take a lead role in a poorly written work. Stewart has a solid surrounding cast who also all deliver ably - Barbara Hale, Fred Clark, James Gleason, Bob Gist and others, including young Natalie Wood. This is a nice romp and worth viewing.
THERE is also a distinction between a "Movie" and a "Film". Sure, the two terms are interchangeable and virtually synonymous; yet there seems to be a definite distinction in usage. To us regular old fun, adventure, action and strictly escapist entertainment type of Motion Pictures are "Movies"; whereas any production which is of a Grand Scale, represents an Accurate Historical Portrayal, is highly Cinematic in Style or is otherwise considered to be a "Major Motion Picture" is considered a "Film". (This includes most Biopics and Musical Adaptations from the Legitimate Broadway Stage.)
OUR fondest recollections of Mr. James Stewart's work is mainly (if not totally) made up of celluloid works that would have to be most certainly Film. Starting with a pair of Frank Capra's gems as in MR. SMITH GOES TO WASHINGTON (Columbia, 1939) and IT'S A WONDERFUL LIFE (Liberty Pictures/RKO Radio, 1946). First rate productions of Film Biographies were his strong suit, also; with examples aplenty. Jimmy starred as tragic Chicago White Sox Pitcher, Monty Stratton in THE STRATTON STORY (MGM, 1949), the title role in THE GLENN MILLER STORY (Universal, 1953) and as 'Lucky Lindy'(Himself), Charles Lindbergh in THE SPIRIT OF ST. LOUIS (Leland-Wilder Productions/Warner Brothers, 1957).
FURTHERMORE, other typical roles for Mr. Stewart (other than the occasional Comedy or Farce) were usually very strong, heroic types; such as: Chicago Newspaper Man, P.J. McNeal in CALLING NORTHSIDE 777 (20th Century-Fox, 1948), THE STRATEGIC AIR COMMAND (Paramount Pictures Corporation. 1955) and as Tenderfoot 'Pilgrim' Attorney, Ransom Stoddard in John Ford's THE MAN WHO SHOT LIBERTY VALANCE (John Ford Productions/Paramount, 1962).
SMALL wonder then that a lot of moviegoers & film buffs tend to dismiss a Comedy/Farce such as THE JACKPOT (20th Century-Fox, 1950) as being a production that was below Jimmy's talents and stature as a true, Box Office stuffing, Red Blooded, All-American type and Movie Star to boot! JACKPOT is, after all, not really much of a story; being suggested by a story published in The New Yorker Magazine about the Radio Industry and some of the idiosyncrasies of the Game Shows & Giveaways of the period.
With it's simple and straight forward scenario, THE JACKPOT may well have been an old 2 Reel Comedy of the Late Silent or Early Talkie Eras. It could easily be built on starring a young Harold Lloyd, 'Baby-Faced' Harry Langdon or Stan Laurel (in his pre-Laurel & Hardy teaming). The story, as thin as it is, exists for our laughter and enjoyment.
OUR STORY .....In the proverbial Nut Shell, regular old average working American, Bill Lawrence (Mr. Stewart) answers a Radio Quiz Show' Jackpot Question (Hence the title; get it, Schultz?) and wins $24,000.00+ as the prize; well, not exactly! The prize is worth that (retail?), but it comes in the form of Goods and Services, rather than in Cold Ca$h Dollar$, in the Currency of the U$A, it is made up of a Crazy Quilt of disconnected items such as a Quarter Ton of Beef, Hundreds of Cases of Canned Soups, a real Pony, a House Trailer and many items of Jewelry such as multiple wristwatches and a Diamond Ring.
OTHER prize items include a Home Remake by famous Interior Decorator, 'Leslie' (Alan Mowbry) and a Portrait Painting by equally famous Painter, Hilda Jones (Patricia Medina).
THE story unfolds with the Story of Mr. Bill Lawrence's win making Front Page News, especially in this small, Indiana Town. All of the complications and unintended consequences that follow make up the action on the screen. Plain and simple, straightforward occurrences that upset the heretofore happy lives of Bill & Amy Lawrence (Barbara Hale-Woo,woo,woo,woo! Della Street never looked so good!), their kids, Phyllis (a young Natalie Wood-Woo,woo,woo,woo, too!) and an even younger and shorter Tommy (Tommy Rettig, "LASS-IEEE!").
A fine supporting cast is present and includes James Gleason, Fred Clark, Lyle Talbot, Billy Nelson, Phillip Van Zandt, John Qualen, Robert Gist, Frances Budd, Dulcie Day, Fritz Feld, Ann Doran, Estelle Etterre, June Evans, Walter Baldwin and many more faces we know. ( . But the names?) THE JACKPOT is meant to let us sit back, let our hair down and enjoy the laughter; even if some of them are kinda obvious and we can see 'um a comin'.
JUST ENJOY!!
POODLE SCHNITZ!!
Stewart doesn't raise this film to A status, but having him in it certainly brings it up a notch. He plays husband and father Bill Lawrence - maybe George Bailey 20 years hence "It's A Wonderful Life" had it not been for Clarence - who's bored with the routine and, in middle age, realizing that the house, the wife, the kids, the job, - this is it. As he puts it, he's not going to the North Pole. Then he gets a call from the Federal Broadcasting System to make sure he's home that evening to get a call from a quiz show. If he can answer the question correctly, he'll get $24,000 in prizes.
Bill answers correctly, and then the trouble begins. Where to put the fully-dressed quarter ton of meat, the 7,000 soups, the three years of frozen foods, the old furniture since the house is being made over, the pony, etc. And who's going to pay the taxes on all that stuff. These aren't the only headaches. Bill's wife (Barbara Hale) is jealous of the dishy dame (Patricia Medina) hired to paint Bill's portrait, so his marriage is going down the tubes.
This is a cute movie that does have some amusing bits in it, plus good backup from James Gleason and Fred Clark. The best for me was Bill deciding they need to sell stuff to pay taxes, and trying to do it on the sly in the department store where he works, waylaying customers like a guy who drags you into a back alley. Stewart is wonderful, as if he could ever be anything but, and Barbara Hale is lovely. But give me a break. This could have been a sit-com episode. I can't imagine what gun Darryl Zanuck held to Jimmy's head to get him to do this movie. Zanuck must have had dirt on him that no one else knew.
Le saviez-vous
- AnecdotesThe house interior used as Jimmy Stewart's character's residence was previously used as the interior of the home of the main characters in the Mr. Belvedere film Sitting Pretty (1948). The secretarial desk by the staircase is used by characters in both films.
- GaffesThe shadows of trees and other objects on the street in front of the Lawrence home face the same direction in both the opening-shot of the movie, which is set in the morning, and in the scene late that afternoon when Bill comes home from work.
- Citations
Mr. Ferguson: They might attach your salary.
William J. 'Bill' Lawrence: Then I'll quit my job and live on soup.
Mr. Ferguson: They might attach this house.
William J. 'Bill' Lawrence: Then I'll burn down the house!
- Bandes originalesAin't We Got Fun
(uncredited)
Music by Richard A. Whiting
Lyrics by Ray Egan and Gus Kahn
Sung by an off-screen chorus during the opening credits
Meilleurs choix
- How long is The Jackpot?Alimenté par Alexa
Détails
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.37 : 1