NOTE IMDb
7,1/10
3,2 k
MA NOTE
Ajouter une intrigue dans votre langueA New York policeman tries to talk a man off a ledge as a crowd gathers below.A New York policeman tries to talk a man off a ledge as a crowd gathers below.A New York policeman tries to talk a man off a ledge as a crowd gathers below.
- Nommé pour 1 Oscar
- 2 victoires et 4 nominations au total
Howard Da Silva
- Deputy Police Chief Moskar
- (as Howard da Silva)
Parley Baer
- Bartender
- (non crédité)
George Baxter
- Attorney
- (non crédité)
Leonard Bell
- Mrs. Fuller's Cab Driver
- (non crédité)
Richard Beymer
- Bit Part
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesFilm debut of Grace Kelly.
- GaffesAt the end of the movie the son of Officer Dunnigan enters through the revolving door in a clockwise, wrong, direction. Officer Dunnigan and he hug and then leave the hotel, exiting through the revolving door, again pushing it in a clockwise, wrong, direction even though all revolving doors turn in a counter-clockwise direction. The push handles are clearly visible on the opposite side of the door.
- Citations
Room Service Waiter: [calling the hotel switchboard to report the man on the ledge] Operator!
Hotel Switchboard Operator: [taking her time to answer in taking a drink of coffee] Good morning.
Room Service Waiter: This is the waiter. Fifteen oh five.
Hotel Switchboard Operator: I'll connect you with room service.
Room Service Waiter: No, no!
Room Service Waiter: I don't want a waiter, I am a waiter!
Room Service Waiter: [after a brief pause] There's a man...
- Crédits fous[END TITLE]
Out of past experience, the emergency rescue squad of the New York Police has developed techniques to deal with problems of this nature quietly, quickly and efficiently. For their expert advice and cooperation in the filming of this picture we are particularly grateful.
- Versions alternativesTwo endings were shot, one in which Richard Basehart dies, one in which he doesn't. Some original prints show the two different endings one right after the other.
- ConnexionsFeatured in Stars of the Silver Screen: Grace Kelly (2013)
Commentaire à la une
Despite the distinction of being Grace Kelly's first film, (and she is quite good here), this film holds up with the best of the genre. It's one of those films that is incidentally seen by the casual channel surfer and, given five minutes, impossible to turn away from. This film is amazingly innovative in its premise and relies on character, (New York being as important as any other), and story to set the flow and tempo. There are deliciously cunning and unique character moments throughout a film that is, at the same time, full of contrivance and stereotypical sorts. (Do we really need to see another Irish-american policeman being negligent in his duties?). Yet, somehow all the parts equal a very solid whole and a very tense, sharply focussed and surprising film.
If you see this one on late-night tv as you flick through with your remote, be sure to stop and take a look. This one is a definite "yes".
If you see this one on late-night tv as you flick through with your remote, be sure to stop and take a look. This one is a definite "yes".
- watercrake
- 10 oct. 2002
- Permalien
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Détails
- Durée1 heure 32 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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