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After watching most of her other films, with Rock Hudson, and

James Garner, this is a major departure for Doris Day. Midnight

Lace, requires an actress of considerable ability, but Day proves

up the task. Her performance is one of the best that I have every

seen. She plays the wealthy wife of Rex Harrison, who is having

financial problems, running the family firm. After receiving several

phone calls, threatening her life, she has problems proving to the

police, and Harrison, that the calls really took place.

Other threads of the story,including Roddy McDowall as the

penniless son of Day's maid, Herbert Marshall as a gambler with

money troubles, and John Gavin,as the builder, with flashbacks

from the war, there is no lack of possible suspects,who may be

threatening Day. This film has the same look and feel as ‘Dial M for Murder' so that

is as good a recommendation as anybody could want. 8 out of 10.

I caught this one on Encore while staying home from school, and I was surprised at the many twists and Hitchcock-like additions. It was really entertaining.

Doris Day plays the role of Kit, an American woman living in London with her businessman husband Tony. Almost immediately, we are introduced to the story of someone threatening her continuously, first in a fog-shrouded park, then over the phone, countless times. It gets progressively worse and worse, and Tony and her Aunt Bea, who has come to stay for a few weeks, begin to suspect the credibility in it all.

This is a great movie. Fans of Hitchcock may be impressed. And the acting is great. Doris Day is thoroughly convincing, especially when she begins to go hysterical at it all after Bea picks up the phone on the mysterious caller. But thoroughout the film, she plays a strong character. Bea is also a great character, and very amusing. Overall, the film does very well. The ending has many twists you don't think to suspect, though, I would have expected more with the scenes on the scaffolding. Oh well. Still, I recommend this film to all Hitchcock fans and anyone who likes older suspense movies. This one is great.

As macabre as it sounds, I really enjoyed seeing Doris Day (The Man Who Knew Too Much) get terrorized. She was so convincing in this role especially when she provided a tour de force in acting during that scene where she finally breaks down. I can't believe other commentators were not as moved by this as I was. Rex Harrison (The Ghost and Mrs. Muir, Cleopatra, My Fair Lady) is also very good in this role though I don't think he is challenged very much here. John Williams is once again the diligent inspector as he was in the two Alfred Hitchcock hits Dial M For Murder and To Catch a Thief, both of which coincidentally starred Grace Kelly. The great Roddy McDowell (Planet of the Apes) is here just as a red herring but he is welcome nonetheless. All in all a good thriller, 8/10.

If that telephone voice doesn't give you the creeps, you are one tough cookie! Don't be fooled because this film stars Doris Day, noted for her frothy, professional virgin roles in movies with Rock Hudson, et al. This is another Ms. Day, although the movie showcases her in some great clothes. Driven to the brink of insanity by anonymous threatening phone calls which nobody believes, she plays it to the hilt. The elevator scene is especially gripping. John Gavin is totally miscast and is bland, as usual. The rest of the cast is top drawer....Rex Harrison, suave and sophisticated....Myrna Loy, as the worldly aunt, is wonderful.....and the greatest of English support players, John Williams, repeating his inspector role from Dial M for Murder. In a small part is Anthony Dawson, the perfect villain,also from Dial M for Murder. Herbert Marshall and Richard Ney are good in small roles. This looks and feels like a Hitchcock picture. You may guess the ending but it is worth the watch to see Doris Day give her all. Besides, everybody likes a good thriller and this fits the bill!

Doris Day, as an American married to an Englishman, is being terrorized in "Midnight Lace," also starring Rex Harrison, Myrna Loy, Roddy Mcdowall, and John Gavin. A scary voice speaks in the fog and calls her up on the phone - but she can't get anyone to believe her, even her beloved aunt (Loy) who wants to help but has her suspicions about her niece's mental health. The "midnight lace" is a neat title that refers to some sexy pajamas Kit (Day) buys for her Venetian trip with her husband (Harrison).

The film is based on a play, "Matilda Cried Fire" and probably owes part of its plot to "Dial M for Murder," which was also a play and made into a film by Hitchcock. John Williams is on hand in this film as in "Dial M" as a police inspector.

Unlike "Dial M for Murder," the film abounds with red herrings, so there are plenty of suspects. Roddy Mcdowall is the slimy son of Kit's housekeeper, and John Gavin is an attractive man who at one point comes to her rescue. There's also her neighbor, Peggy (Natasha Thompson). The acting is very good, the biggest and most dramatic role belonging to Day. Few people have enjoyed the variety of career that Day did. A wholesome-looking singer and vivacious actress, she was in in films from 1948. When she was in her late thirties, producer Ross Hunter took advantage of her prettiness and beautiful figure and moved her into glamor roles, making her the #1 box office star. If she's a little over the top in spots here, it's more the material than the actress, and she creates a very sympathetic and likable character. Loy, at 55, is beautiful and sexy. Harrison doesn't have a great deal to do, and Gavin is - well, Gavin, very handsome and charming. Herbert Marshall is part of the cast as well, and along with McDowall, Williams, and Thompson, make up a strong supporting cast.

This movie isn't as good as some others of the same type, but it is very enjoyable and well produced. One of those great Sunday afternoon movies.

Some trivia: A poster mentions that Harrison was distracted during the film because of the death of his wife, Kay Kendall. He was also distracted by the fact that he and Roddy McDowell had done a play together, for which McDowell had won a Tony. The elevator scene where they are all in the elevator together took a while to film so they were all stuck in a small space. McDowell said something and Harrison said, "Yes, and you can stick that Tony up your a** too."