Les voisins d'une famille de pionniers les prennent à partie lorsqu'on soupçonne que leur fille adoptive a été volée à la tribu indienne de la région, les Kiowa.Les voisins d'une famille de pionniers les prennent à partie lorsqu'on soupçonne que leur fille adoptive a été volée à la tribu indienne de la région, les Kiowa.Les voisins d'une famille de pionniers les prennent à partie lorsqu'on soupçonne que leur fille adoptive a été volée à la tribu indienne de la région, les Kiowa.
- Réalisation
- Scénario
- Casting principal
Avis à la une
It was an unwritten law of Hollywood that no one shoots a film in Monument Valley except John Ford. So John Huston made due with Durango in Mexico which had become a favorite western location site also. Huston got some good performances out of his cast although he had many problems.
Audrey Hepburn fell off a horse and was injured for a few weeks. Audie Murphy nearly drowned in a river. Topping it all off, according to a recent biography of Burt Lancaster was the fact that Lillian Gish served as a kind of back seat driver to John Huston. She was forever telling him that D.W. Griffith did this or that a different way. But apparently Ms. Gish was satisfied with the finished product because she acclaimed Huston as another Griffith when it was over.
The story really gets going when some Kiowas come knocking on Lillian Gish's door demanding Audrey Hepburn's return. When it's discovered that Hepburn in fact is an Indian, the reaction of the neighbors and some of the family is to send her back. Lancaster, Gish, and McClure aren't having it though.
The Unforgiven was butchered in the editing department. One role that was mostly left on the cutting room floor apparently was John Saxon as a halfbreed named Johnny Portugal. Standing out though is Joseph Wiseman as the crazy ex-cavalryman now turned preacher who has a hate for Audrey Hepburn. Why he does you'll have to see the film, but it's an interesting problem.
Its parts, its individual performances make The Unforgiven an uneven film where the whole is not greater than the sum of those parts.
It does begin in a lethargic manner and I personally thought the final scene could have been better thought out. Also, despite my love for her, I was not entirely convinced by Audrey Hepburn. She is graceful, charming and elegant and I applaud her for taking on a completely different role to any other she's played, but she was never quite believable in her role, to me her accent sometimes came and went and she felt somewhat out of place.
However, it looks gorgeous with the cinematography beautiful and the scenery magnificent. The music is very rich and wonderful, the dialogue is thought-provoking and the pace in the middle I had no problem with. I was pleasantly surprised at how ambitious the story was, the subject of racism could have easily been dealt with in a heavy-handed way like in Crash, but it doesn't thanks to the construction of the story which is quite impressive and it also helps that the characters are surprisingly credible. John Huston's direction is also terrific, and the acting ensemble is very good generally. Burt Lancaster is a charismatic presence, while Audie Murphy is a sheer delight in this movie.
In conclusion, it is a good movie despite the miscast(I do say this with a heavy heart) and one or two scenes that could have been better judged. 7/10 Bethany Cox
"The Unforgiven" is a western about the impressive intolerance between Caucasians and Indians in the beginning of the colonization of North America by the whites. The story is very well developed, with the usual outstanding direction of John Huston. Joseph Wiseman has a magnificent performance in the role of a despicable villain, a revengeful man capable of destroying many lives. Burt Lancaster is also great in his leadership, while Lillian Gish is amazing in the role of a protective mother. Audrey Hepburn and John Saxon are convincing as Indians. My vote is eight.
Title (Brazil): "O Passado Não Perdoa" ("The Past Does Not Forgive")
The story is the opposite (inverse), contrary of the searchers (1956) with John Wayne and Nathalie Wood.
In the unforgiven the girl make a different choice for the issue of the story. The story is good because the mystery and a little suspense appear, and it is on the top with the Indians.
One of assets in the unforgiven is the photography. We have beautiful pictures in this film.
And we find a great Audrey Hepburn, who give something magic and mysterious anytime she is on the screen.
A nice western to see.
jelios jelios@hotmail.fr
Le saviez-vous
- AnecdotesBefore filming began, director John Huston and star Burt Lancaster took actress Lillian Gish out to the desert to teach her how to shoot, which she would have to do in the film. However, Huston was astounded to discover that Gish could shoot more accurately, and faster, than both he and Lancaster, who thought themselves expert marksmen. It turned out that early in her career Gish was taught how to shoot by notorious western outlaw and gunfighter Al J. Jennings, who had become an actor after his release from a long prison sentence for train robbery and was in the cast of one of her films. She found that she liked shooting and over the years had developed into an expert shot.
- GaffesIn the closeups of Rachel, her false eyelashes are obvious.
- Citations
Andy Zachary: What did he want, Ben?
Ben Zachary: He wanted to buy a woman.
[looks at Rachel]
Ben Zachary: You.
Rachel Zachary: Well, did you sell me?
Ben Zachary: I held out for more horses.
Rachel Zachary: Why would they want to buy me?
Mattilda Zachary: Because you're a girl, my pretty. Horses and women are all the same to a Kiowa - to be bought or traded.
- ConnexionsFeatured in The 43rd Annual Academy Awards (1971)
- Bandes originalesDown in the Valley
(uncredited)
Traditional
Sung by June Walker and Kipp Hamilton
[Hagar and Georgia sing the song at the Zachary/Rawlins lunch]
Meilleurs choix
Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
- Durée
- 2h 5min(125 min)
- Couleur
- Rapport de forme
- 2.35 : 1