NOTE IMDb
5,3/10
588
MA NOTE
Ajouter une intrigue dans votre langueChronicles the rise and fall of the woman who eventually became known as Queen Nefertiti.Chronicles the rise and fall of the woman who eventually became known as Queen Nefertiti.Chronicles the rise and fall of the woman who eventually became known as Queen Nefertiti.
- Réalisation
- Scénario
- Casting principal
Gino Marturano
- Melad
- (as Luigi Marturano)
Raf Baldassarre
- Mareb
- (as Raffaele Baldassarre)
Bruno Ariè
- Un soldato
- (non crédité)
Omero Capanna
- Un'egiziano
- (non crédité)
Avis à la une
Queen of the Nile is the story of the the making of Queen Nefertiti of ancient Egypt. Its a loose story without details or specifics, but the sets and costumes and overall performances come together to make this slight picture actually kind of entertaining. The script is week and like I said it doesn't really feel in the least bit historical, but visually I find these type of films interesting and uniquely fun. Jeanne Crain and Edmund Purdom both give strong performances, and while Vincent Price is an underutilized secondary character, he is also good and together these three elevate this production to one worth checking out if you're curious.
This one, I guess, constitutes what passes for a star-studded peplum, what with 3 Hollywood names (Jeanne Crain, Vincent Price and Edmund Purdom – though, by this point, the latter was already well into his European phase) and a local one (Amedeo Nazzari, whom I recently-viewed in L'ATLANTIDE from the same year); incidentally, I opted to start my tribute to Price's centennial with his two epic Italian efforts (the other being RAGE OF THE BUCCANEERS, also from 1961) so as to segue from April's month-long marathon of such fare.
To be honest, I was not expecting much from it, being more or less a low-brow mix of THE TEN COMMANDMENTS (1956), in which the titular royal had also featured (as did Price himself in a smallish role!), and Purdom's own earlier vehicle THE Egyptian (1954); however, the result is not only eminently watchable but surprisingly decent (so that Price's reputation is none the worse for its being on his resume'!). Crain, of course, is the protagonist – with Price as the High Priest (and, it is later revealed, Nefertite's father!), Purdom a sculptor in love with her when she had not yet ascended the throne and even boasted a different name (later, he is forced to make a statue of the new Queen and chastises her for what he believes to be her opportunism!), while Nazzari is the heir to the realm who intends helping his pal Purdom when Price tries to keep the latter and Crain apart but then, unbeknownst of her true identity, is persuaded by the High Priest to take Nefertite for a wife!
Also involved in the proceedings are lovely Liana Orfei (who would have a similar, albeit even more central, role in RAGE OF THE BUCCANEERS itself) as Purdom's devoted assistant/lover (at one point, her sultry dancing in the desert distracts the guards at the hero's prison-tent so as to enable him to escape) and Umberto Raho (complementing Price's position in the temple as well as the film's villainous stakes). Incidentally, Nazzari's character is interestingly developed: he not only befriends a holy man and supports his reverence for one god over Egypt's several (which does not sit well with the tradition-bound Price) but he eventually goes mad and, finding himself besieged by his own soldiers (under the High Priest's command), commits suicide just instances before Purdom (sent by Crain to mobilize the loyal desert troops to their defence) arrives on the scene! In the end, the film's rich look manages to transcend budgetary limitations even if the audio levels fluctuated intermittently throughout the copy I acquired, at one time even lapsing (very briefly) into Spanish!
To be honest, I was not expecting much from it, being more or less a low-brow mix of THE TEN COMMANDMENTS (1956), in which the titular royal had also featured (as did Price himself in a smallish role!), and Purdom's own earlier vehicle THE Egyptian (1954); however, the result is not only eminently watchable but surprisingly decent (so that Price's reputation is none the worse for its being on his resume'!). Crain, of course, is the protagonist – with Price as the High Priest (and, it is later revealed, Nefertite's father!), Purdom a sculptor in love with her when she had not yet ascended the throne and even boasted a different name (later, he is forced to make a statue of the new Queen and chastises her for what he believes to be her opportunism!), while Nazzari is the heir to the realm who intends helping his pal Purdom when Price tries to keep the latter and Crain apart but then, unbeknownst of her true identity, is persuaded by the High Priest to take Nefertite for a wife!
Also involved in the proceedings are lovely Liana Orfei (who would have a similar, albeit even more central, role in RAGE OF THE BUCCANEERS itself) as Purdom's devoted assistant/lover (at one point, her sultry dancing in the desert distracts the guards at the hero's prison-tent so as to enable him to escape) and Umberto Raho (complementing Price's position in the temple as well as the film's villainous stakes). Incidentally, Nazzari's character is interestingly developed: he not only befriends a holy man and supports his reverence for one god over Egypt's several (which does not sit well with the tradition-bound Price) but he eventually goes mad and, finding himself besieged by his own soldiers (under the High Priest's command), commits suicide just instances before Purdom (sent by Crain to mobilize the loyal desert troops to their defence) arrives on the scene! In the end, the film's rich look manages to transcend budgetary limitations even if the audio levels fluctuated intermittently throughout the copy I acquired, at one time even lapsing (very briefly) into Spanish!
one of many historical theme "B" films from "60. not memorable but correct. a dramatic love story, the beauty of Jeanne Crain, the duty, more important than the love, Vincent Price in a role using his skills for bad guys. and decent atmosphere, funny fight scenes, Edmund Purdom in a role who remains sketch for a Charming Prince. Nefertiti has the virtue to be perfect answer to the nostalgia of films "B" fans. large slices of romanticism, lost historical accuracy, seductive - and unrealistic - end. enough for a nice show.
This is all speculation but an interesting story, showing how the famous and timeless statue of Queen Nefertiti still after so many thousands of years stir imaginations and inspire to invention and creation. The cinematography is outstanding, the music of Carlo Rustichelli couldn't be better, Jeanne Crain is perfect as the Queen, Vincent Price is horribly absurd as the mad and wicked father, Edmund Purdom makes a good job of the sculptor with all his tribulations for his love, but the most interesting actor is Amedeo Nazzori as Amenophis. Mind you, he is never called Ekhnaton, although that was the king of this issue of the conflict between old believers and the new monotheistic religion of the sun, which caused a revolution in its day in ancient Egypt about 3500 years ago. The King was more realistically played by Michael Wilding in "Sinuhe the Egyptian" seven years earlier, and this film has clearly taken one or two hints from that movie, Jeanne Crain being very much like Jean Simmons. Amedeo Nazzori makes a very interesting character as a very convincing king inspiring confidence with his sympathetic character but with the great weakness of oversensitivity, leading to mental breakdowns, transcending into a religion of peace abhorring all bloodshed.
It's not a great movie, but it is interesting enough with some memorable scenes, especially the ones in the workshop, culminating in the famous scene when the Queen is first introduced to her sculptor, the Pharaoh having no idea that they have been lovers, and the lover knowing nothing of her difficult way to the throne. This is great theatre.
It's not a great movie, but it is interesting enough with some memorable scenes, especially the ones in the workshop, culminating in the famous scene when the Queen is first introduced to her sculptor, the Pharaoh having no idea that they have been lovers, and the lover knowing nothing of her difficult way to the throne. This is great theatre.
A Sword and Sandal epic movie centers about Amenhotep IV (Amadeo Nazzari) son of Amenophis III who reigned Egypt . Amenhotep IV was crowned in Thebes and there he started a building program and a new religion , taking on the traditional priests (Vincent Price in one of his most unknown movies) . He married Nefertiti (Jeanne Crain) who loved Tutmes (Edmund Purdom) , sculptor who made the famous bust from her . Amenhotep IV-Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted . After his death, traditional religious practice was gradually restored .
It's a slice of ancient history set in 1300 B.C. : Amenophis IV is known as Akhenaten or Akhenaton , he was proclaimed maximum priest imposing a sole and , only one , great God : ¨Aton¨ or God Sun , pitting the priests (Vincent Price) followers to ¨Amon Ra¨ . Marriage between Amenophis and Nefertiti would born Tutankhamon . Amenophis created a new city called Ajetaton or Amarna . This is a Peplum style movie with impressive images but including factual errors , as Amenhopis IV changed his name to Akhenaten after converting to the worship of the Aton , and his capital was Akhet-Aton , not Thebes . Jeanne Crain is beautiful , Vincent Price , as always , plays very well a villain person . There are several secondaries and good Italian actors seen in Peplum or Sword and Sandals genre , Musclemen movies and Spaghetti Westerns : Alberto Farnese , Liana Orfei , Umberto Raho, Ralph Baldasarre , among others . Spellbound color cinematography by Massimo Dallamano ensure the glowing spectacle . Set design is breathtaking and Carlo Rustichelli's musical score is excellent . The picture was professionally directed by Fernando Cerchio . The movie gets likeness to 'Sinuhe the Egyptian' but lack luster and budget . Rating: 6 points/10
It's a slice of ancient history set in 1300 B.C. : Amenophis IV is known as Akhenaten or Akhenaton , he was proclaimed maximum priest imposing a sole and , only one , great God : ¨Aton¨ or God Sun , pitting the priests (Vincent Price) followers to ¨Amon Ra¨ . Marriage between Amenophis and Nefertiti would born Tutankhamon . Amenophis created a new city called Ajetaton or Amarna . This is a Peplum style movie with impressive images but including factual errors , as Amenhopis IV changed his name to Akhenaten after converting to the worship of the Aton , and his capital was Akhet-Aton , not Thebes . Jeanne Crain is beautiful , Vincent Price , as always , plays very well a villain person . There are several secondaries and good Italian actors seen in Peplum or Sword and Sandals genre , Musclemen movies and Spaghetti Westerns : Alberto Farnese , Liana Orfei , Umberto Raho, Ralph Baldasarre , among others . Spellbound color cinematography by Massimo Dallamano ensure the glowing spectacle . Set design is breathtaking and Carlo Rustichelli's musical score is excellent . The picture was professionally directed by Fernando Cerchio . The movie gets likeness to 'Sinuhe the Egyptian' but lack luster and budget . Rating: 6 points/10
Le saviez-vous
- AnecdotesSubmitted to the British Board of Film Censors by E. J. Fancey and passed with a "U" certificate (for all ages) on 19 April 1963. Eventual distributors S.F. managed to get the film a three week run in London's West End and it opened at the Gala Royal on 25 April 1963. Hardly appropriately, S.F. selected German X-film Unser Wunderland bei Nacht (1959) as the supporting feature. Queen of the Nile did not get a general release on the major circuits in the UK, but was distributed on an optional basis to a fair number of cinemas. After disappearing for 25 years it re-surfaced on the ITV network in 1991.
- GaffesAmenhopis IV changed his name to Akhenaten after converting to the worship of the Aton, and his capital was Akhet-Aton, not Thebes.
- Versions alternativesWest German theatrical version was cut by approx. 14 minutes. Only in 2020 the uncut version was released on Blu-ray/DVD.
- ConnexionsFeatured in Kolossal - i magnifici Macisti (1977)
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- How long is Queen of the Nile?Alimenté par Alexa
Détails
- Durée1 heure 46 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Nefertiti, reine du Nil (1961) officially released in India in English?
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