La chambre des tortures

Three legendary figures, one in writing, and one in film-making, and one in acting are responsible for bringing The Pit and the Pendulum to life. It's Edgar Allen Poe's story about a brother struggling to come to terms about how his sister's untimely death happened. He goes to the mansion of Nicholas Medina, played by the magnificent Vincent Price, to look for answers. The Pit and the Pendulum for a 60's movie is attention getting by how powerful and mystique the actors and actresses characters are, and the brilliant story and script that intertwines very nicely. Roger Corman direction was astounding as well, making me realize why he's so acclaimed by his film-making peers. The Pit and the Pendulum is a nice little horror flick that I watched with no expectations and had no regrets spending the time and money to watch it.

"The Pit and the Pendulum" is the second of Roger Corman's Edgar Allan Poe's adaptations with a screenplay by Richard Matheson.Vincent Price's performance is an obvious highlight of the film.Legendary horror actresses Luana Anders("Dementia 13")and Barbara Steele("Shivers","Silent Scream","Black Sunday")co-star in this extremely atmospheric chiller.To sum up,"The Pit and the Pendulum" is one of Roger Corman's finest offerings-it's creepy,unsettling and extremely entertaining.A masterpiece that easily gets 10 out of 10!

In the mid-16th century, Englishman Francis Barnard (John Kerr) travels to the Spanish castle of Nicholas Medina (Vincent Price) to try and uncover the details surrounding the sudden death of his sister Elizabeth (Barbara Steele), Nicholas's wife. Soon after arriving at the castle, Francis begins to suspect that Nicholas is hiding the truth, but what he eventually discovers is far more terrible than he could have imagined.

I'm not the greatest fan of the Roger Corman/Edgar Allen Poe cycle of films, finding their combination of creaky Gothic trappings, trite atmospherics and overwrought melodrama just a little too cheesy to be wholly effective; for much of the time, Pit and the Pendulum is just the same, with Price hamming it up and Corman laying on the eeriness with a trowel.

Thankfully, the film is short enough to prevent boredom kicking in and is saved somewhat by a great final act that provides one or two neat twists, some well handled excitement (the razor-sharp pendulum of the title finally making an appearance, swinging to and fro above a shackled Francis) and a befitting closing shot (I won't say what it is, but it's a corker).

The movie adapted from Edgar Allan Poe is par excellence a movie made up of sketches:for instance ,"tre passi nel delirio"(Fellini,Malle,Vadim,1968) encompassed three short stories.

The problem with Edgar Poe's short stories lies in the fact that they are...short!Here Richard Matheson double-jumped his contemporaries by combining elements from several Poe stories in a single classy film. Some kind of" the writer's greatest hits " so to speak.

The beloved late wife subject directly comes from "Morella" which will be filmed by Corman in "tales of terror" the following year.The doomed house which is slowly sinking down recalls "the fall of the House of Usher"."Burried alive" or "premature burial" plays a prominent part in the plot too.The walled up character was present in "the black cat" and "the cask of Amontillado".As for "the pit and the pendulum",it provides the movie with its final,but it's only a small segment of the whole.

The actors are excellent ,the sets wonderfully Gothic,but there's something hollow in these Corman movies.Fellini was able to transcend Poe (eg segment "Tobby Dammit" in "tre passi nel delirio") ,Corman remains a respectful director,and one sees little of the madness which emanates from Poe's best works.The same goes for such works as "premature burial" or "tales of terror".Outside technically,it does not show any improvement on,for instance Jean Epstein's (helped by Luis Bunuel)"chute de la maison Usher" a silent movie from 1928.

'Pit And The Pendulum' sees b-grade legend Roger Corman ('Little Shop Of Horrors'), talented suspense writer Richard Matheson ('The Incredible Shrinking Man'), and horror master Vincent Price ('The Tingler') try and recreate the success of their first Poe adaptation 'House Of Usher'. And they do so admirably, '... Pendulum' being even better than the excellent '... Usher'. Matheson cleverly expands upon Poe's original tale by also mixing in elements from the earlier movie, 'The Premature Burial' and other Poe classics. John Kerr is the one weak link in this first rate thriller. An actor I'm not familiar with, he is dull and not all that good. Much better is Antony Carbone (who Corman fans will recognize from 'A Bucket Of Blood') as Price's doctor pal, and the underrated Luana Anders ('Dementia 13', 'Easy Rider') as Price's sister. Price himself is wonderful as usual as the tormented Don Medina, and an added bonus is the appearance of enduring cult figure, and one of the most beautiful actresses in movie history, Barbara Steele ('Black Sunday', 'Shivers'). Steele doesn't get as much screen time as one would wish but it's a joy to see her work alongside Price, sadly their only movie together. 'Pit And The Pendulum' is one of Corman's best horror movies, and one that will surprise many viewers today with just how atmospheric and creepy it still is. An extremely underrated film (as are Corman's other 60s Poe adaptations), and one that is a must see for all horror buffs. Highly recommended.