Hatari!

Wow! was longing to see the lighter side of The Duke 'John Wayne' and here my wait is finally over. No more fighting the villains of the west but catching the wild animals in Africa. Another great movie brought by Hawks with Wayne in the main cast. One must appreciate the classical way the movie team brought the wildlife scenes. You may fail to appreciate these scenes as it is commonly shown in satellite channels these days, but must we remember the movie was shot in 1960s. The famous 'Baby Elephant walk' theme by Mancini was more than a feeling. BTW, I'd salute to the humor played by Red Buttons in this movie was such a fine icing on the cake.

Since I recently spent two weeks in Tanzania, I wanted to add some information to the reviews that have already been posted. These comments are mostly related to geography. The film credits state that it was shot in Tanganyika. Tanganyika joined with the island of Zanzibar in 1964, the year after Zanzibar gained independence, and adopted the name Tanzania. So, we can now say that "Hatari!" was filmed in Tanzania. In the opening rhino chase, the vast, stream intersected plain with the lush green hills in the back ground is most probably in the Ngorongoro Conservation Area. Ngorongoro Crater is the floor of a huge, collapsed volcano. The inside of the crater is approximately 10 by 16 kilometers and is surrounded by the remnants of the crater which are 600 meters high. After the accident John Wayne's character radios "Arusha Control". He mentions that it will take 5 hours to "get out of this crater" and drive to Arusha. Arusha is also in Tanzania. The Arusha Clock Tower is visible at least twice in the "chase scene" near the end of the film, confirming that filming was indeed done in Arusha. Snow capped Mount Kilmanjaro is visible in the distance at 41 minutes into the film as "the Frenchman" walks into the compound. The next time we see a shot in that direction, Kili is hidden by clouds. It is perhaps interesting to note that the Maisii in Northern Tanzania now wear "Maasai blankets" that are factory made. In "Hatari!" they are wearing ocher colored cloth. There is some Swahili spoken in the film. "Hatari!" is a great film to look at either before or after a trip to Northern Tanzania.

I have loved this film since I was a child, and have found even more things to enjoy about it since I've grown up! Now, my 4 year old daughter is in love with all the animals (and she thinks Pockets is so funny). In fact, we have to play it at least once a day! If you haven't seen this film, it is definitely worth your time. The scenery is beautiful as are the animals they capture. This performance of John Wayne is one of his funniest, and the supporting cast are just as great. You have no problem believing these people truly do this for a living, and Red Buttons will keep you laughing.

This has something for all ages: exotic animals and Red Buttons' antics for the kids; adventure and romance for the adults. Give this one a try, especially if you are looking for a good family film you all can enjoy!

HATARI! may be the most enjoyable of the Howard Hawks/John Wayne collaborations (their other pairings produced the classics RED RIVER and RIO BRAVO, and the RIO BRAVO 'remakes' EL DORADO and RIO LOBO), and is exceptional in several ways; at 157 minutes (2 hours, 37 minutes), it may be one of the longest 'buddy' films ever made; nearly all of the animal 'chase and capture' sequences involved the actual cast members (professional handlers serving as stunt doubles were only rarely used); and the filming began with virtually no script (which was written based on the 'on location' footage in Africa, after the cast returned to California). At 65, director Hawks was still in top form, and the risks he took paid off...HATARI!, despite it's length, is never boring!

The story focuses on a season with a team of professional hunter/trappers, capturing animals for zoos and circuses. With a breathtaking opening scene of a rhino chase, costing them the use of veteran driver, 'Indian' (legendary actor Bruce Cabot), the 'family' dynamic is quickly established, with rugged Sean Mercer (Wayne) both boss and father-figure to the group. As he and the rest of the 'family' (Red Buttons, Hardy Krüger, Valentin de Vargas, and Michèle Girardon) meet 'Indian's' replacement, 'Chips' (Gérard Blain), Mercer has an even bigger headache to deal with; beautiful photographer Anna Maria 'Dallas' D'Allesandro (Elsa Martinelli) has arrived, to shoot a magazine spread. A 'traditional' Hawks leading lady, 'Dallas' is feisty, sultry, and attracted to Mercer, and the older man, uncomfortable with the ease by which she fits into the group, as well as his own stirrings, tries to make it clear that romance has no place on his agenda (in much the same manner as he did with Angie Dickinson in RIO BRAVO...and with the same results).

While some elements of the story are dated and politically incorrect (shooting a baby African elephant, even as a 'mercy killing', would be a major offense, today, as it is an endangered species), the combination of spectacular 'hunt' sequences, and the warmth and easy camaraderie of the cast in the subplots make HATARI! a rich, rewarding experience.

A major plus for the film is a very atypical Henry Mancini score, combining tense, African-influenced themes for the chases, and the very funny 'Elephant Walk' to punctuate 'Dallas's' relationship with her adopted pachyderm 'children'. The baby elephant scenes are film highlights, as is the rocket capture of a tree filled with monkeys, and both rhino chases (which clearly shows Wayne in some real danger!)

From the opening rhino sequence to the closing 'Honeymoon' scene, HATARI! is a grand entertainment, and escapism at it's best!

John Wayne is in charge in this Howard Hawks directed African Western. His character reminds me of Sam McCord in "North To Alaska". This time around Elsa Martinelli is Wayne's romantic interest.

This is not your standard John Wayne movie. He doesn't get to use his fists once. The emphasis here is on comedy rather than violence. Veteran comedian Red Buttons is on hand for wise cracks and some very funny moments. His capture of hundreds of monkeys is one of the film's better moments.

Some of the action is almost slapstick in character. Elsa Martinelli's baby elephants steal the show. Martinelli's character seems to be a magnet for homeless elephants. Ultimately, they have a central role in the film's finale, a fast and very funny tour around a Kenyan town.

There is plenty of exciting wildlife photography in this film, perhaps too much. The film tells the story of one season on a game ranch that captures animals for zoos. There is little real plot. Much of the suspense revolves around the dangers of capturing rhinos. A rhino gores Bruce Cabot in one of the early scenes. Later, he cautions Wayne to avoid them. Wayne of course ignores him and ultimately they capture a rhino.

Although enjoyable, this film reminds me of a Disney real-life adventure. There is little character development, a slim plot and the whole thing takes far too long. Henry Mancini's score is very nice, particularly the cute "Baby Elephant Walk". There is also some great stunt work, including a jeep crash in which two lead characters are messed up. This film is exciting and worth watching, but don't expect any great moral message. It's not here.