Brûle, sorcière, brûle !

With a title like "Burn, Witch, Burn", I certainly was expecting a lot worse. However, this film is actually quite clever, suspenseful and worth seeing.

This film begins VERY strangely. The voice of Paul Frees (who provided the voice of Boris on "The Adventures of Rocky & Bullwinkle" and the Haunted Mansion at Disney) announces that there is a demonic curse embedded within the film and he is going to neutralize it with an incantation that is made up of a lot of words for the Devil! Following this, the film begins. The story concerns Professor Taylor (Peter Wyngarde)--a successful professor at a small medical college. One day by chance, he finds some voodoo-like charms hiding around his home. It seems that his wife is a practitioner of some sort of dark art. When he confronts her, she insists the magic has contributed to his career success AND is protecting them from those who wish him harm. Not surprisingly, since he's a man of science he gathers up all her mumbo-jumbo and burns it...and then his life begins falling apart. Apparently someone IS trying to do him harm and without his charms, his and his wife's lives are at stake. But who and why?!

Aside from one brief scene involving a stuffed bird that is clearly suspended by a wire, the film is very intelligently made. The story is constructed well, is genuinely menacing and is quite enjoyable. And, although the bird is done poorly, just a moment later they make a hawk APPEAR very large and menacing in a very convincing manner. Well worth seeing--nearly earning an 8.

This is a really excellent black and white spooker with an engaging story and some really creepy moments. The production values are excellent, the acting is very good, and the story and script are both top-notch. Plenty of twists, even if the identity of the villain is a bit obvious, and enough tension to really keep you on the edge of your seat.

Screamplay by Richard Matheson and Charles Beaumont, based on Fritz Leiber's excellent novel, CONJURE WIFE- what more could one want? While it's a far cry from the likes of THE INNOCENTS or THE HAUNTING (the original version), BURN, WITCH, BURN! is, nonetheless, an entertaining entry in the eerie-goings-on genre. It's the sometimes subtle (and sometimes not-so-subtle) interplay between the women that makes this movie worth watching. This is one of those rare instances where one finds oneself wishing that the movie would go on just a while longer: it would've been interesting, indeed, to have seen the gradual escalation of hostilities between the, er, forces gathered here.

This has always been one of my favorite horror movies. A lot of its force--notwithstanding the good solid script and direction--is due to Peter Wyngarde's performance as the husband of the title witch. At first he shows us the man's skepticism, a disbelief so fervent and so confidently scornful of opposition that it persuades his wife, even in the face of the sinister atmosphere that's growing all around them--this being painted in with that easy skill that only Britons seem able to command. As the story progresses, Wyngarde shows us, one unnerving step at a time, the man's loss of his lack of faith, to the point of absolute belief (which the film points up with an obvious, but very satisfying, joke) and absolute terror. Except for Fay Wray writhing and screaming between twin pillars in anticipation of her sacrifice, I can't recall another victim whose fear I've felt along with him so completely. In my opinion Wyngarde's is one of the great performances in horror films, and the film itself is one of the last of the classics.

I've just watched this obscure little British horror. The only name I recognised in the credits was the writer Richard Matheson. But it turns out that the director was Sidney Hayers, who also directed Circus of Horrors, before he went on to direct a lot of television, including The A Team, The New Avengers and Manimal (does anyone remember that?).

The plot is a little haywire, but this is a great film. It fits into the horror sub-genre "Housewives and school teachers who get into witchcraft", along with Horror Hotel, Hammer's The Witches, Romero's Season of the Witch and many others, probably. It's got some great visuals, partly due to the very dark black and white photography, it has genuine moments of suspense and the special effects are incredible for a film of its age and low budget. It's also known as Burn, Witch, Burn, which gives it a sensationalist twist that it doesn't really need. Night of the Eagle is a much more appropriate title. I highly recommend this if you can catch it on TV or DVD!