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Un jeune lieutenant de l'armée napoléonienne poursuit une mystérieuse femme jusqu'au château d'un vieux baron.Un jeune lieutenant de l'armée napoléonienne poursuit une mystérieuse femme jusqu'au château d'un vieux baron.Un jeune lieutenant de l'armée napoléonienne poursuit une mystérieuse femme jusqu'au château d'un vieux baron.
Histoire
Le saviez-vous
- AnecdotesJack Nicholson claims to have nearly drowned while filming in the surf of Big Sur, CA.
- GaffesIn the climactic scene in the crypt as the walls collapse the stones can be clearly seen floating around the actors in the rising water.
- Crédits fousFrancis Ford Coppola is listed in the opening credits as "Associate Producer Francis Coppola".
- Versions alternativesThe original UK cinema version was cut by the BBFC to remove closeup shots of a bleeding face after the bird attack and a shot of a woman's rotting face during the climax. All later releases are uncut.
- ConnexionsEdited into Deathstalker II (1987)
Commentaire à la une
This is quite a Gothic tale of horror, including sundry gory bits. The castle is expectedly dark and brooding, and Corman creates an eerie atmosphere very well.
I spotted two directional errors. The handguns are revolver like, and I do not think such guns were used in Europe in the early years of the nineteenth century. Also, the servant Stefan often stands too close to the Baron, and to Lieutenant Duvalier. For reasons that become clear later, he could assume such familiarity with the Baron. However no nineteenth century officer of the French army, especially one of aristocratic lineage, would tolerate such behaviour from a minion.
Jack Nicholson said of the film, 'This is the only Hollywood film with a complete script that has absolutely no story.' This about sums it up. It should be watched for the camera-work and the ambiance.
I spotted two directional errors. The handguns are revolver like, and I do not think such guns were used in Europe in the early years of the nineteenth century. Also, the servant Stefan often stands too close to the Baron, and to Lieutenant Duvalier. For reasons that become clear later, he could assume such familiarity with the Baron. However no nineteenth century officer of the French army, especially one of aristocratic lineage, would tolerate such behaviour from a minion.
Jack Nicholson said of the film, 'This is the only Hollywood film with a complete script that has absolutely no story.' This about sums it up. It should be watched for the camera-work and the ambiance.
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