Ajouter une intrigue dans votre langueIn this British kitchen-sink style drama, a bored housewife (June Ritchie) living in a run-down inner city London house begins an affair with her mother's lodger (Ian Hendry), who lives next... Tout lireIn this British kitchen-sink style drama, a bored housewife (June Ritchie) living in a run-down inner city London house begins an affair with her mother's lodger (Ian Hendry), who lives next door.In this British kitchen-sink style drama, a bored housewife (June Ritchie) living in a run-down inner city London house begins an affair with her mother's lodger (Ian Hendry), who lives next door.
- Réalisation
- Scénario
- Casting principal
- Lily
- (as Avice Landon)
Avis à la une
This is an accurate portrayal of how men treated women also how some women often lead men along a path of intimate desire , often ending with no result. Added to which, Harry's ( Ian Hendry ) were as predatory for anything lacking responsibility , so you can certainly discount marriage .And if the woman became pregnant , the man would go out of his way to ensure his water tight disappearance .All that said, many women got taken in , first by good looks, which Harry certainly has and a man that was bold and forward in his sometimes forceful and suggestive words and body language . All these folk, women and men were unique to 1950s to 1970s cultural British attitudes. The well known early film with Michael Caine ' ALFIE ' remains as powerful today as it was then, albeit only dealing with one male , one female as opposed to multiple ladies and gents in this narrative. Take note, the man always drives an expensive , often flashy car, especially Harrys imported American , which in those days was referred to as ' very well heeled man ' Best Italian suites, and only the best shoes silk ties and best luxury cars .In some viewers minds , one critical point are the slightly posh accents which would not be the case for people living in a rather run down London suburb , apart from the son, , whose accent is noticeably at a lower level ! Also, everyone is well dressed . When do theses people go to work and where does their income come from for all their trappings ? An interesting film, although i noticed a number of gaps in the narrative ? The bottom line of my first sentence is due to the fact I never fitted in with these characters, bearing no grudge, as my cars were always ordinary, and my dress sense casual , with no expensive shoes.
Marge is a young working-class housewife from Battersea, the area of South London featured in Ken Loach's television play "Up the Junction", also made in 1964. The "street" of the title is Jubilee Place, a row of terraced houses. The film also touches upon the lives of some of the street's other inhabitants, especially Marge's mother Lily who lives next door to her, Lily's lodger Harry, and another neighbour, the good-time-girl Maureen. Marge's husband Sid is an unambitious layabout whose main occupation is drinking in the pub with his mates, and she thinks she could do better. Mr Fingus, the lecherous old manager at the shop where she works, is always making advances towards her, but she has her sights fixed on Harry, just as lecherous as Mr Fingus but younger and better looking. Harry owns a nightclub and drives a flashy car, which gives him a certain status in the eyes of an impressionable girl like Marge. (What is never really explained is why Harry, who is obviously not short of cash, cannot find any better accommodation than the small spare bedroom in Lily's little terrace house).
Harry, however, is no more able to remain faithful to Marge any more than Marge is able to remain faithful to Sid, and when Harry meets Marge's younger sister Ginny he turns his attentions to her, even though Ginny already has a boyfriend, a young doctor named Paul. A sub-plot deals with Maureen's affair with a wealthy married dentist, Mark.
Some kitchen sink films- "A Taste of Honey", "Saturday Night and Sunday Morning", "A Kind of Loving", "The Loneliness of the Long-Distance Runner", "Alfie"- have become classics of the British cinema. "This Is My Street" has not and remains little known today. Most of the better known kitchen sinks had a big-name star- Alan Bates, Albert Finney, Michael Caine- in the main role, but there is nobody of a similar status here. The name most recognisable to modern film buffs will probably be that of a young, pre-stardom John Hurt, but he only has a relatively minor role as Charlie, a work colleague of Maureen's and Mark's rival for her affections. The best acting performance probably comes from Ian Hendry as Flash Harry. (Hendry probably could have become a major star if it were not for his health problems, especially alcoholism). June Ritchie as Marge is not as good here as she had been in her film debut as Ingrid (a more sympathetic character than Marge) in "A Kind of Loving".
As a contemporary review in the Monthly Film Bulletin noted, the film is "overloaded with sub-plot". The main characters seem to be Marge and Harry, and the film might have been better if it had concentrated on the Marge/Harry/Sid triangle. The addition of Ginny and Paul to the triangle, making it a pentagon, seems to have been done in order to make some comments on class differences; one of the reasons why Harry prefers Ginny to her sister (apart from his love of novelty) is that she is more educated and works in a middle-class profession as a teacher. Paul is always polite to Ginny and her family, but finds it hard to hide his distaste for Harry, whom he calls a "barrow boy". As for the Maureen/Mark sub-plot, that might have been better omitted.
"This Is My Street" is not the weakest of the kitchen sinks: it is, for example, rather better than something like "Bitter Harvest" from the previous year, which seems curiously unfinished, as though a couple of reels of film had gone missing and not been replaced. It is, however, not one of the classics of the genre, and the neglect into which it has fallen is perhaps not undeserved. 6/10.
Le saviez-vous
- AnecdotesRather incongruously for what is essentially a serious drama, composer Eric Rogers re-uses a number of music cues from his work on the 'Carry On' series.
- Citations
Margery Graham: Must you use a tea cloth, Sid? There's a towel over there. And isn't it about time you had a bath?
Margery Graham: [they sit down to eat] Must you sit in your vest?
Sid Graham: Nice to be home , innit?
Margery Graham: Home? More like a hovel. And you make it worse sitting there like that.
Sid Graham: Had a hard day at the shop, have you? I can always tell.
Margery Graham: I don't seem to have any appetite.
Sid Graham: 'Ere, tell you what we'll do; go down the Wellington, 'ave a noggin together. That'll bring the old sparkle back. Mum can babysit. She likes watching the telly.
Margery Graham: That stinking pub's your answer to every problem isn't it? That's all you think about - beer and darts.
Sid Graham: Now, leave off will you, Marge? You've been picking on me ever since I came in. A fella's entitled to a bit of peace...
Margery Graham: Oh, and I'm not entitled to anything, I suppose. Well I'm sick of living here and I'm sick of that crummy pub and I'm sick of the people we have to mix with. Sick! Sick! Oh, God, I'm so sick of it.
Sid Graham: Take it easy, doll. Look, we'll soon be out of it. I promised I'd find a better job and Old Sid never goes back on a promise, you know that. We'll really save this time. In fact I'll start now. That's the last packet I'll ever buy
[he throws his cigarettes away]
Sid Graham: .
Margery Graham: There's some pudding in the oven, Sid.
[she exits and climbs the stairs]
Sid Graham: [he calls after her] Don't be upset. Maybe, we'll get a place on one of those new estates. With a garage an' all.
- ConnexionsReferenced in Undergrunnen (1966)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- This Is My Street
- Lieux de tournage
- Havelock Terrace, Battersea, London, Greater London, Angleterre, Royaume-Uni(Harry drives off and leaves Margery by the Pavilion Pub)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 1.85 : 1