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La rue du péché

Titre original : This Is My Street
  • 1964
  • 1h 34min
NOTE IMDb
6,5/10
275
MA NOTE
La rue du péché (1964)
A bored housewife has an affair with her mother's lodger. When he dumps her, she attempts suicide, which brings everyone to their senses.
Lire trailer2:22
1 Video
19 photos
Drame

Ajouter une intrigue dans votre langueIn this British kitchen-sink style drama, a bored housewife (June Ritchie) living in a run-down inner city London house begins an affair with her mother's lodger (Ian Hendry), who lives next... Tout lireIn this British kitchen-sink style drama, a bored housewife (June Ritchie) living in a run-down inner city London house begins an affair with her mother's lodger (Ian Hendry), who lives next door.In this British kitchen-sink style drama, a bored housewife (June Ritchie) living in a run-down inner city London house begins an affair with her mother's lodger (Ian Hendry), who lives next door.

  • Réalisation
    • Sidney Hayers
  • Scénario
    • Bill MacIlwraith
    • Nan Maynard
  • Casting principal
    • Ian Hendry
    • June Ritchie
    • Avice Landone
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    275
    MA NOTE
    • Réalisation
      • Sidney Hayers
    • Scénario
      • Bill MacIlwraith
      • Nan Maynard
    • Casting principal
      • Ian Hendry
      • June Ritchie
      • Avice Landone
    • 12avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:22
    Trailer

    Photos19

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    + 12
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    Rôles principaux24

    Modifier
    Ian Hendry
    Ian Hendry
    • Harry King
    June Ritchie
    June Ritchie
    • Margery Graham
    Avice Landone
    Avice Landone
    • Lily
    • (as Avice Landon)
    Meredith Edwards
    Meredith Edwards
    • Steve
    Madge Ryan
    Madge Ryan
    • Kitty
    John Hurt
    John Hurt
    • Charlie
    Annette Andre
    Annette Andre
    • Jinny
    Philippa Gail
    • Maureen
    Mike Pratt
    Mike Pratt
    • Sid Graham
    Tom Adams
    Tom Adams
    • Paul
    Hilda Fenemore
    Hilda Fenemore
    • Doris
    Susan Burnet
    • Phyllis
    Robert Bruce
    Robert Bruce
    • Mark
    John Bluthal
    John Bluthal
    • Joe
    Carl Bernard
    • Fred
    Margaret Boyd
    • Granny
    Patrick Cargill
    Patrick Cargill
    • Ransome
    Margo Johns
    • Isabel
    • Réalisation
      • Sidney Hayers
    • Scénario
      • Bill MacIlwraith
      • Nan Maynard
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    6,5275
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    10

    Avis à la une

    7leavymusic-2

    The music and Clapham

    What Stands out in this movie for me is the Eric Rogers music, he did all the music for the carry on films, and it's so distinctive in this, sometimes sounds like a comedy, but he gets away with it, adds a style which is so 1960's. Love these British dramas, as many agree they have more story power and character than a lot modern films, and it's always charming to see London in a different light, how it's changed so much since then, filmed in south London nr Clapham. Good film, fully recommend it if you like B&w British class.
    8jefadlm-1

    Sad to say, yes this is accurate.....

    First off, anyone reading this , do not be under any impression that I have any regrets about my London younger days.

    This is an accurate portrayal of how men treated women also how some women often lead men along a path of intimate desire , often ending with no result. Added to which, Harry's ( Ian Hendry ) were as predatory for anything lacking responsibility , so you can certainly discount marriage .And if the woman became pregnant , the man would go out of his way to ensure his water tight disappearance .All that said, many women got taken in , first by good looks, which Harry certainly has and a man that was bold and forward in his sometimes forceful and suggestive words and body language . All these folk, women and men were unique to 1950s to 1970s cultural British attitudes. The well known early film with Michael Caine ' ALFIE ' remains as powerful today as it was then, albeit only dealing with one male , one female as opposed to multiple ladies and gents in this narrative. Take note, the man always drives an expensive , often flashy car, especially Harrys imported American , which in those days was referred to as ' very well heeled man ' Best Italian suites, and only the best shoes silk ties and best luxury cars .In some viewers minds , one critical point are the slightly posh accents which would not be the case for people living in a rather run down London suburb , apart from the son, , whose accent is noticeably at a lower level ! Also, everyone is well dressed . When do theses people go to work and where does their income come from for all their trappings ? An interesting film, although i noticed a number of gaps in the narrative ? The bottom line of my first sentence is due to the fact I never fitted in with these characters, bearing no grudge, as my cars were always ordinary, and my dress sense casual , with no expensive shoes.
    6JamesHitchcock

    Overloaded with Sub-plot

    "This Is My Street" is an example of the social realist kitchen sink dramas that were popular in the British cinema during the late fifties and sixties. The phrase "kitchen sink" originated in the visual arts, where it was used to describe the work of painters such as John Bratby, but it was quickly taken up by critics to describe the novels and plays of writers such as John Osborne, John Braine, Alan Sillitoe and Stan Barstow, works which were frequently turned into films. This film also has a literary source, this case a novel by Nan Hayward. Most kitchen sink films had a young man at their centre, but here the nearest the film has to a protagonist is a woman, Marge Graham.

    Marge is a young working-class housewife from Battersea, the area of South London featured in Ken Loach's television play "Up the Junction", also made in 1964. The "street" of the title is Jubilee Place, a row of terraced houses. The film also touches upon the lives of some of the street's other inhabitants, especially Marge's mother Lily who lives next door to her, Lily's lodger Harry, and another neighbour, the good-time-girl Maureen. Marge's husband Sid is an unambitious layabout whose main occupation is drinking in the pub with his mates, and she thinks she could do better. Mr Fingus, the lecherous old manager at the shop where she works, is always making advances towards her, but she has her sights fixed on Harry, just as lecherous as Mr Fingus but younger and better looking. Harry owns a nightclub and drives a flashy car, which gives him a certain status in the eyes of an impressionable girl like Marge. (What is never really explained is why Harry, who is obviously not short of cash, cannot find any better accommodation than the small spare bedroom in Lily's little terrace house).

    Harry, however, is no more able to remain faithful to Marge any more than Marge is able to remain faithful to Sid, and when Harry meets Marge's younger sister Ginny he turns his attentions to her, even though Ginny already has a boyfriend, a young doctor named Paul. A sub-plot deals with Maureen's affair with a wealthy married dentist, Mark.

    Some kitchen sink films- "A Taste of Honey", "Saturday Night and Sunday Morning", "A Kind of Loving", "The Loneliness of the Long-Distance Runner", "Alfie"- have become classics of the British cinema. "This Is My Street" has not and remains little known today. Most of the better known kitchen sinks had a big-name star- Alan Bates, Albert Finney, Michael Caine- in the main role, but there is nobody of a similar status here. The name most recognisable to modern film buffs will probably be that of a young, pre-stardom John Hurt, but he only has a relatively minor role as Charlie, a work colleague of Maureen's and Mark's rival for her affections. The best acting performance probably comes from Ian Hendry as Flash Harry. (Hendry probably could have become a major star if it were not for his health problems, especially alcoholism). June Ritchie as Marge is not as good here as she had been in her film debut as Ingrid (a more sympathetic character than Marge) in "A Kind of Loving".

    As a contemporary review in the Monthly Film Bulletin noted, the film is "overloaded with sub-plot". The main characters seem to be Marge and Harry, and the film might have been better if it had concentrated on the Marge/Harry/Sid triangle. The addition of Ginny and Paul to the triangle, making it a pentagon, seems to have been done in order to make some comments on class differences; one of the reasons why Harry prefers Ginny to her sister (apart from his love of novelty) is that she is more educated and works in a middle-class profession as a teacher. Paul is always polite to Ginny and her family, but finds it hard to hide his distaste for Harry, whom he calls a "barrow boy". As for the Maureen/Mark sub-plot, that might have been better omitted.

    "This Is My Street" is not the weakest of the kitchen sinks: it is, for example, rather better than something like "Bitter Harvest" from the previous year, which seems curiously unfinished, as though a couple of reels of film had gone missing and not been replaced. It is, however, not one of the classics of the genre, and the neglect into which it has fallen is perhaps not undeserved. 6/10.
    5crumpytv

    Unsettling

    Although preceding it by a couple of years, this film reminded me of Alfie. I thought the attitude towards women in Alfie was a one off, but apparently not. For Alfie read Harry. Flash Harry (Ian Hendry) His attitude towards women is use them and leave them, but the thing I don't get is why the women all seem seemed willing to prostitute themselves for a smooth talker, money and/or a good time (or all of the above!) Four women fall into this category in this film, surely women of that time were not so shallow and promiscuous. Also, were the two husbands concerned really so naïve as not to see what was going on right under their noses, and the mother come to that. I shudder to think what message this film sent out to the young people of the time watching in the cinema. Anyway, it is a good period piece with lots of footage of South London and Routemaster buses! The picture quality and sound was good, unlike films a few years earlier.
    5malcolmgsw

    Carry On up the street.

    This as an untypical Peter Rogers production with the exception of one thing,the music.Composed by Eric Rogers you can hear the Carry on themes in it.At the time Ian Hendrey was at the peak of his stardom.Alas drink would ruin his career and he would die young.In this film he is effectively nasty.Mind you most of the characters are unpleasant,and none are better of at the end of the film.One notable feature of this film is the extensive use of South London locations.There is a lot less traffic then..I would guess that this film would have earned an X certificate,however this film is pretty tame by today's standards.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Rather incongruously for what is essentially a serious drama, composer Eric Rogers re-uses a number of music cues from his work on the 'Carry On' series.
    • Citations

      Margery Graham: Must you use a tea cloth, Sid? There's a towel over there. And isn't it about time you had a bath?

      Margery Graham: [they sit down to eat] Must you sit in your vest?

      Sid Graham: Nice to be home , innit?

      Margery Graham: Home? More like a hovel. And you make it worse sitting there like that.

      Sid Graham: Had a hard day at the shop, have you? I can always tell.

      Margery Graham: I don't seem to have any appetite.

      Sid Graham: 'Ere, tell you what we'll do; go down the Wellington, 'ave a noggin together. That'll bring the old sparkle back. Mum can babysit. She likes watching the telly.

      Margery Graham: That stinking pub's your answer to every problem isn't it? That's all you think about - beer and darts.

      Sid Graham: Now, leave off will you, Marge? You've been picking on me ever since I came in. A fella's entitled to a bit of peace...

      Margery Graham: Oh, and I'm not entitled to anything, I suppose. Well I'm sick of living here and I'm sick of that crummy pub and I'm sick of the people we have to mix with. Sick! Sick! Oh, God, I'm so sick of it.

      Sid Graham: Take it easy, doll. Look, we'll soon be out of it. I promised I'd find a better job and Old Sid never goes back on a promise, you know that. We'll really save this time. In fact I'll start now. That's the last packet I'll ever buy

      [he throws his cigarettes away]

      Sid Graham: .

      Margery Graham: There's some pudding in the oven, Sid.

      [she exits and climbs the stairs]

      Sid Graham: [he calls after her] Don't be upset. Maybe, we'll get a place on one of those new estates. With a garage an' all.

    • Connexions
      Referenced in Undergrunnen (1966)

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    Détails

    Modifier
    • Date de sortie
      • 29 mai 1964 (Irlande)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • This Is My Street
    • Lieux de tournage
      • Havelock Terrace, Battersea, London, Greater London, Angleterre, Royaume-Uni(Harry drives off and leaves Margery by the Pavilion Pub)
    • Société de production
      • Peter Rogers Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 34 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.85 : 1

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