En 2065, la famille Tracy dirige International Rescue, une organisation top secrète dont la mission permanente est de secourir les personnes piégées dans des situations extraordinairement da... Tout lireEn 2065, la famille Tracy dirige International Rescue, une organisation top secrète dont la mission permanente est de secourir les personnes piégées dans des situations extraordinairement dangereuses.En 2065, la famille Tracy dirige International Rescue, une organisation top secrète dont la mission permanente est de secourir les personnes piégées dans des situations extraordinairement dangereuses.
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Le saviez-vous
- AnecdotesInternational Rescues' radio code "F-A-B", meaning "message received and understood", didn't stand for anything, it was just supposed to sound "hip". In fact, when asked what it stood for, Gerry Anderson once replied, with some bemusement, "Fab," as though it were obvious. Later, due in part to fan-submitted stories, F-A-B came to mean Fully Advised and Briefed, in keeping with P-W-O-R (Proceeding With Orders Received), a similar radio confirmation code in the series Stingray (1964).
- GaffesIn five episodes, there are newspapers with the date Friday, 24 December 1964 on the front cover, and was clearly not intended to be seen by viewers. (Oddly enough, 24 December 1964 was a Thursday).
- Citations
[Opening narration]
Jeff Tracy: 5, 4, 3, 2, 1! Thunderbirds are go!
- Crédits fousThe opening credits include scenes from that week's episode. Gerry Anderson would later reuse this gimmick in Cosmos 1999 (1975) and Space Precinct (1994).
- Versions alternativesWhen "Thunderbirds" reruns were broadcast on the Fox network in the early-1990s, new music and voices were used for some episodes, which upset a lot of long-time fans of the show.
- ConnexionsFeatured in Dogs in Space (1986)
- Bandes originalesThunderbirds (Main Titles)
Written by Barry Gray
Performed by The Barry Gray Orchestra
Voice: Peter Dyneley
Commentaire à la une
This is perfect entertainment.
Everyone can appreciate a good puppet show, and everyone can appreciate a good model; but this show took puppet shows and models to a bold new level of detailing and production complexity. I imagine that on paper it might have looked crazy to some, but believe me, it works. It is indeed, as mentioned in another viewer's comment, like a world of toys come to vibrant life.
The making of this show necessitated a fabricated miniature universe. For the premise to work, that world had to be obsessively detailed, with every doorknob, switch, coat button and lock of hair. If the show went to the mountains, they created the mountains. When the ships were in flight, they created the sky. Whatever was needed to pull the story off was built; there was no limit. That these people created a world as believably as they did deserves real praise.
"Thunderbirds" represented a budgetary step up and a refinement of technique for Gerry Anderson, who for years had worked to perfect an all-puppet TV show that could be taken as serious drama. It was always targeted at kids, but the stories seldom featured child characters, and being a "rescue show," the characters were routinely placed in very threatening predicaments. The effects used to depict scenes of destruction (supervised by Derek Meddings) were often frighteningly realistic. When I saw it as a kid, actually, I had no interest in it, because it seemed dry and "too adult." Seeing it many years later, my reaction was "Wow! How adult!"
The show is the source of many amusing chuckles today, mainly because its seriousness is absolutely unflinching, despite the fact that the puppets obviously aren't real people. The action was played straight, with appropriate dramatic music cues, and conventional film camera angles and cutting. This all conspired to create a very convincing puppet universe--one that no one would dare attempt today.
The recent DVD releases (from A&E) have gone through a digital cleanup process, which has brightened the colors and sharpened the images considerably. The original monaural audio has also been incorporated into a new surround-stereo "remix" featuring additional sound effects tracks. The augmented explosions are deafeningly loud at times--which is perhaps as it should be!
In a word: Amazing.
Everyone can appreciate a good puppet show, and everyone can appreciate a good model; but this show took puppet shows and models to a bold new level of detailing and production complexity. I imagine that on paper it might have looked crazy to some, but believe me, it works. It is indeed, as mentioned in another viewer's comment, like a world of toys come to vibrant life.
The making of this show necessitated a fabricated miniature universe. For the premise to work, that world had to be obsessively detailed, with every doorknob, switch, coat button and lock of hair. If the show went to the mountains, they created the mountains. When the ships were in flight, they created the sky. Whatever was needed to pull the story off was built; there was no limit. That these people created a world as believably as they did deserves real praise.
"Thunderbirds" represented a budgetary step up and a refinement of technique for Gerry Anderson, who for years had worked to perfect an all-puppet TV show that could be taken as serious drama. It was always targeted at kids, but the stories seldom featured child characters, and being a "rescue show," the characters were routinely placed in very threatening predicaments. The effects used to depict scenes of destruction (supervised by Derek Meddings) were often frighteningly realistic. When I saw it as a kid, actually, I had no interest in it, because it seemed dry and "too adult." Seeing it many years later, my reaction was "Wow! How adult!"
The show is the source of many amusing chuckles today, mainly because its seriousness is absolutely unflinching, despite the fact that the puppets obviously aren't real people. The action was played straight, with appropriate dramatic music cues, and conventional film camera angles and cutting. This all conspired to create a very convincing puppet universe--one that no one would dare attempt today.
The recent DVD releases (from A&E) have gone through a digital cleanup process, which has brightened the colors and sharpened the images considerably. The original monaural audio has also been incorporated into a new surround-stereo "remix" featuring additional sound effects tracks. The augmented explosions are deafeningly loud at times--which is perhaps as it should be!
In a word: Amazing.
- roddmatsui
- 21 févr. 2004
- Permalien
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What is the Canadian French language plot outline for Les sentinelles de l'air! (1965)?
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