Papa Schultz

This TV show is set in World War II, and that in itself was a very bold move to base a sitcom in a such a dark period of human history. This show excels for having, for the most part a good and generally non-realised talented cast. The stories are entertaining and have a decent amount of tension yet it most definitely doesn't take itself too seriously.

As a previous comment pointed out this show was one of the first to portray an African-American as an equal to white people which was very bold and positive move for a 1960's show. Star Trek had at the same time given black people and women a status of equality to men when they cast Nichelle Nichols as an African American woman as a main character. So I am very pleased at the fact that the producers took a chance and made this character righfully as an equal.

The theme music is catchy, ok may be slightly annoying but Jerry Fielding did a competent job. I a m not sure who scores the rest of the episodes, it seems they reuse and make music for certain episodes and recycle whenever they can probably due to budget but its edited nicely. You may be able to know that film editor Michael Kahn started his editing career on this show and has edited many of Steven Spielbergs films to the present. This brings up the issue of production quality. Not bad for 1960's standards for a less than 30 minute job, editing is pretty good, music, cinematography is alright. Not fantastic but this the 1960s.

The aforementioned cast are filled with talent. Most notably is the principle cast, Schultz (John Banner), Klink (Werner Klemperer) and Hogan (Bob Crane). This show has had nothing but top notch actors and guest actors. Bob Crane may have dabbled in some undesirable off-camera infamous affairs but he is nevertheless a great actor.

Watch this show if you haven't, some episodes are forgettable, some are great, some are just fantastic.

One of the all time best comedies? I would say most probably so :).

Hogan's Heroes is probably the wildest most far-fetched series next to Gilligan's Island to become successful where so many even more far-fetched shows barely make it their first year. The show had a fine cast, great writing and even edge of the seat adventures as you wondered how Hogan and his men, Americans Andrew Carter, Sgt. James Kinchloe, Sgt. Richard Baker, British Peter Newkirk, French Louis LeBeau and Russian Leonid Kinsky in the pilot, pulled the wool over and outfoxed the Nazis. Werner Klemperer did a wonderful characterization as the pompous Commodant Wilhelm Klink and John Banner became a hysterical Sgt. Hans Schultz with his mugging and facial expressions. The only other roles of recurring Nazis belong to short-tempered General Ivan Burkhalter and the madman Major Wolfgang Hochstetter as played by Leon Askin and Howard Caine, two wonderful character actors. The critics of this show need to go back to school and learn the differences between P.O.W. Camps and Concentration Camps; even people in Germany watching this show today can see the humor and lack of logic in the Nazi's claims of being the superior master race and it is that same arrogance that works so well against them as Hogan uses their own delusions to his advantages. The show is also worthy to watch to see the early roles of William Christopher from M*A*S*H* and repeating returns of director Norm Pitlik as an actor. During the run of the series, the man must have had thirty different roles. Larry Hovis also made repeated impersonations as Hitler, and Bob Crane even got the chance to shine in one episode with his skills as a drummer. Sadly, the exterior sets of the series no longer exist, vanished along with the fictional towns of Hammelsburg and Mayberry, North Carolina.

The problem with Hogan's heroes is that it has lost its context. People criticize it as a comedy set in a German prisoner of War camp, saying that trivializes the real human tragedies created by the Nazi regime. The thing is, Hogan's Heroes is not a spoof of prison camps. It's a spoof of World War II movies and TV shows. It came out in the wake of films like `The Longest Day', `The Great Escape', etc. which produced shows like `Combat', `The Gallant Men', 12 O'Clock High', all of which were hyper serious because of the subject matter. Such a trend requires a leavening spoof. And `Hogan's Heroes' and `McHale's Navy' provided that comic relief. Nobody ever criticized McHale's Navy for trivializing the Pacific War, any more than they criticized `F Troop' for not being a documentary about the Old West or `Get Smart' for not being written by John LaCarre. Why do we indict Hogan's heroes for being insensitive to the deprivations of the Nazis?

This show is itself based on a hit Broadway play and movie from a decade before called `Stalag 17' which won William Holden an Oscar. If you've seen Stalag 17, the humor there is much cruder and more oblivious of the real threat of the Nazis than Hogan's Heroes. Robert Strauss and Harvey Lembeck, (later to show up in another Military spoof to which HH also obviously owes a lot), decide at one point they would like to see some female Russian POWS take showers. They grab a bucket of paint and begin painting a stripe down the middle of the road toward the building where the showers are. This fools the guards until the paint a stripe right over to the window of this building, (the showers have windows?), and peer in. There is nothing this crude or insensitive in any episode of Hogan's Heroes. Yet this is a highly regarded film.

But now, 30 years later, when there are fewer films about that era made, the old show is viewed not a spoof of a show business trend but as a parody of the real event, which it was never really intended to be. This has allowed the critics to `pile on' and rip the show for being insensitive to the victims of Nazi oppression. All I remember is a funny show and that's all it was ever intended to be.

This is a hilarious, side splitting comedy that baby boomers such as myself grew up with. Although it has been criticized, personally, I don't think it trivializes the evils of the Nazis or the genuine suffering during the war. Most people can accept this wildly ridiculous program for the total nonsense it is. Frankly, I can hardly believe that anyone would actually get their views of prison camp life from this drivel, or genuinely consider the German military as real life incompetent idiots based upon this crazy show. In short, no one could possibly take this tomfoolery seriously.

The series revolves around the wacky goings on at Stalag 13, a German POW camp for Allied soldiers. The assorted prisoners, led by Colonel Hogan, are actually using the camp as a base for sabotaging the German war effort and assisting the Allies. They have a wealth of tunnels underneath the camp going virtually everywhere and are in constant contact with Allied command via radio communication. These POW's are unwittingly aided in their efforts by those in charge at Stalag 13, the incompetent Colonel Klink and his assistant, the even more bumbling Sargent Schultz.

Of course the entire premise is absurd, which is what makes the series so hugely entertaining. The whole point is that these soldiers aren't really prisoners at all. They can escape whenever they wish...and frequently do so whenever it suits their purpose. I seem to recall they've even made it to France and back.

The actors portraying the Allied POW's are all charmingly competent in their roles, including Bob Crane as the smug American Colonel Hogan, Richard Dawson as the British Newkirk, Robert Clary as the little French Le Beau, and Larry Hovis as the bumbling Carter.

However, the real stars are the German roles. Werner Klemperer is absolutely brilliant as the endearing fool Colonel Klink, scrutinizing his charges with his monocle. Klink simply wants to give the impression to his superior officers (especially General Burkhalter) that all is running smoothly and thus avoid being sent to the dreaded Russian Front. Even more lovable is the simple minded Sargent Schultz, played by John Banner. He is easily manipulated by Hogan and friends to unknowingly set up ideal conditions for various secret operations planned by the POW's. His stock phrase is 'I know nothing' whenever he witnesses the prisoners' shenanigans and finds them too unsettling or troublesome to report. The villain of the piece (though none of it's taken very seriously) is the evil, mustachioed Major Hochstetter, an ardent Nazi and Gestapo officer.

Nothing is the least plausible about this tale, which I believe is the reason it serves as no threat to the actual historical record. The series is quite simply a hoot. It's especially fun observing that Hogan and Company are actually good friends of a fashion with the bumbling Klink and Schultz, though of course they chuckle at them behind their backs. The POWs depend upon the ongoing incompetence of this pair for their own anti Nazi endeavours, and their greatest fear is that these two German officers will be replaced by others they can't so easily hoodwink. Wonderful fun series...turn off your brain and enjoy.

What I liked about Hogan's Heroes is perhaps that it did show the Nazis as incompetent but it did so with tongue-in-cheek and also with an out and out finger poking. Werner Klemper was allowed to portray Col. Klink the way he wanted which was totally incompetent....he had stated he would portray him no other way. When you think about it that was a bold move for him back in 1965 as it could have backfired and ruined his career. My favorite character was Sgt. Schultz...I loved the fact that he was such a simple man who liked all people and didn't like being caught up in the situation he was in. The characters were in some ways very complex and they played off of each others strengths which helped the plots along and it also made viewers enjoy the fact that these men were very human and war was as hard for them as it was for those at home.