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7,0/10
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Ajouter une intrigue dans votre langueThe legendary samurai Sasuke Sarutobi gets caught in a web of political intrigue, deception and espionage during the early 17th century.The legendary samurai Sasuke Sarutobi gets caught in a web of political intrigue, deception and espionage during the early 17th century.The legendary samurai Sasuke Sarutobi gets caught in a web of political intrigue, deception and espionage during the early 17th century.
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Samurai Spy was the one film in Criterion's DVD box of four samurai films (called Rebel Samurai) that I had never before seen. While I would slightly recommend the film, it is a slow going motion picture with a lot of talk and intrigue.
I know very little about Japanese history, so some of the film's plot was lost on me, but basically the film is set during a period of cold war between the two groups that control Japan. Sasuke (Koji Takashasi) belongs to a clan that is neutral. Sasuke has been in battle before and the fighting has left him tired and numb. He no longer sees the point in battles. . . this will not stop him from killing a couple dozen people during the film's running time. On the road, Sasuke meets up with an old friend who is planning the defection of a high ranking spy of one of the ruling clans to its rival. This friend only cares about the money he will make, but does offer Sasuke a portion if he helps with defection. Sasuke refuses, yet does come to his friend's rescue during an ambush. Slowly, Sasuke finds himself drawn into the plot somewhat against his will.
Samurai Spy benefits greatly from Koji Takahasi's performance as a weary samurai tired of killing. In addition, the film also has some impressive moments. The deadliest villain dresses as a white ninja and is quick to show off his fighting prowess. The climatic fight between him and Sasuke is quick and startling. Director Masahiro Shinoda places a boy clutching a dead bird in the background of some of the scenes. I have no idea what the boy is supposed to represent, but the distraction is an asset. Finally, the film stages one excellent sustained action set piece where Sasuke has to rescue two prisoners.
In spite of these strengths, I could only get so interested in Samurai Spy. The plot incorporates a lot of elements. There is the initial defection plot, the persecution of Christians, a murder mystery element, a broken family subplot, two love interests, and two masterful swordsman rivals that Sasuke has to face. Shinoda (admittedly not one of my favorite Japanese directors) does only a fair job at balancing all of these elements. The ending should have meant more than it does considering all that happened leading up to it.
Samurai Spy is not a bad film. I certainly can't say I was bored with it, even with the slow pace. I don't think I would watch it a second time though. Others might like the film more than I did.
I know very little about Japanese history, so some of the film's plot was lost on me, but basically the film is set during a period of cold war between the two groups that control Japan. Sasuke (Koji Takashasi) belongs to a clan that is neutral. Sasuke has been in battle before and the fighting has left him tired and numb. He no longer sees the point in battles. . . this will not stop him from killing a couple dozen people during the film's running time. On the road, Sasuke meets up with an old friend who is planning the defection of a high ranking spy of one of the ruling clans to its rival. This friend only cares about the money he will make, but does offer Sasuke a portion if he helps with defection. Sasuke refuses, yet does come to his friend's rescue during an ambush. Slowly, Sasuke finds himself drawn into the plot somewhat against his will.
Samurai Spy benefits greatly from Koji Takahasi's performance as a weary samurai tired of killing. In addition, the film also has some impressive moments. The deadliest villain dresses as a white ninja and is quick to show off his fighting prowess. The climatic fight between him and Sasuke is quick and startling. Director Masahiro Shinoda places a boy clutching a dead bird in the background of some of the scenes. I have no idea what the boy is supposed to represent, but the distraction is an asset. Finally, the film stages one excellent sustained action set piece where Sasuke has to rescue two prisoners.
In spite of these strengths, I could only get so interested in Samurai Spy. The plot incorporates a lot of elements. There is the initial defection plot, the persecution of Christians, a murder mystery element, a broken family subplot, two love interests, and two masterful swordsman rivals that Sasuke has to face. Shinoda (admittedly not one of my favorite Japanese directors) does only a fair job at balancing all of these elements. The ending should have meant more than it does considering all that happened leading up to it.
Samurai Spy is not a bad film. I certainly can't say I was bored with it, even with the slow pace. I don't think I would watch it a second time though. Others might like the film more than I did.
Muddled and extremely silly samurai film marred by artsy flourishes, goofy ninja outfits, martial-arts fantasy nonsense, and a stupid ending.
On the plus side, Shinoda has a good eye for composition, the production values are quite good, and it's got a meaty role for Seiji Miyaguchi (Kyuzo from SEVEN SAMURAI).
The most potentially interesting thing about the film is its treatment of the persecution of Christians in Tokugawa Japan. Unfortunately, it treats this aspect with the same superficiality that it treats the conflict between the Tokugawa Shogunate and the Toyotomi clan (and the film starts with a basic historical error: the Toyotomi clan did not lose at Sekigahara; they didn't even fight there, although the battle did result in the end of Toyotomi hegemony over Japan).
On the plus side, Shinoda has a good eye for composition, the production values are quite good, and it's got a meaty role for Seiji Miyaguchi (Kyuzo from SEVEN SAMURAI).
The most potentially interesting thing about the film is its treatment of the persecution of Christians in Tokugawa Japan. Unfortunately, it treats this aspect with the same superficiality that it treats the conflict between the Tokugawa Shogunate and the Toyotomi clan (and the film starts with a basic historical error: the Toyotomi clan did not lose at Sekigahara; they didn't even fight there, although the battle did result in the end of Toyotomi hegemony over Japan).
Samurai Soy was made during the cold war and reflects both the paranoia and uncertainty of the time. It's a tale of spies being caught between sides. Having the appearance of being on one side, whilst fighting for the other, causes a lot of conflict and grief for the warriors. Perhaps the audience was supposed to be as confused as the spies, but it doesn't help so much when telling a story. Unlike the majority of samurai films, we get to see some awesome stealthy ninja action and throwing star carnage. The immense leaps and jumping made for a wealth of excitement. There were also some fantastic long shots which just aren't used for action sequences these days.
If you're lucky enough to get a hold of the Criterion DVD, or perhaps another version with some accurate explanatory material, you will have the benefit of the brief explanatory comments in a recent taping made by the director, Masahiro Shinoda.
He felt that the era of the swashbuckling, self-serious samurai films, such as those of Kurosawa, had come to an end. He wanted to go into a new direction for samurai cinema, that of film noir. This is a political spy tale set in the early 17th century.
The fighting is very stylized, and really just serves as a physical representation of the intrigue, rather than drawing attention to itself. Kurosawa got into the game when the swordplay was rather choreographed, and made things much more realistic, with people stumbling around in the mud, tripping and slipping as they took wild swipes with their swords. Again, Shinoda wanted to go against the grain.
There are cool villains, especially Takatani, completely covered in white, including his hooded head, and he has a soft, menacing voice, too.
The hero, Sasuke, is troubled by war, and waxes philosophical on more than one occasion about the whole business of war and spying.
The music is cool with a jazzy capricious flute, very 60's cool. Shinoda talks a bit about that as well in the interview.
I did not understand the apparently new character in the very last shot, so if someone can shed some light on it, please send me a private message on here.
He felt that the era of the swashbuckling, self-serious samurai films, such as those of Kurosawa, had come to an end. He wanted to go into a new direction for samurai cinema, that of film noir. This is a political spy tale set in the early 17th century.
The fighting is very stylized, and really just serves as a physical representation of the intrigue, rather than drawing attention to itself. Kurosawa got into the game when the swordplay was rather choreographed, and made things much more realistic, with people stumbling around in the mud, tripping and slipping as they took wild swipes with their swords. Again, Shinoda wanted to go against the grain.
There are cool villains, especially Takatani, completely covered in white, including his hooded head, and he has a soft, menacing voice, too.
The hero, Sasuke, is troubled by war, and waxes philosophical on more than one occasion about the whole business of war and spying.
The music is cool with a jazzy capricious flute, very 60's cool. Shinoda talks a bit about that as well in the interview.
I did not understand the apparently new character in the very last shot, so if someone can shed some light on it, please send me a private message on here.
This movie is vary unlike most reviews you'd read on here on IMDb. It is a classic in it's self. Most reviews would tell you this movie is ridiculous, silly, cheesy, corny and has a stupid ending. NONE OF THESE THINGS ARE TRUE!!! The way the movie is laid out and filmed is worth the watching in itself. There's a lot of twists and turns so if your into that sort of thing this one is perfect for you (I am thats why I like this movie so much , but I just hope your good at reading subtitles because if you can't, this one will be REALLY hard to follow.) The acting is pretty good, not excellent but decent. The storyline is genius if you can follow it through till the end and get the meaning of the whole thing. There isn't that much sword fighting in this movie, but more ninja type fighting (shurikan, darts, ball & sickle type thing.) The soundtrack and cinematography compliment the twisting storyline excellently as well. Often, during some events we'll hear sort of a sobbing violin riff that is a nice compliment to the event being portrayed, a thing that is exclusive to this film at the time it was released. Character development for the main character isn't vary strong but we still bond with him, and by the end of the film I found myself cheering him on even though I don't have much background on him as a person. The villain is a cool ninja clad in all white (the guy on the cover of the criterion DVD) while the rest of the villains are some that one would never expect, something that makes this film great, is you never know who is who until the final moments of this film. With this being said, if your a fan of ninja films this is an essential! If your a fan of mind bobbling story lines with twists and turns and mysterious characters, this is an essential. If your a samurai fan, I would At least rent it, if not buy it. So thats about it, great film, 10/10, Masterpiece in its own regard, definitely recommend it!
Le saviez-vous
- AnecdotesThis film is part of the Criterion Collection, spine #312.
- Citations
Sarutobi Sasuke: Carrying on with life is not always a pleasant thing.
- ConnexionsReferenced in Fankang zhe (2011)
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- Who's that guy at the end?
Détails
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was La Guerre des espions (1965) officially released in Canada in English?
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