...et pour quelques dollars de plus
Titre original : Per qualche dollaro in più
- 1965
- Tous publics
- 2h 12min
Deux chasseurs de primes partageant les mêmes intentions s'associent pour retrouver un hors-la-loi.Deux chasseurs de primes partageant les mêmes intentions s'associent pour retrouver un hors-la-loi.Deux chasseurs de primes partageant les mêmes intentions s'associent pour retrouver un hors-la-loi.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 3 nominations au total
Mara Krupp
- Mary - Hotel Manager's Beautiful Wife
- (as Mara Krup)
Luis Rodríguez
- Manuel (Member of Indio's Gang)
- (as Luis Rodriguez)
Panos Papadopulos
- Sancho Perez, Member of Indio's Gang
- (as Panos Papadopoulos)
Roberto Camardiel
- Tucumcari station clerk
- (as Robert Camardiel)
Joseph Egger
- Old Prophet
- (as Josef Egger)
Tomás Blanco
- Tucumcari sheriff
- (as Tomas Blanco)
Sergio Mendizábal
- Tucumcari bank manager
- (as Sergio Mendizabal)
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Résumé
Reviewers say 'For a Few Dollars More' is celebrated for its engaging narrative, strong performances by Clint Eastwood and Lee Van Cleef, and Ennio Morricone's iconic score. Sergio Leone's stylish direction, innovative cinematography, and memorable set pieces are highly praised. However, some critics note uneven pacing and find the narrative less compelling compared to other films in the Dollars Trilogy. Despite this, the film is recognized for its significant contribution to the Western genre and its enduring influence on cinema.
Avis à la une
Great Western! Awesome on all levels
This movie is the second best western i have ever seen with The Good, The Bad, The Ugly being first. I disagree with someone who wrote that this movie is not as good as A Fistful of Dollars. This movie is way better than a fistful of dollars. The reason is (as i pointed out in my other post) is that Clint's role or character is better when he has a good supporting member because it gives Clint's character more depth as well as throw a wild card into the mix. Lee van clef is excellent in his role, i still have him labeled as the bad but it was surprising to see him play a good guy in this one. Both bounty hunters have their own styles which meshes really good on the screen. Gian had more depth to this one which played perfectly into Lee Van Clefs character. In a fistful of dollars Gian didn't have much depth at all and some of the characters were annoying. I like how leone tied all of the characters into each other in this one, having all of their stories somehow play a role in the other ones. If you haven't seen this movie i suggest you watch Leone's films in chronological order with A fistful of dollars first, this one second, and finish it off with the good the bad the ugly. You'll be glad you did.
An Ushering Into A New Era
Completely defying the tried & tested Hollywood formula and introducing his own style of narration that was more character driven, glamorized violence & also added a new dimension of moral ambiguity into its characters' psyche, thus bringing both heroes & villains very much on the same level, Sergio Leone presented a whole new outlook of the Wild West in A Fistful of Dollars but with this second chapter, he further accelerates the inevitable rebirth of the western genre.
The second installment of Leone's Dollars trilogy is quite an improvement over its predecessor in almost all departments of filmmaking & gradually portrays the developing maturity in Leone's craftsmanship. Starring Clint Eastwood as a bounty hunter looking for a number of wanted suspects, who later partners with another bounty hunter looking for the same guys & make a deal of splitting the reward but in the end when it comes down to final showdown, one of them shows their real motive behind the hunt.
Featuring an improved direction from Sergio Leone, For A Few Dollars More presents the director in more control of his artistry & has a much stronger script to muster ahead with. The scope of camera-work, the precision of editing & overall production design also get their upgrades plus the performances from the recurring cast turn out to be better than the previous film with Clint Eastwood & new addition of Lee Van Cleef impressing the most.
On an overall scale, For A Few Dollars More is another huge step towards placing the coffin on traditional westerns & presents a significant evolution of every single aspect of its making when compared with A Fistful of Dollars. Ennio Morricone's music also leaves a bigger mark than before & it's exciting to observe how seamlessly it accompanies the drama. A rare sequel that improves upon the original, For A Few Dollars More is absolutely recommended.
The second installment of Leone's Dollars trilogy is quite an improvement over its predecessor in almost all departments of filmmaking & gradually portrays the developing maturity in Leone's craftsmanship. Starring Clint Eastwood as a bounty hunter looking for a number of wanted suspects, who later partners with another bounty hunter looking for the same guys & make a deal of splitting the reward but in the end when it comes down to final showdown, one of them shows their real motive behind the hunt.
Featuring an improved direction from Sergio Leone, For A Few Dollars More presents the director in more control of his artistry & has a much stronger script to muster ahead with. The scope of camera-work, the precision of editing & overall production design also get their upgrades plus the performances from the recurring cast turn out to be better than the previous film with Clint Eastwood & new addition of Lee Van Cleef impressing the most.
On an overall scale, For A Few Dollars More is another huge step towards placing the coffin on traditional westerns & presents a significant evolution of every single aspect of its making when compared with A Fistful of Dollars. Ennio Morricone's music also leaves a bigger mark than before & it's exciting to observe how seamlessly it accompanies the drama. A rare sequel that improves upon the original, For A Few Dollars More is absolutely recommended.
One of Best Westerns Ever Made
Exceptional performances by three heavyweight actors, Gian Maria Volonte and Lee Van Cleef - both of whom, it's a shame, did not have all that many more opportunities to shine in quality films after this one - and Clint Eastwood, along with taut direction, editing, cinematography and gripping and unique music (by the great Ennio Morricone), make this movie a real standout. (The music's almost a major character in this film, in fact.) Stylistically iconic, this Sergio Leone opus has an endlessly fascinating and spellbinding story that surprises to the end. Plus, we really come to like the co-heroes, Van Cleef and Eastwood - we want to befriend them and emulate them. Volonte was priceless as a demonic villain - his facial expressions rich with narcissism and a strange kind of violence-fueled euphoria no one else has ever matched in film history, for my money. Though he clashed with director Leone and purportedly did not like the Western genre, Volonte's performance rises above the film's genre and could be favorably compared to the best portrayed villains of other more mainstream movies. Volonte brought a realism to his character and an intensity you don't see in many films. But so did Van Cleef, whose work in this film is incredible. You'd have thought other movie makers would have rushed to cast Van Cleef in important roles after this film, but no. Very strange. Though some might question the wanton violence in this film, the truth is that the real wild west was even more violent and the violence often much more capricious and random. Like all great artistic works, this film never grows old for me. I am always drawn to watch it again and again for it is of such a depth and complexity that it only reveals more of itself with each viewing.
The best spaghetti western ever?
Leone's 'A Fistful Of Dollars' is a bona fide western classic, but amazingly he managed to top himself with this "sequel". Yeah, I know it isn't REALLY a sequel. In fact Leone's "Dollars" trilogy actually have no connection with each other, and Eastwood's so-called "Man With No Name" actually has many! (In this movie Monco, in the previous one Joe). Most people seem go for 'The Good, The Bad And The Ugly' as the best of the three movies, but I think 'For A Few Dollars More' just beats it. Anyway, there's no argument that they are three brilliant films, Eastwood is super cool in all of them, Leone is on top form, particularly in this one, and Ennio Morricone's scores are amazing stuff. 'For A Few Dollars More' is helped enormously by Lee Van Cleef playing Colonel Mortimer, and the scenes between him and Eastwood, and the ones between him and Klaus Kinski are pure gold. This is not only one of the best westerns ever made, but one of the best movies of any genre released in the 1960s. It was also a highly influential one. I can't imagine Peckinpah's 'The Wild Bunch' for example existing without Leone. Words fail me praising movies as brilliant as this one. All I can say is WATCH IT NOW. Or if you've already seen it WATCH IT AGAIN!
Worth more than a fistful of dollars
Excellent fun with sadistic humor from Leone. Eastwood's best performance in a Leone film. Van Cleef is good in a role similar to Chuck Bronson's in "Once Upon a Time in the West". He is menacing and sympathetic, whereas in "The Good, the Bad, and the Ugly" he is just campy and all "bad guy" (but still fun). What makes both performances so memorable I think is that Van Cleef seems to be in touch with Leone's dark humor, where Eastwood is used as a straight man. Volonte is also excellent in the bandito role Leone used (an example of a standard European character type who reminds the audience of earthiness and the basic ignorance and greed of man). A much better film than most people who've seen it on a Saturday afternoon on TV probably realize -- you have to see these movies in the theater to get the full hit.
Le saviez-vous
- AnecdotesLee Van Cleef was very grateful for his part in this movie, as he had fallen on hard times due to his heavy drinking. This movie effectively marked a resurgence in his career. Van Cleef had taken up painting in the interim as a way of making money.
- GaffesWhen Mortimer is browsing in the local newspaper all pages are identical.
He was browsing in the tear sheets of the newspaper's morgue where they keep back issues. They were bound in hardcovers. There was more than one copy of each.
- Citations
[last lines]
Monco: [counting reward sums of outlaws he just killed] Ten thousand... twelve thousand... fifteen... sixteen... seventeen... twenty-two. Twenty-two?
[a wounded Groggy comes from behind and raises his gun; Monco whirls and shoots him dead]
Monco: ...Twenty-seven.
Col. Douglas Mortimer: Any trouble, boy?
Monco: No, old man. Thought I was having trouble with my adding. It's all right now.
- Crédits fousThe title credits disappear as if being shot by a gun.
- Versions alternativesThe British cinema release version was cut by the BBFC to shorten the beating scene after a few punches and to completely remove the second flashback sequence where Mortimer's sister shoots herself to avoid a possible rape. Although all UK video and original DVD releases contained these scenes, the 2005 Special Edition DVD was missing around 20 secs from the beating (which ends abruptly and without the dialogue exchange between Indio and Groggy).
- ConnexionsEdited into Mon nom est Pécos (1966)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Por unos dólares más
- Lieux de tournage
- Mini Hollywood, Tabernas, Almería, Andalucía, Espagne(City of El Paso, bank scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 600 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 15 000 000 $US
- Montant brut mondial
- 15 001 995 $US
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