Une guillotine pour 2

Connie Stevens once again shows what a fine, natural actress she is, here playing a young lass from Wisconsin who must spend seven nights in her late father's house of horrors before she can receive her inheritance; Dean Jones plays a reporter who smells a story and befriends the easily-spooked girl. Terrific second-biller from Warner Bros., ostensibly aimed at kids ("Attention Guillotine-agers!") yet bolstered by a very strong script with nice attention to dialogue. The movie has good effects, a funny/spooky scenario and surprising chemistry between the two leads. Stevens is very good, especially in the prologue playing her own character's uptight mother. It all comes to a commendable ending, thanks to a very clever...EXECUTION! *** from ****

"Two on a Guillotine" is an effective little BW chiller when aiming for the scares, but when that's not the case it becomes ponderous (the budding romance between the leads) and it in end too long-winded when it finally reach it very foreseeable conclusion. Still it's entertainingly solid with able performances by the ever delightful Connie Stevens and a charming Dean Jones. They work off each other rather well and the script stays compelling within its mystery building or trivial exchanges. Some slow spots, but never that distracting.

In order to inherit her recently deceased father's fortune, his only daughter (who hadn't seen her father in years after an incident during a magic trick featuring her mother in a guillotine) must stay seven nights in his mansion. If not, the fortune is split between his carer and manager. Things soon get weird, but it hard to tell if it's just games or the house is really haunted. Although he did promise to return from the dead.

The plot is a typical haunted house mystery (as nothing seems quite like what it is), but it's well presented and exemplary photographed. Director William Conrad mixes successfully the playful elements (an acceptable light-hearted funny bone) with the creepy moments (where it can draw some intensity). Cesar Romero is quite good as the illusionist too.

An earnest little spook drama.

This was one of my favorite movies when I was growing up. They just don't make movies like this anymore. I have been trying to find this movie on VHS or DVD for years, apparently it is not available to buy, which doesn't make any sense considering there are a ton of stupid movies out there by the billions and none of this one - which is one of the greatest movies ever! I really hope that Two On A Guillitine comes out on video really really soon, this movie mesmerized me when I was very young, it would be nice to go back to it again! It wasn't a gory type of movie, I am surprised it's considered a thriller actually. I never thought of it as scary. But it definitely should get a lot more credit, A LOT MORE!!!!

I saw this movie several times in the late '60s to mid '70s on local (Los Angeles) television and then it disappeared. I enjoyed it a lot, especially Cesar Romero and Connie Stevens. I had wandered over here from Connie Stevens' biography.

The viewing I remember most occurred in 1975. I was in Harbor General Hospital in Torrance, California (Los Angeles County). I had just given birth to twin girls a day or two previous; new mothers and babies were kept in the hospital for three days back then. The babies weren't kept in the room with us. Being a county/teaching hospital they didn't put extras like TVs in the rooms and there were four beds to a room. One of the gals brought her 13" b/w set complete with rabbit ears. Since it was across the room on the other side from me on the window sill, I sat on the edge of another new mommy's bed and watched it.

Reading various areas of this title I've found out it's out on DVD. I'll have to see about getting hold of it and see if I still enjoy it as much as I remember. I always got a kick out of that kind of movie. They never really took themselves seriously. Vincent Price appeared in a lot of those and it wouldn't have been surprising if he'd been in it instead of Romero. Would have been right up his alley.

I don't understand the low rating on this film at all. Although I can understand why people would be skeptical about a horror film starring Connie Stevens and Walt Disney leading man Dean Jones, these two really click in this one. John Harley 'Duke' Duquesne (Cesar Romero) is a magician whose wife (Connie Stevens in a dual role as wife Melinda/daughter Cassie twenty years later) is part of the act. Daughter Cassie has been living with an aunt that does not approve of her show-business parents ever since her mother disappeared when she was two. Neither father nor mother have ever tried to contact her in all of these years, and then one day she is notified of her father's death and comes to the funeral.

Thus Cassie returns to L.A. first for the funeral and then to take up residence in her father's mansion for a week, which is a condition of his will in which he promises to rise from the grave within that time. If he does not, Cassie is free to move out and take possession of her inheritance. In the meantime, reporter Val Henderson (Dean Jones) has taken an interest in the story and in Cassie. Complicating matters is the fact that if Cassie for any reason leaves the mansion between midnight and dawn during these seven days then her former nursemaid and her father's long-time care-taker and her father's former agent get to split the fortune instead. Let me also mention that the fact that Duquesne retired from show business twenty years before has left the two indigent. So when Cassie starts hearing and seeing things in the wee hours, is this Duke back from the dead, is it the two secondary heirs trying to drive her out of the mansion, or something else entirely? Watch and find out.

The big creepy mansion is full of tricks and traps that somewhat presage the ending, and then there's the movie's score that is about the creepiest thing I've ever heard, aptly done by Max Steiner. Take it from me, this is no mediocre six star horror film.