12 Hommes en colère

Intense courtroom drama which has 12 very different people, all males, struggling with a murder case involving a young Puerto Rican boy that seems cut-and-dried. However, juror Henry Fonda does not believe it to be as sure-fire as it appears. He votes not guilty and what follows is a chain of events that will test the views, beliefs and thoughts of the other 11 members. Fonda is great, but Lee J. Cobb steals every scene (and that is not easy to do in a film like this). Ed Begley, Martin Balsam, Jack Warden, Jack Klugman, Joseph Sweeney, E.G. Marshall and John Fiedler are among the other individuals caught in a situation that is much more difficult than it appears on the surface. An excellent character-study that should be studied and embraced by all present and future film-makers. 5 stars out of 5.

Oh Boy Oh Boy, it Took me Seven years to Rewatch This Masterpiece, Damn why don't they make em like this Anymore.

This film is superb, in fact as Shakespeare once said "Its the bees' knees". The film captivates the audience from the beginning. Each of the twelve jurors are introduced to us as they are introduced to themselves. The characters are well draw out and individual, each with his own personality.

The tension of the characters draws the audience in from the start. We imagine that the case is open and shut, 11 me saying guilty and 1 not. We feel the discomfort of Henry Fonda as the other characters belittle and mock how he can see any reasonable doubt in the case. But we also share his victories and the enthusiasm as he proceeds to refute or add doubt to the arguments for guilty and are captivated and draw in as other jurors begin to see doubt in the proceedings.

The audience can also see the arguments for guilty and wonder if Fonda's character is correct in saying that he doubts. Yet they also feel the shame of the characters as he disproves that a previously sound theory is iron tight, joining his side as members of the jury do.

On top of this they are wonderfully woven in human elements such as the misconceptions that influence people and the growing tension between different characters. This is brought to life even more by the amazing performances, Fonda, Lee J Cobb and Joseph Sweeney are of particular note.

I started watching this film on a bored relaxed laying about day but by the end i was on the edge of the seat with my hands on my knees feeling more tense than a politician on results day.

How a film should be made. Modern directors take note(thats ur telling off for the day) 10/10

There are a few wonderful courtroom dramas out there, Anatomy of a Murder, To Kill a Mockingbird and Witness for the Prosecution immediately springing to mind. 12 Angry Men is so brilliant, it could very well be the definitive courtroom drama on film. Sidney Lumet's direction is masterly, and although the action takes place on one set(an actual New York drawing room) there are a huge variety of innovative camera angles and visual set-ups. The screenplay is sophisticated and smart, and the story is compelling and intelligent. The film is also brilliantly made, and the acting is superb. Henry Fonda especially dominates the film, with an integrity that makes his character so wonderful, but the other actors are wonderful as well, Ed Begley, Jack Warden, John Fiedler, Lee J Cobb, Rudy Bond et al. are all impeccable support to Fonda. Overall, brilliant courtroom drama. 10/10 Bethany Cox

This is one of those movies where everything could go wrong. The story is as simple as it can be: 12 men are jurors on a open and shut murder trial, but one man thinks that another persons life deserves at least some thought on the matter and votes not guilty. From this point on we have 12 actors and a closed room. This could be the most boring film ever made. Lumet however is a master of mise-en-scene and provides a tense movie that keeps you locked on from the word "go". The dialogs are great and supported by incredibly talented actors. Joel Schumacher in Phone Booth needed to see this movie and draw a few ideas on how to make a character built, dialog driven movie. A must see for everyone.