Je vous adore

This film is one of those clean cut, light hearted, just fun movies. The scenery is beautiful and the plot is simple. Of course watching Pat Boone play a bad boy (I use that term loosely since by today's standards, his behavior would be considered clean cut) is a bit hard to swallow. This movie was quite a bit before my time, but there are 2 reasons why I have a biased liking for this movie. One, it takes place in Kentucky where I happen to have been raised and still live. I think this movie is the best representation for what makes Kentucky such a great place. And 2 I am the grandson of the man that played Ed Hargraves, the horse trainer (Nelson Malone). He only has 2 or 3 lines, but our family looks forward to seeing this film every year and waiting for Nelson Malone to appear and speak his few lines.

Having ran across this film on the Fox movie channel on a lazy Friday afternoon, I can think of no better way to spend a lazy Friday evening then putting in my two cents worth. Especially when you consider the lack of user comments on it. Doesn't every movie, good or bad deserve more than four comments? And this movie isn't bad at all.

The first thing to keep in mind when watching a film like April Love is to remember the era from which it came, in this case the late fifties. Films were pretty much a happy medium back then. The cinemas were devoid of tragedy while the screens were filled with wide screen Technicolor films in order to pry people away from the gray glare of the evil medium in a box called television. I don't know how many people were pried away from the boob tube to see this one, but it managed to capture my attention for 97 minutes.

Teen Idol Pat Boone plays Nick Conover, a young teen sent to live with his Aunt Henrietta (Jeanette Nolan) and Uncle Jed (Arthur O'Connell) out in the country after being put on probation for stealing a car. It seems that his Aunt and Uncle have lost their own son (Jed Jr.)so Uncle Jed seems has lost his zest for living. Aunt Henrietta is hoping that Nick being on the farm will somehow bring Jed out of his doldrums. Story lines like this being what they are, Jed and Nick don't really care for each other too much of course. Nick then proceeds to meet up with the neighbors, Fran (Dolores Michaels)and Liz (Shirley Jones)Templeton. Immediately Nick develops a crush on Fran, and of course I don't have to tell you that Liz develops a crush on Nick. Then there's the matter of Uncle Jed's horse, a trotter who has turned wild and won't let anyone handle him since the death of Jed Jr. You could probably fill in everything that happens from that point on your own, seeing as how there are no real surprises. Doesn't matter though, you'll enjoy yourself anyway.

Once you get over the image of squeaky clean Pat Boone, as a supposedly bad boy, you'll have no trouble with the rest of the film. Considering that, Boone does turn in a surprisingly good performance as Nick. Certainly the role doesn't require much depth, but still it's a nicely done job when you would least expect it. As Jed, Arthur O'Connell is the perfect choice for the role. In the early going, he is unreachable and cold, but as he slowly warms up to Nick, we see that he's really a pretty good guy. Jeannette Nolan is a lot of fun as Henrietta, who is constantly playing the part of mediator between Jed and Nick. Shirley Jones takes a break from Rodgers And Hammerstein and gets a few opportunities to grace us with her singing talents. As Liz, she's gorgeous to look at, great to listen to, and quite funny at times. Dolores Michaels as Fran, who is a bit more on the wild side, is equally entertaining.

The best thing about April Love, is that there is not a true mean conniving character of any sort on the screen. Not one true villain in the whole thing. Everybody is so darn likable you can't help but enjoy the film. I truthfully find it quite refreshing, sort of like putting your troubles behind you and enjoying a summer picnic with friends. Think of it as the old Andy Griffith show with musical numbers, a little more plot, and wide screen Technicolor. The songs are a mixed bag, with the title song April Love being the best of them. Another thing I really liked is that they didn't fall back on using blue screen backdrops during the horse racing sequences, and they quite a bit more entertaining and exciting because of it. As a matter of fact, you'll find the whole film beautifully photographed and it was nice to see they didn't skimp in that department. The chemistry between Jones and Boone is good. Best of all is how the dislike between Nick and Jed is portrayed as each try in some way to gain the others respect.

This movie will never be confused with great cinema. Yet, sometimes instead of going to Disneyland, one just needs a nice outing in the park, and that's what April Love is.

My Grade: B+

It was hard to avoid hearing April Love during 1957, it was number one on the charts for a bit. With every minute that Pat Boone sang this song on the radio it was just free advertising for the film that this was the title song for.

Pat plays a kid from Chicago who's been sent out to his uncle and aunt's farm while he sits out a bit of juvenile joy riding in a stolen car for which he's gotten probation and a suspended license. After a bit of trouble he proves useful around the farm and makes the acquaintance of neighbor sisters Dolores Michaels and Shirley Jones. They both kind of like Pat, but it's Jones he makes the music with.

Besides April Love Sammy Fain and Paul Francis Webster wrote a bunch of other songs for Pat and Shirley to sing. Nothing anywhere near as memorable as the title song. It got the only Oscar recognition for April Love, a nomination for Best Original Song. It however lost to All The Way in 1957.

What Pat also does is take up harness racing the way Lon McCallister did in Home In Indiana for which April Love is a remake. A sore subject in the house as O'Connell and Nolan lost their own son and this was his thing.

April Love holds up well after 60 years. As I write this it's one of the few films of the era where both leading man and woman are still with us. Doubt it will be remade though, you don't get singers like Pat Boone and Shirley Jones any more.

I just read the plot summary and it is the worst one I have ever read. It does not do justice to this incredible movie. For an example of a good summary, read the listing at "Turner Classic Movies". Anyway, this was one of my favorite movies as a young child. My sister and I couldn't wait until every April when we could see it on T.V. It is one of the best horse movies of it's time. It is one of those great classics that the whole family can watch. The romance is clean and endearing. The story line is interesting and the songs are great. They don't make movies like this anymore. Good acting and not over the top. Pat Boone and Shirley Jones are at their best, along with many other great character actors.

Troublemaking kid from Chicago, sent to his aunt and uncle's stud farm for rehabilitation, becomes involved with two neighboring sisters, one of whom is an accomplished horse-trotter. Flowery 20th Century-Fox remake of their 1944 family film "Home In Indiana," based on George Agnew Chamberlain's novel "The Phantom Filly," is bucolic and pleasant, with a scenario that comes equipped with Sammy Fain songs designed to showcase the singing stars, Pat Boone and Shirley Jones. Any signs of sexual chemistry between the two have been thoroughly scoured--the previous version was actually friskier and not so chaste--however, there's nothing truly embarrassing here save for Jones taking a shower while holding her high note. Boone may have been too old already to be convincing as a teenage hooligan, but his low-keyed personality (with angst bubbling just under the surface) gives the actor some unexpected substance. Boone's scratchy relationship with uncle Arthur O'Connell is bitter-tinged, while Jones' frustration being treated as a pal, "a good sport," is also interesting. The picture looks good in widescreen and has several fine scenes, including Boone singing the Oscar-nominated title tune at a community dance for the prize of 15 dollars. **1/2 from ****