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Une poignée de neige

Titre original : A Hatful of Rain
  • 1957
  • Approved
  • 1h 49min
NOTE IMDb
7,1/10
1,7 k
MA NOTE
Eva Marie Saint and Don Murray in Une poignée de neige (1957)
Drame

Ajouter une intrigue dans votre langueA Korean War veteran's morphine addiction wreaks havoc upon his family.A Korean War veteran's morphine addiction wreaks havoc upon his family.A Korean War veteran's morphine addiction wreaks havoc upon his family.

  • Réalisation
    • Fred Zinnemann
  • Scénario
    • Michael V. Gazzo
    • Alfred Hayes
    • Carl Foreman
  • Casting principal
    • Eva Marie Saint
    • Don Murray
    • Anthony Franciosa
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    1,7 k
    MA NOTE
    • Réalisation
      • Fred Zinnemann
    • Scénario
      • Michael V. Gazzo
      • Alfred Hayes
      • Carl Foreman
    • Casting principal
      • Eva Marie Saint
      • Don Murray
      • Anthony Franciosa
    • 42avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 6 victoires et 10 nominations au total

    Photos25

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    + 18
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    Rôles principaux28

    Modifier
    Eva Marie Saint
    Eva Marie Saint
    • Celia Pope
    Don Murray
    Don Murray
    • Johnny Pope
    Anthony Franciosa
    Anthony Franciosa
    • Polo Pope
    Lloyd Nolan
    Lloyd Nolan
    • John Pope, Sr.
    Henry Silva
    Henry Silva
    • Mother
    Gerald S. O'Loughlin
    Gerald S. O'Loughlin
    • Chuch
    • (as Gerald O'Loughlin)
    William Hickey
    William Hickey
    • Apples
    Tom Ahearne
    • Bartender
    • (non crédité)
    William Bailey
    William Bailey
    • Man in Elevator
    • (non crédité)
    Gordon B. Clarke
    Gordon B. Clarke
    • Middle-Aged Man
    • (non crédité)
    Heinie Conklin
    Heinie Conklin
    • Barfly
    • (non crédité)
    Albert Dannibal
    • The Thin Man
    • (non crédité)
    Sayre Dearing
    Sayre Dearing
    • Barfly
    • (non crédité)
    Art Fleming
    Art Fleming
    • Jack
    • (non crédité)
    Kit Guard
    Kit Guard
    • Barfly
    • (non crédité)
    Jane Hoffman
    • Lone Woman
    • (non crédité)
    Jason Johnson
    Jason Johnson
    • Boss
    • (non crédité)
    Jay Jostyn
    • Doctor
    • (non crédité)
    • Réalisation
      • Fred Zinnemann
    • Scénario
      • Michael V. Gazzo
      • Alfred Hayes
      • Carl Foreman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs42

    7,11.6K
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    Avis à la une

    10mls4182

    Depressingly realistic

    I have had relatives addicted to street drugs. As this film shows, overdose is the least of your worries. Addicts not only throw their own lives away, they drag their loved ones down with them. They not only destroy the love you have for them but they endanger your life along with theirs. They make the character more sympathetic by being a veteran with PTSD. This film should be shown in all schools starting in third grade. Although realistic it is still more sanitized that reality.
    denscul

    A great BW fifties movie about Heroin Addiction.

    My summary might scare off some, but this is not the infamous "Reefer" movies of earlier days. This film has a great cast, who work with a great script. Don Murray plays an unlikely addict because he acquired his habit as a wounded soldier. His addiction and effects on himself and family are the plot focus. The actors draw out our pity and condemnations. The film does not preach about addiction. The film does portray an ugly problem about drugs, be they legal or illegal. My generation which came to age in the 60's saw many films which showed the "fun" side of getting smashed or high. A great number of them are no longer living, or are shadows of themselves because of addiction.
    7helpless_dancer

    Dated and somewhat corny, but still entertaining

    Good drama showing how a family can be far different than what it appears when certain members refuse to live in the present. Nolan was good as the bantam rooster of a father and Franciosa shone as the drunken yet solid older brother. As always Silva, with that cruel face, was well cast as a heartless pusher whose love for money can only lead to disaster. I wanted to slap his hyper little helper; what a creep.
    9bkoganbing

    Pope Family Values

    The average fan will know Michael V. Gazzo far better for his career role as Frankie Pantangeli in The Godfather Part 2, but he was so much more than a film gangster. He was an acting teacher of some renown and a writer. This multi-talented man penned A Hatful Of Rain and it ran for 398 performances during the 1955-56 season on Broadway.

    Two of the players repeated their roles from Broadway, Anthony Franciosa as Polo Pope for which he won a Best Actor nomination to go with the Tony Award nomination he got for Broadway. And as the murderous drug dealer Mother, Henry Silva came over from the East Coast as well.

    On what should be a happy occasion Lloyd Nolan as father to Franciosa and younger son Don Murray is up from Florida where he's coming to collect on a promise of money from Franciosa. The nest egg that Tony was sitting on is now gone. Little does Nolan dream that the money is being poured into Murray's veins. Murray his beloved younger son and war hero from Korea came home as did so many others a drug addict, hooked on morphine.

    As we watch the film, bit by bit the Pope family secrets come out. The boys did not have much of a childhood, half the time they were foster care or orphanages as Nolan who was a widower just couldn't take care of them. In addition Franciosa who's bounced from dead end jobs one after another boards with Murray and wife Eva Marie Saint.

    Because of his addiction Murray has been paying less and less attention to his wife and Eva Marie and Tony are finding a mutual attraction. On stage this played out in real life as Shelley Winters had the wife's part on stage. Franciosa and Winters wound up marrying.

    A Hatful Of Rain was proof of further cracking of the Code because until The Man With The Golden Arm came out two years earlier, drug addiction was a forbidden subject unless it was covered in something like Reefer Madness. The post World War II film To The Ends Of The Earth that starred Dick Powell as a federal narcotics cop covered the law enforcement part of the story and other films followed that one. But addiction itself was forbidden. As Philip Marlowe in Murder My Sweet, Powell was also shot up with what was called 'hop' at the time, but I can't think of another film where the subject was broached.

    In between A Hatful Of Rain and The Man With The Golden Arm was also Monkey On My Back, the true story of former welterweight champion Barney Ross who like Murray got addicted during recovery in a military hospital.

    Although Don Murray does a fine acting job as John Pope, personally I would have much preferred to see Ben Gazzara who originated the part on Broadway. The film was shot on location in New York City and Gazzara is so much more an urban type than Murray.

    The only recognition A Hatful Of Rain received from the Motion Picture Academy was Anthony Franciosa's nomination for Best Actor. He's always been a favorite of mine, he's never bad in anything he does. But sad to say that Tony ran up against The Bridge On The River Kwai. Usually a big budget film like that will always buck a small feature like A Hatful Of Rain. And Alec Guinness was not going to be denied that year.

    A Hatful Of Rain though has stood the test of time. It could easily be done again today with the protagonist being a veteran of Iraq or Afghanistan. We may yet see that, but believe me this film will more than do until then.
    10mkosko

    I first saw this movie at the age of eleven

    My first viewing of this movie was when i was eleven years old. It was being aired on the Friday night late show. I found it to be a gripping tale of a Korean war veteran returning home with a heroin addiction which was brought on from battle wounds recieved during the conflict.After that point was established you tend to feel for Johnny Pope and his family. A hero in his fathers eyes with his brother Polo paling in comparison in dads opinion. Johnny's wife and brother do everything they can to cope with his addiction and keep John Sr. in the dark about it building to the eventual climax when the truth comes out.A well written and acted tale that left an impression on me.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Anthony Franciosa was nominated for a Tony Award for his performance as Polo in the original Broadway production. He was nominated for an Academy Award® for reprising the role in this film. Features Franciosa's only Oscar®-nominated performance.
    • Gaffes
      When Johnny surprises Celia with dinner and flowers, the camera starts to back out of the kitchen, but something or someone runs into the curtain hanging on the right, causing it to move quite a bit.
    • Citations

      John Pope, Sr: Polo, You're a bum. You always were and you always will be.

    • Connexions
      Referenced in What's My Line?: Lew Hoad & Shelley Winters and Anthony Franciosa (1957)
    • Bandes originales
      Don't Get Around Much Anymore
      (uncredited)

      Music by Duke Ellington

      [Played at Marty's Bar after Pop and Johnny show up]

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    FAQ

    • How long is A Hatful of Rain?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 décembre 1957 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • A Hatful of Rain
    • Lieux de tournage
      • Ville de New York, New York, États-Unis
    • Société de production
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 820 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 49 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 2.35 : 1

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