Le Voyageur des plaines

I've seen this film twice, and on both occasions I found it immensely enjoyable. A simple tale, where a less than responsible husband and father, after finding out his wife is having an affair, decides to leave her, and taking his young daughter, Buster, with him, sets out on the road to find work. Peter Finch is perfectly cast as the dour, itinerant worker, drifting from job to job, with Buster, played by the delightful and irrepressible Dana Wilson. Finch, as Jim Macauley, dominates the screen with his physicality, toughness and sheer doggedness in trying to keep body and soul together while travelling across rugged terrain, with the added, awesome responsibility of looking after his daughter - his 'shiralee' (burden). The coherent and entertaining storyline, together with the 'punchy' dialogue and authentic looking locations, the film maintains interest right to the end. There is an economy of words from the laconic Peter Finch, as he sets out to negotiate every barrier which he comes up against. He immerses himself into the role of Jim Macauley to such an extent that he wins the audience over to his unenviable position. But Dana Wilson as 'Buster' takes huge credit for her 'tomboyish' persona and her extraordinary performance as the girl who loves her father so much, she will go that 'extra mile.' The film captures brilliantly the rough, tough love relationship between father and daughter, which never becomes too sugary. I would highly recommend this film.

Given the plot line, this could easily have been cutesy or mawkish. It isn't, though. Peter Finch is brilliant in his understated playing and the supporting cast is very fine.

Maybe because I've known men estranged from their wives who have taken their children on their quests through life, I was fascinated and very moved. The last half or gets a little busy and the (anti)hero's leaving his daughter with an unknown wanderer is implausible. But Finch holds the hole together brilliantly. And the actress playing his little girl is a natural. She never tries to charm us. Perhaps that is a credit to the director as much as to the performer.

There are simialrities (if memory serves) between this and the later, better known and lauded "Paper Moon." Of the two, I prefer this by a hundred thousand miles.

It is a charmer and a bit of a heart-breaker -- much like the character played by Finch.

While best known for their UK set comedies Ealing Studios also made several movies in Australia and this is one of them .It is based on a fine novel by D'Arcy Niland and revolves around Jim Macauley (played by a genuine Aussie ,the great Peter Finch).He is an itinerant salesman -a swag man in 'Strine (Aussie English)who on returning from his latest walkabout finds his wife (Elizabeth Sellars)is living with another man -one able to offer her the material comforts she seeks .He decides to go on his travels again this time taking with him his daughter Buster (Dana Wilson).she is his "shiralee"-the Aboriginal word for "burden".the movie deals with the way they come to learn from each other and is an emotionally moving look at father-daughter relationships as they work through illness,hardship and threats of separation.

It is free of sentimentality and the Finch-Wilson double act is captivating .the monochrome photography of Paul Beison is superb and the only minor blot is the slightly misfiring comedy sequences revolving around Sid James and Tessie O'Shea -scenes others may well enjoy more than I did An Australian made mini-series ,later edited into a single episode version,starring Bryan Brown is also worthwhile but this little known gem is the better picture

The Shiralee ends on a curious note. Will it's protagonist Peter Finch ever shape up and realize he has responsibilities? After watching it today I kind of wonder.

I doubt during the days of The Code whether a lead character like Finch ever could have been in an American film. He's charming and determined to seed those wild oats until the well runs dry. One of those wild oats became Dana Wilson his little daughter and the two live like vagabonds, not unlike the Carmody family in The Sundowners.

They're not enjoying life like the Carmodys though. Finch takes work where he can find it in the Australian national industry of sheep raising. There's no family unity here as the Carmodys have because Finch is totally estranged from his wife Elizabeth Sellars. He's also not picking things up either with another former flame Rosemary Harris. And another little side dalliance with shop girl Barbara Archer is the cause of some near tragedy.

If Finch can ever stop thinking with his male member there's a chance he might just finally grow up. For the sake of his little girl he'd better.

Despite all these character defects Finch being the great actor that he is does make you have a rooting interest in his hopefully eventual maturity.

The Shiralee is a wonderful picture of Australia in the 50s and even today one of the most optimistic places I've ever visited. This one is a real charmer and don't let it get away.

Peter Finch is terrific as a traveling swagman, traversing the Australian outback in search of work and shelter. Finding his Sydney based wife shacked up with another man, he takes his daughter (Dana Wilson) and resumes his wandering ways. The film does a good job of keeping a lid on sentiment and features outstanding cinematography by Paul Beeson, who usually worked on less inspired fare like Tarzan Goes to India, Die Monster Die!, and Starcrash. One of the last efforts of Ealing Studios, and a good one, though certainly not on a par with their Alec Guinness comedies.