Le monstre des abîmes

I've always enjoyed this film that turned out to be Jack Arnolds last horror film and I really do not understand why some people think this is awful. There are some flicks that you don't have to take seriously and all you have to do is sit back and have fun watching. Sure, its silly but most 50's sci-fi is. Why is this worse than others? The music that is used is from other Arnold films most notably "Tarantula" and I'm sure Universal used the same score for countless other movies. A lot of Arnold regulars pop up like Whit Bissell, Phil Harvey, Ross Elliott, Richard Cutting and of course Mr. Ziffel, Hank Patterson! Eddie Parker plays the monster here in make-up, not Arthur Franz and Parker was also in "Tarantula" in two roles. Both as lab assistance who die of that deforming disease. Troy Donahue in one of his early roles is Jimmy and he's especially wooden. But Arnold knows exactly how to tell a story no matter how silly and the scene with the giant dragonfly is fun, so is the whole movie.

Blood of an ancient fish, treated with Gamma radiation to preserve it, transforms those infected with it into a vicious dog, giant dragonfly or monstrous Neanderthal entity. Arthur Franz is very convincing as an archaeological college professor, teaching Troy Donahue and Nancy Walters, while romancing Joanna Moore. Jack Arnold ably directed this somewhat maligned film; it's actually creepy and well-shot, succeeding in delivering the shocks, especially in the last act, where we finally see the title creation and it's a startling effect. Helen Westcott is memorable in two scenes, as the school nurse, conveying some romantic attraction to Franz, all with a dose of humor. It was recently released to DVD as part of the "Classic Sci-Fi Ultimate Collection", which includes "Tarantula" (1955), "The Mole People" (1956), "The Monolith Monsters" (1957), and "The Incredible Shrinking Man" (1957), all on par: great title sequence, fine musical score (some patchwork), beautiful monochrome photography, well-scripted, capably acted, always intriguing, with "Shrinking Man" the jewel of the crown.

If you're a 50's "B" movie fan like I am, this is a gem. I saw this film back when i was a kid, something like 1962 or so, and it hasn't been on T.V. in years. I have a VHS copy of it but would love to find it on DVD sometime in the future. When a caveman throws a hatchet and it hits a cop square in the face, it leaves an impression on you when you're 10 years old. Of course, by today's standards, it looks kinda hokey, but you have to keep in mind that movies like this one "pioneered" this type of movie. I wouldn't trade a 50's "B" flick for all the new garbage in the world. Like, what could measure up to movies such as the transparency of "The Amazing Colossal Man" and "War Of The Colossal Beast?" Ah yes, those were the days. Back when sci-fi movies didn't have to be VULGAR to be entertaining. The special effects didn't even have to be good - we STILL loved it! I sure wish the Time Tunnel was a reality - I'd go back there in a new york second!

Jack Arnold's last sci-fi horror for Universal isn't as good or as much fun as most of his previous efforts (including the oft-overlooked "Tarantula") but it has its own virtues to recommend it. The story is a clone of "I Was a Teenage Werewolf" -- except that in this case, we have a college professor who keeps accidentally coming into contact with chemical agents which transform him into an aboriginal "throwback."

Not much killing, or action at all for that matter, and in retrospect the film's manner in general is too straight and serious for its flimsy materials. Not much sympathy or interest is generated before the film runs its course, but an audience may get a few laughs from some of the stilted dialogue and from the oversized "throwback" creatures that appear from time to time to terrorize unsuspecting coeds and jocks.

The female lead was written to have a very unappealing personality -- for one thing, when the scientist she supposedly loves is getting really interested in his work, she goes over his head to his boss (who "happens" to be her father) to have him investigated for insanity! Maybe he just wasn't paying enough attention to her.... anyway, I don't think many in the audience would have minded if she HAD gotten hers from the monster in the end....

Although this film reportedly wasn't one of director Jack Arnold's favorites, I personally have enjoyed it very much through many viewings. The story is a Jekyll-Hyde variation, but it offers real suspense and some genuine scares from a director that knows how. The only (minor) disappointment is the creature's makeup (not seen 'til near the end), which unfortunately is revealed to us in a brightly-lit room; makeups like this are more effective when glimpsed fleetingly in the dark. That small quibble aside, this film offers lots of scary fun for those in the mood. (The same can be said of Arnold's earlier films for the same studio, "It Came From Outer Space" (1953) and "Tarantula" (1955).