Le Chou-chou du professeur

"Teacher's Pet" is a deliciously funny look at journalism, and the clash between 'formal' education vs. practical experience, with higher learning championed by Doris Day, and the 'School of Hard Knocks' represented by the 'King', himself, Clark Gable. Despite an obvious age difference (Gable, at 57, was showing all of his years), the chemistry between the stars is electric, and with Oscar-nominated Gig Young providing terrific comic support as Gable's brilliant yet down-to-earth competition for Day, the film manages to be both witty and wise.

With over a quarter century of playing newspapermen, the role of hard-boiled City Editor Jim Gannon fit Clark Gable like an old shoe. No-nonsense, pragmatic, and a workaholic, Gannon was the classic 'school drop-out' who learned the newspaper business from the ground up, and held college in contempt. While Gannon was obviously a dinosaur, even by 1950s' standards, Gable appears to be having a ball as the cigarette-smoking, plain-spoken, 'blue-collar' hero.

Despite the constant "Will she or Won't she?" sexual undercurrent of so many of her best comedies of the fifties and early sixties, Doris Day was also a feminist during the era, with her characters self-sufficient, and often holding down important positions based on merit. As Erica Stone, an ex-reporter who returns to college to teach journalism, her demeanor is professional and her knowledge unimpeachable, making her the perfect foil for Gannon.

While the descriptions of Gannon and Stone sound like formula characters for Spencer Tracy and Katharine Hepburn (not surprisingly, as the script was penned by longtime friends Fay and Michael Kanin), the Gable/Day teaming provides a sexual tension that, by the late 1950s, would have been far less apparent had Tracy and Hepburn taken the roles. Even at the twilight of his career, Gable was so totally 'male' that he raised the bar of any actress opposite him, with Day's signature 'perkiness' transformed, here, into sexual potential in a tight skirt (watch her tease Gable, swaying her hips to "The Girl Who Invented Rock and Roll"; Day has never been sexier!)

While the resolution is not surprising, some remarkably candid observations of what makes good print journalism are given by both Day and Gable, with Day's comment of television replacing newspapers as the public's source for breaking news remarkably farsighted in 1958!

If you want a terrific comedy with two stars at the top of their game, look no further; "Teacher's Pet" delivers!

Doris Day was a breath of fresh air. Not only was she an extremely beautiful woman, she was a versatile actress and performer, and as for her singing, I can safely say that I would sooner hear Doris Day sing, than any other female vocalist before or since.

But apart from her singing she was just as well known for her talents as a comedienne, in a series of 'sex' comedies in which she always played the virginal unsuspecting prey to the rich, handsome sex maniacs, played by the likes of Rock Hudson, Cary Grant and James Garner.

This film however is probably the first in which this formula was tried, and although not the big smash anyone had hoped for, it nonetheless paved the way for her future success throughout the sixties. In fact with musicals coming to an end in popularity, it was this kind of film which prolonged Miss Day's movie career by a further ten years.

Her love interest in this vehicle is the wonderful if not aged, Clark Gable, and although it was to be one of his final films, he proves that he is still no stranger to a decent script, and is able to perform his comic turn effortlessly.

It is a story of a hardened reporter of the old school, and a beautiful journalism teacher from the night school, and how the two come together despite conflicting ideals.

An advocate of the school of hard knocks, Gable pretends to be an up and coming journalist student so he can attend Professor Day's classes, in order to cause his own brand of trouble and bring the prim and proper know-it-all professor down a peg or two. However things obviously turn a bit difficult when he realises that he is in love etc etc blah blah blah. Routine stuff.

Already we have the typical sex comedy scenario of how the guy pretends to be somebody else to get his own back. We saw it again with greater comic effect in the following years Pillow Talk and again in 1962's Lover Come Back and quite surprisingly again in 2003's Down With Love with Ewan McGregor and Rene Zellwegger. Again it's routine stuff, but routine stuff that works.

Although the two leads handle their roles well, in my opinion only one actor shines through this entire film and that is Gig Young. From the moment Young is given screen-time, the other actors have no choice but to sit back and cool off in his shade.

Young plays a handsome and dashing psychologist who is an expert on nearly every subject you care to press him on. He is also a potential beau to Doris Day's professor and therefore a love rival for Gable. The nightclub scenes and the subsequent hangover scenes are a joy to behold and will have you chuckling throughout. His lines are witty and delivered impeccably in Gig Young's usual boyish manner. This film is a treat for this reason alone.

If you're a fan of Doris Day/Rock Hudson style sixties sauce, then give this one some time and see where it all began.

Gable and Day make an unusual couple, but this is a clever and cute romance. The film deals with illusion and reality and how the two become mixed. Though not often shown, the film is worth watching. It is one of those minor classics that is too often overlooked.

Between 1958 and 1961 Clark Gable appeared in four final movies that were somewhat unusual. Three of them were sex comedies, and the co-stars in them were far younger than he was. The fourth was a straight drama, which also had a female co-star who was far younger than him. These were BUT NOT FOR ME, TEACHER'S PET, IT STARTED IN NAPLES, and THE MISFITS. His co-stars were Carol Baker (and Lili Palmer), Doris Day, Sophia Loren, and Marilyn Monroe. The age difference was quite unusual (up to this time Gable's leading ladies were about ten to fifteen years within his age - in fact, Lili Palmer's appearance in BUT NOT FOR ME was to give his character a perfect mate to end up with. Most film lovers tend to only recall the last of this quartet because of it being Gable and Monroe's last movie (although Monroe did begin SOMETHING'S GOT TO GIVE soon after, but didn't complete it). THE MISFITS also has the added downer of being the only film either of them did with Montgomery Clift. But most of all, Gable's death so soon after the shooting of THE MISFITS ended is linked to his difficult scene where he helped to control a wild horse (the effect on the actor, immediately after the scene was shot, is evidence of his over-exertions). With so much of a downer atmosphere generated by this film his three previous comedies sort of pale in comparison.

This is unfair because they were good comedies. I have discussed BUT NOT FOR ME elsewhere. TEACHER'S PET is possibly the most satiric of the three films (although certain points about the entertainment industry and play production get spoofed in BUT NOT FOR ME, and Italian-American culture shock gets a zing in IT STARTED IN NAPLES).

TEACHER'S PET is set in New York City, where Gable (James Gannon) is the city editor of a major newspaper. Some of the comments on this thread suggest Gannon is a hack. He's not, but just a very smart newsman who has spent a lifetime learning how a newspaper functions. At the start of the film, he is involved with Vivian Nathan (Mrs. Kovacs, the newspaper building's cleaning lady) and Nick Adams (her son, Barney), in trying to settle the issue of whether or not Barney should be given a chance to be a reporter on the paper. Mrs. Nathan does not want him to leave school, but Barney is anxious to begin. It is from this that Gannon discovers that modern news reporters don't learn the business from the bottom up, but go to journalism classes. He is recommended to go to see the classes of Doris Day (Erica Stone), because she has been making some critical comments about how Gannon runs his paper.

Pretending to be a person who just wants to better himself, Gannon signs in on Stone's classes, and rapidly rises to the top of her students. She thinks she has found a truly brilliant amateur. He is enjoying her being totally fooled, as he originally intends to reveal his real identity to her class at the right time. But he gradually falls in love with Stone (and she finds herself, typically, fighting this). His only rival is a psychiatrist friend of Stone, Gig Young (Dr. Hugo Pine), whom he finds almost indestructible to larger and larger amounts of alcohol when the three are out at a night spot.

The situation can't last too long, for Erica discovers his identity. At the same time, Gannon discovers Erica's secret: Her love of journalism is due to her family, as her father was a famous newspaper editor named Joel Barlow Stone. Gannon finds Erica considers him stupid, and it is only when he talks to Pine about it that he realizes that his accumulated knowledge of the newspaper world is as impressive as the knowledge that Erica brings to her students from her books. But he still is in the doghouse with Erica - possibly more so when he studies old copies of her father's Midwestern newspaper, and questions how good a newspaper editor he really was!

How they resolve the film I leave to the viewers (whom I urge watch it). I just to want to discuss one point: who is the original for Joel Barlow Stone? Firstly, the name "Joel Barlow" is one of those forgotten figures of early American Literatrue. Joel Barlow was one of the "Hartford Wits" of the period from 1780 - 1800. They wrote satiric verses and pieces, most of which nobody ever reads anymore. This happens to be part of the irony about her father that Erica is taught (surprisingly) by Gannon. This editor father is obviously based on William Allan White, the famous Midwestern editor of the EMPORIA GAZETTE (from Kansas), who flourished as a major figure in literary and political America from 1890 to 1947 (when he died). White (like Joel Barlow Stone) is best remembered for his editorials, several of which won national awards. He was also an author of several memoirs and historical works (such as his popular biography of President Calvin Coolidge, A PURITAN IN BABYLON). But the resemblance is only skin deep. White was an astute newspaperman, and his newspaper was deeply involved with current events and political trends in the U.S. Gannon discovers that as an editor White's fictional opposite number Joel Barlow Stone left a lot to be desired.

I first saw Teacher's Pet when I was six years old. I'm a mere 19 now, and I still love this movie. Clark Gable was, is, and always will be the epitome of the word "star" Even though this film was almost 20 years after Gone With The Wind, Gable is still handsome and charismatic as the jagged, disagreeable, stubborn reporter. Gig Young and Mamie Van Doren help Gable to push this movie into the classics hall of fame. A definite must see for all viewers.**** out of ****