Les yeux du témoin

I saw this movie on television as a child. After almost 40 years, it still stays in my mind, and I can, even now, remember certain scenes, especially the ending. To me, this is what movies are all about. I don't own a DVD player and, unfortunately, this movie seems to be available only on DVD. Ah well, I suppose I'll have to buy a DVD player soon. Give yourself a rare treat and watch this movie. I guarantee you'll be moved. You may even find yourself with a tear in your eye.

This film stars the Cinema Idol Horst Bucholz as a Polish Sailor returning to his girl-friend, only to find her in the arms of another man. In a jealous rage, he shoots and kills the woman. The only witness to this crime of passion is a 12 year old girl (played by newcomer Hayley Mills), who saw everything through a letter-box.

What follows is a suspenseful chase by the law, as well as a bitter sweet character study of the likable murderer and the girl who may hold the power to tip the scales of justice. The ending is not much of a surprise, but it's great fun getting there! In glorious black & white photography, this is a true Classic! Not only do we get introduced to the pre-Disney sweetheart Hayley Mills (who won a Special Juvenile Oscar for her outstanding performance), but we see the celebrated James-Dean-like heart throb Horst Buchholz in one of his early, and much acclaimed roles.

This movie stands out, I think, for not looking studio-bound in any way, unlike most British movies of the era. TIGER BAY is generally filmed very well with a nice blend of close-ups and low angles. It also succeeds in developing a sense of suspense that does not let down until the last few frames.

TIGER BAY is about a sailor, Korchinsky, who returns to Cardiff after being abroad for some months to discover his estranged fiance has been unfaithful in his absence. In a moment of anger, he shoots her dead in her apartment.

Initially unknown to Korchinsky, a young tomboy, Gillie (Mills), who would "rather play with guns and dress up as a gangster" than wear a dress, has witnessed the deed. Mills is almost unrecognisable in her role as the "proper little liar" apart from her full smile of teeth and her undeveloped trademark voice.

Gillie is a young girl who likes playing pranks as part of her good-hearted but cheeky nature. During the entire film, it seems she can never quite full understand or appreciate the devastation of the murder she has witnessed. As an example of her cheekiness, she takes the hidden gun and ammunition to show off to her fellow choristers at a church-wedding!

Korchinsky and Gillie become friendly after the murder and must avoid the authorities together as they both eventually become wanted for their respective parts in the murder - Gillie as a witness to the act, who has taken off with the murder weapon, and Korchinsky as he eventually becomes suspect for the deed itself. At the moment of truth, will Gillie stick up for her new friend?

I was 2nd Radio Officer aboard the British cargo ship OSWESTRY GRANGE, which sailed regularly between the UK and the River Plate, from June 1958 until February 1959. At the beginning of October 1958, we were in Avonmouth (Bristol), when the "Tiger Bay" cast and crew came aboard to film the dock scenes, which were supposed to be in Barry. The ship's name was over-painted with the name LA PALOMA, and the white Maltese Cross on the funnel was transformed into a white square. When we sailed, we had to have our correct ship's name painted on boards, which were suspended over the bows, and only removed when filming was taking place. Our unique funnel must have caused a lot of puzzlement aboard other ships.

We then sailed up and down the Bristol Channel for a few days, while the filming of John Mills' arrival and boarding from the pilot boat, as well as the chase and jump involving the Hayley Mills character, took place. The jump was performed by a stunt woman, who was very much bigger than Hayley. It was a cold day, and the Bristol Channel looked very uninviting, but the stunt girl was cheerful and unperturbed. Fortunately for her, only one take was needed! The film people, including John and Hayley Mills, were very friendly. Of course, we had no idea what it was all about.

I didn't manage to see the film until I was serving with the Zim Israel line, when it was shown in a cinema on Mount Carmel in Haifa in June 1960. I'd expected to see myself in the scene where the ship was leaving Barry docks (i.e., Avonmouth), but I'd ended up on the cutting room floor.

I now have the film on DVD, and love re-watching it, because it's a really good film, with an amazing performance by Hayley Mills, and also, of course, because I can see my old ship again, and recall my youth and those fascinating days with the cast and crew.

this is a hidden gem... quickly, the film transports you to a different world, one of varying shades of gray, skies, people, emotions, degrees of truth.... the cinematography is surprising and fresh for a movie that is more than 40 years old, the camera angles that tell more in a one-second frame than a lot of movies nowadays take minutes to set up and then fail to do... there are no special effects, but there are plenty of moods and thoughts carried on faces in close-up and in backgrounds that move the story along.. hayley is great, the scene where she re-enacts the murder alone is worth watching the movie for.. and buchholz also is fun to see and totally credible in how his heart has pushed him in ways he never thought he would go.... a very brave man indeed..