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6,4/10
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Ajouter une intrigue dans votre langueIn 1942, Navy Lieutenant Kenneth Braden from the underwater demolition team is sent to a Japanese island to photograph secret radio codes.In 1942, Navy Lieutenant Kenneth Braden from the underwater demolition team is sent to a Japanese island to photograph secret radio codes.In 1942, Navy Lieutenant Kenneth Braden from the underwater demolition team is sent to a Japanese island to photograph secret radio codes.
- Réalisation
- Scénario
- Casting principal
Alan Hale Jr.
- Lt. Pat Malone
- (as Alan Hale)
Edd Byrnes
- Pharmacist Mate Ash
- (as Edward Byrnes)
Robert Aiken
- Seaman Ford
- (non crédité)
Fred C. Blau Jr.
- Junior
- (non crédité)
Carl Christian
- Ships Crewman
- (non crédité)
Robert Christopher
- Ship's Officer
- (non crédité)
Mary Lou Clifford
- Grass Hut Girl
- (non crédité)
George Crise
- Murphy, Radio Operator
- (non crédité)
Francis De Sales
- Captain Quinn
- (non crédité)
Avis à la une
It's 1942. Submarine Commander Paul Stevenson (Edmond O'Brien) struggle with the life and death of war in the South Pacific. Meanwhile, Navy frogman Lieutenant Braden (James Garner) is having a romance in San Diego with Sally. It turns out that she had been accessing him in secret. With recommendation from her, he is given a secret mission on Stevenson's boat.
This is a solid submarine war movie. While Garner is leading man material, he isn't given enough room to be his charismatic self. It's the early days of his stardom. There is a real submarine and real plane work. Once the movie gets back on land, Garner is by himself and the mission needs to move faster. It's too much waiting and the flashback doesn't help. It's a lot of quietly skulking around. It's not the most exciting of thrills. This is interesting to see an early movie with Garner as the leading man.
This is a solid submarine war movie. While Garner is leading man material, he isn't given enough room to be his charismatic self. It's the early days of his stardom. There is a real submarine and real plane work. Once the movie gets back on land, Garner is by himself and the mission needs to move faster. It's too much waiting and the flashback doesn't help. It's a lot of quietly skulking around. It's not the most exciting of thrills. This is interesting to see an early movie with Garner as the leading man.
Navy frogman goes on super secret mission to steal ultra secret Jap code books. Pretty phony actually - seems the Nips would have shouted "oy li chu dat lee ho phuk di hong fong fuuuuuuuuu!", or "those explosions looked like a ruse, let's check on the code books!". When Garner exited the water he made enough noise to wake the whole island, no real commando would have done that. Still not a bad film, fairly exciting: it had the usual Navy ships during combat footage plus a few "toys in the tub" scenes. I appreciated the submarine; it was cramped, hot, and miserable looking, exactly like the genuine article. I abhor those movie subs that sport hallways and rooms more fitting to the Trump mansion than a Naval vessel.
Up Periscope is the kind of World War II film that was more common actually during the World War II years. It involves a really incredible mission that Navy Lieutenant James Garner is on. At least the Japanese weren't portrayed as these bucktoothed apes.
The film is really a vehicle for Warner Brothers to showcase a pair of their television stars, Garner and Edd Byrnes from 77 Sunset Strip. Byrnes has a small role as a pharmacist's mate on a submarine. Having a much larger part would be Alan Hale, Jr. as the amorous ensign whose love life is interrupted by Garner's mission.
In fact the whole crew of Captain Edmond O'Brien's submarine gets their leave shortened for Garner. He's been specially vetted for this assignment having as qualifications frogman training and speaking fluent Japanese.
Garner's to be landed on an out of the way Japanese held island, he's to swim ashore while the submarine waits for him for a specific time. He's to photograph the Japanese naval code book and sneak out of there without them knowing it.
This one absolutely has me reeling. Garner because he would kind of stand out among all those Oriental faces no matter how fluent his Japanese was. Wouldn't you think the navy would get a Nisei type for this mission? And if not that, a Chinese person might do nicely.
Because Garner's white, he has to spend a considerable amount of time in hiding in the jungle and do his mission at night.
In point of fact the USA had broken the Japanese code. But that was done in Washington and Pearl Harbor by some hardworking cryptologists, not Garner doing a spying job.
This was the kind of stuff that the public was fed in 1943, but by 1959 it simply wasn't believed. I sure couldn't believe it in 2008.
The film is really a vehicle for Warner Brothers to showcase a pair of their television stars, Garner and Edd Byrnes from 77 Sunset Strip. Byrnes has a small role as a pharmacist's mate on a submarine. Having a much larger part would be Alan Hale, Jr. as the amorous ensign whose love life is interrupted by Garner's mission.
In fact the whole crew of Captain Edmond O'Brien's submarine gets their leave shortened for Garner. He's been specially vetted for this assignment having as qualifications frogman training and speaking fluent Japanese.
Garner's to be landed on an out of the way Japanese held island, he's to swim ashore while the submarine waits for him for a specific time. He's to photograph the Japanese naval code book and sneak out of there without them knowing it.
This one absolutely has me reeling. Garner because he would kind of stand out among all those Oriental faces no matter how fluent his Japanese was. Wouldn't you think the navy would get a Nisei type for this mission? And if not that, a Chinese person might do nicely.
Because Garner's white, he has to spend a considerable amount of time in hiding in the jungle and do his mission at night.
In point of fact the USA had broken the Japanese code. But that was done in Washington and Pearl Harbor by some hardworking cryptologists, not Garner doing a spying job.
This was the kind of stuff that the public was fed in 1943, but by 1959 it simply wasn't believed. I sure couldn't believe it in 2008.
In 1942, in California, the diver Lieutenant Kenneth M. Braden (James Garner) from the navy demolition team falls in love with Sally Johnson (Andra Martin) and proposes her. The reluctant woman asks for more time to decide, but Braden is summoned to travel to a base in the Pacific. Sooner he discovers that Sally is actually a military from navy assigned to check his qualifications for a classified mission. He must travel on board of the submarine Barracuda commanded by Commander Paul Stevenson (Edmond O'Brien) to a Japanese island and photograph their secret radio codes in a very dangerous mission.
"Up Periscope" is a good war thriller with an unbelievable plot that entertains. I would never dare to compare this film with the stunning masterpiece "Das Boot", but there are good action scenes. I decided to see this movie with very few expectations but in the end I had a pleasant surprise. My vote is seven.
Title (Brazil): Not Available
"Up Periscope" is a good war thriller with an unbelievable plot that entertains. I would never dare to compare this film with the stunning masterpiece "Das Boot", but there are good action scenes. I decided to see this movie with very few expectations but in the end I had a pleasant surprise. My vote is seven.
Title (Brazil): Not Available
Robb White's World War II naval-combat/coming-of-age novel is one of my lifetime favorites, so I eagerly anticipated seeing this movie on video. Unfortunately, the book spoiled it for me. I'm sure I would have liked this movie much better if I had never read the book. To be fair, this is a good war flick on its own merits.
Le saviez-vous
- AnecdotesDebut of Warren Oates.
- GaffesThere are a lot of uniform errors, and, there is no way that the Navy would allow an ensign to remain for 15 years.
- Citations
Commander Paul Stevenson: Oh, uh, one more thing, Mr. Braden, you don't get captured.
Lt. j.g. Kenneth M. Braden: Mm-hmm. I wouldn't think of it, sir.
- Crédits fousOpening credits: SOMEWHERE IN THE SOUTH PACIFIC - 1942
- ConnexionsEdited from Destination Tokyo (1943)
- Bandes originalesPlease Be Kind
(uncredited)
Music by Saul Chaplin
Played when Braden and Sally are lying on the beach and often in the score
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Up Periscope
- Lieux de tournage
- Pacific Ocean(submarine USS Tilefish)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 52min(112 min)
- Rapport de forme
- 2.35 : 1
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