NOTE IMDb
7,2/10
13 k
MA NOTE
Un dentiste fait semblant d'être marié pour éviter de s'engager.Un dentiste fait semblant d'être marié pour éviter de s'engager.Un dentiste fait semblant d'être marié pour éviter de s'engager.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 3 victoires et 6 nominations au total
Nick Borgani
- Bar Patron
- (non crédité)
Robert Buckingham
- Club Patron
- (non crédité)
Linda Burton
- Waitress
- (non crédité)
Hy Chase
- First Waiter
- (non crédité)
Charles Cirillo
- Club Patron
- (non crédité)
Mwako Cumbuka
- Man Dancing in Club
- (non crédité)
Charles Fogel
- Restaurant Patron
- (non crédité)
Don Furneaux
- Parcel Post Man
- (non crédité)
Avis à la une
I am surprised by the relatively low rating this film has. It is a screwball comedy & romance film rolled together by someone besides Billy Wilder but it does a really good job & even won an Oscar.
It is Ingrid Bergman's first film in the US since the 1950's & even though she is no longer the young bombshell she was in her early films, she brings off a difficult role quite handsomely. This film proves she had multiple talents beyond her good looks.
Goldie Hawn who won an Oscar in this, her first film, as supporting actress is very good as the modern sophisticated yet quirky latest mistress to Dentist playboy, love them & leave them Walter Mathaw. Goldie is delightful to all the senses in this role which with a great cast set her up as a slam dunk for this early career award.
This film is not real deep, but is a gem that has stood the test of time very well. Not sure why it's average is so low as I give it a solid 8.
It is Ingrid Bergman's first film in the US since the 1950's & even though she is no longer the young bombshell she was in her early films, she brings off a difficult role quite handsomely. This film proves she had multiple talents beyond her good looks.
Goldie Hawn who won an Oscar in this, her first film, as supporting actress is very good as the modern sophisticated yet quirky latest mistress to Dentist playboy, love them & leave them Walter Mathaw. Goldie is delightful to all the senses in this role which with a great cast set her up as a slam dunk for this early career award.
This film is not real deep, but is a gem that has stood the test of time very well. Not sure why it's average is so low as I give it a solid 8.
Ingrid Bergman, playing dentist Walter Matthau's faithful receptionist who harbors a little crush on her boss, is absolutely wonderful in this film. She handles the witty repartee in the script with aplomb and steals a terrific scene where she and Goldie Hawn talk in a record booth (Ingrid's monologue is a front, but her face tells you she believes in it with all her heart). Matthau is an odd choice for the leading man (he's too old for Goldie Hawn and too unrefined for Bergman, not to mention too unfocused to be a dentist), but I liked the way he tries hard to please Goldie and stumbles around trying to free himself from a lie. Hawn (who won a Supporting Oscar) is just as fresh and bubbly as she is today. This bedroom farce isn't terribly sophisticated (and faintly reminds one of "Any Wednesday" besides), but it's a welcome relief from the noisy, teen-oriented comedies churned out of present-day Hollywood. "Cactus Flower" is a lovely sigh! *** from ****
Walter Matthau is wonderful as the "philandering" dentist Dr. Julian Winston whose frequent fibs to girlfriend Goldie provide textbook proof of the dangers of lying. Goldie Hawn's touching kook Toni Simmons certainly deserved to win her Oscar. Ingrid Bergman's work as the stiff-as-starch nurse Stephanie is also touching to watch as she comes out of her shell, slowly and nervously. This is a great movie to watch in the springtime, or any time for that matter. It's very underrated; I never heard about it until I found it in the video store, and what a find!
Many farcical comedies of the 60's and 70's haven't stood the test of time. Cactus Flowers is one of the few that has.
It's quick, witty, well paced, clever and most importantly funny.
It's worth watching the film for the dancing scene alone: Seeing Ingrid Bergman doing "the dentist" was hilarious.
She really shows she has a flair for comedy.
The entire cast is brilliant. Special mention goes to a very young Goldie Hawn who looks (and sounds) like a different person! This is a classic. Highly recommended
It's quick, witty, well paced, clever and most importantly funny.
It's worth watching the film for the dancing scene alone: Seeing Ingrid Bergman doing "the dentist" was hilarious.
She really shows she has a flair for comedy.
The entire cast is brilliant. Special mention goes to a very young Goldie Hawn who looks (and sounds) like a different person! This is a classic. Highly recommended
I discovered this late one night on Turner Classics. I kept saying to myself "I'll turn it off as soon as it stops being funny", but needless to say I watched the whole way through.
I am a movie junkie but I had never even HEARD of this movie (or if I did in 1971, I forgot). It's worth watching just for the performance of Goldie Hawn as the tart-tongued ingénue. Her acting is a revelation in this movie. Yes, the script is sharp and excellent (when was the last time they made a Hollywood comedy with a smart script?) but her acting is extraordinary. I never realized how funny Goldie could be, and it makes her later appearances in roles such as Laugh-In and Private Benjamin a little sad. In her later career she is far too over-the-top compared to her minimalist, wickedly funny appearance here.
It's a pleasure watching the young Matthau, the great Bergman and the stellar supporting cast, but it's Goldie Hawn that will make this movie worth watching again.
I am a movie junkie but I had never even HEARD of this movie (or if I did in 1971, I forgot). It's worth watching just for the performance of Goldie Hawn as the tart-tongued ingénue. Her acting is a revelation in this movie. Yes, the script is sharp and excellent (when was the last time they made a Hollywood comedy with a smart script?) but her acting is extraordinary. I never realized how funny Goldie could be, and it makes her later appearances in roles such as Laugh-In and Private Benjamin a little sad. In her later career she is far too over-the-top compared to her minimalist, wickedly funny appearance here.
It's a pleasure watching the young Matthau, the great Bergman and the stellar supporting cast, but it's Goldie Hawn that will make this movie worth watching again.
Le saviez-vous
- AnecdotesMaking this movie was the first time Ingrid Bergman had been on a Hollywood sound stage since the 1940s--all her subsequent films up to that point had been made in Europe, even those for American studios.
- GaffesWhen Julian is driving Stephanie home, the shot from the driver's side of the car reveals the shadow of the car against the traffic on the movie screen behind them.
- Citations
Dr. Julian Winston: I must say, it's grotesque. A woman your age, throwing yourself at a kid like that!
Stephanie: And what about that eh, father-daughter thing of yours, if you don't think that's ridiculous...
Dr. Julian Winston: Well, it's different for a man. If a man is with a younger woman it looks entirely appropriate, but when it's the other way around, it's disg...
Stephanie: Well, you go to your church and I'll go to mine.
- ConnexionsFeatured in Ingrid (1984)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Flor de cactus
- Lieux de tournage
- 252 W. 11th Street, Manhattan, Ville de New York, New York, États-Unis(Toni's apartment building)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $US (estimé)
- Durée
- 1h 44min(104 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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