Blood Mania

The greatest moment in "Blood Mania" is the point when you come to realize that the writer and lead actor of this terribly inept movie is actually one and the same person! So, in other words, this dude – Peter Carpenter – probably couldn't care less that the overall film is dull & derivative, because he arranged for himself that he could smooch and fondle the perky breasts of no less than three extremely cute and luscious women! Nice going, Peter! Hey, I certainly don't blame the guy because a) apparently he died quite young about one year after the release of this film, and b) at least "Blood Mania" is a lot more watchable than the other movie he wrote; "Point of Terror" starring Dyanne Thorne. Carpenter depicts Craig Cooper, a hunky and successful private physician with a stunning redhead girlfriend, but he's being blackmailed by a sleazy thug who knows that he performed illegal abortions in the past. One of Craig's patients is a wealthy private clinic owner with a nymphomaniac daughter named Victoria. Her insatiable sex-hunger is marvelously illustrated near the beginning of the film, when she jumps the pool boy who literally screams for his mother! Victoria wants to kill her father with drug aphrodisiacs and share the inheritance with Craig, but only if he promises to remain her personal sex toy forever. Complications arise when the inheritance unexpectedly goes to deceased's other daughter Gail. Luckily for Craig, Gail is another very beautiful chick that also easily falls for his charms, but obviously the mad raving Victoria will not allow this romance to happen! Okay, so… Where's the blood? Where's the mania? I'm actually convinced that this could have been much better, if only they focused more on the atmosphere and plot instead of the on the bare chests of the female cast members. The opening sequences hint at psychedelic situations, but the rest of the film is slow-paced and full of redundant dialogs. There's a bit of nasty bloodshed near the ending, but the actual finale is dumb and unsatisfying. The constant "music" is irritating and the best characters (like the witty nurse) get neglected. Worth seeing only for the continuously exposed boobs of Maria De Aragon, Reagan Wilson and Vicky Peters.

Why did I rent this? Because I kept seeing it on the video store shelf and finally gave in to see what it was like. I don't know why I do these things.

Victoria is a pretty bad girl, as the box says. And I guess she is. She seduces every guy she comes across, and then kills her father for his inheritance. Then her sister and some other woman come to their house, and Victoria learns her sister is getting the inheritance instead. A little more, some weak horror, a sudden ending, and there's your movie. Nothing scary, nothing interesting, just a lot of cheesy make-out scenes put together with one scene of bloody murder, and there's your film. It's quite dull, and lifeless. Leave it be.

Stylish film noir-like thriller concerning a dashing doctor (Carpenter) whose medical practice owner (Allison) is bed-ridden following a heart attack, his daughter (De Aragon) a seductive vixen with a psychotic streak and a penchant for mind altering substances is eager to sink her claws into the virile Carpenter, but he's already got his hands full with another lusty companion (Wilson). De Aragon paints bold, expressive canvasses, has lots of sex and looks dazzling in the buff. She also agrees to help out Carpenter after he's blackmailed for having been a backyard abortionist, a stain that threatens his career, but the grand plan they conjure begins to unravel when her little sister (Peters) returns to claim the inheritance.

Funky, psychedelic sex soap opera isn't as bad as I'd read; it's not so much "blood" as it is "mania", and there's plenty of plot twists and diversions to keep you engaged. Carpenter isn't the best actor, but he's charismatic and has the charm to pull it off, as his character digs his grave ever deeper with each carnal lapse, while De Aragon, Peters and Wilson are three impressive specimens in spite of their apparent amateurish acting (De Aragon does improve as the film progresses, her 'mania' is at times quite chilling). Leslie Simms is sometimes amusing as an ugly duckling nurse and Alex Rocco gets a few frivolous moments as an estate lawyer. You'd also have to appreciate the minor yet absorbing role played by Dalya as Peters' loyal lesbian minder.

The soundtrack is a hybrid electronica, progressive rock sound, a fusion you'll either find petulant and irritating, or fitting with the offbeat nature of the film. Overall, I like it - it's cheap, dated and clichéd (it also ends quite abruptly), but it remains a sensory attraction with plenty of effort displayed in light, sound, sets, cinematography (some credited to Gary Graver), costumes and colour, not garish or gaudy when taken in its temporal context. Worth a look if you're open-minded.

An excellent example of drive-in fare, "Blood Mania" is a well-shot and acted sex thriller, notable for its unusual and dominant musical and electronic sounds score. It was diverting 50 years ago and holds up well as an example of horror before gore and special effects took over and became foremost in the fans' content demands.

Story of blackmail and murder makes perfect sense, with the added attraction of all the leading characters guilty of something -no good guys here. The general soap opera approach is conducive to better character acting than usual amateurism or overacting of B-horror movies. The deliberate, placid pacing works well - a more traditional approach. The biggest surprise here is the frequent sex and nudity included, tastefully presented but abundant. Stylish erotic fantasy sequences are a highlight.

Unusual plot elements are still topical, notably the antihero doctor lead being blackmailed by a handsome young slimeball for his past history of performing abortions (picture was made three years before Roe v. Wade). Claustrophobic stagings are balanced by a fine very '60s interlude of the doc starting to romance a new character, heiress Gale in S. O. L. I. footage of a renaissance fair and then gamboling in the surf.

Rewatching this film so many decades later I was reminded how entertaining traditional storytelling was before gimmicks of all sorts (mainly SPFX) took over. More's the pity.

The Plot.

A sex-crazed nympho helps speed along her father's death so she can use the inheritance to help out her depraved boyfriend.

Firstly the movie sucks. It's one of the weirdest films you'll ever see, and not in a good way.

It's really horribly tedious to watch.

On the plus side the technicolor rendering is great.

But to be perfectly frank, all three stars I am giving this movie are because of the female lead who had the hottest body I have ever seen.

Coupled with this is her complete willingness to strip down every 5 seconds. It's an amazing body to observe. Not an ounce of fat and the longest, flattest torso you will ever see.

Get out the Vaseline.